H\u01b0\u1edbng d\u1eabn 5 b\u00e0i t\u1eadp yoga cho m\u1eb9 sau sinh th\u01b0\u1eddng \u0111\u01a1n gi\u1ea3n, c\u00f3 th\u1ec3 th\u1ef1c hi\u1ec7n ngay t\u1ea1i nh\u00e0, ph\u00f9 h\u1ee3p v\u1edbi nh\u1eefng ng\u01b0\u1eddi m\u1edbi b\u1eaft \u0111\u1ea7u t\u1eadp luy\u1ec7n.

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Yoga l\u00e0 m\u1ed9t trong nh\u1eefng h\u00ecnh th\u1ee9c t\u1eadp luy\u1ec7n c\u00f3 th\u1ec3 \u0111\u00e1p \u1ee9ng \u0111\u01b0\u1ee3c t\u1ea5t c\u1ea3 nh\u1eefng mong mu\u1ed1n tr\u00ean n\u1ebfu s\u1ea3n ph\u1ee5 t\u1eadp luy\u1ec7n \u0111\u1ec1u \u0111\u1eb7n, ki\u00ean tr\u00ec. Do \u0111\u0

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Michelle Cowin-Mensah's research delves into the performative aspects of terrorism, racial profiling, and the dehumanization of the black body. Through the lens of performance studies, she explores how societal behaviors perpetuate systemic injustice and erode the emotional relevance of black indivi

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Vi\u1ec7c m\u1eb9 b\u1ea7u t\u1eadp luy\u1ec7n c\u00e1c b\u00e0i t\u1eadp th\u1ec3 d\u1ee5c cho b\u00e0 b\u1ea7u 3 th\u00e1ng \u0111\u1ea7u \u0111\u1ec1u \u0111\u1eb7n, th\u01b0\u1eddng xuy\u00ean s\u1ebd gi\u00fap t\u1ea1o d\u1ef1ng m\u1ed9t n\u1ec1n t\u1ea3ng s\u1ee9c kh\u1ecfe t\u1ed1t nh\u1ea5t

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C\u00f3 thai 3 th\u00e1ng \u0111\u1ea7u c\u00f3 n\u00ean t\u1eadp th\u1ec3 d\u1ee5c? Vi\u1ec7c b\u00e0 b\u1ea7u c\u00f3 n\u00ean t\u1eadp th\u1ec3 d\u1ee5c trong 3 th\u00e1ng \u0111\u1ea7u mang thai hay kh\u00f4ng l\u00e0 th\u1eafc m\u1eafc c\u1ee7a r\u1ea5t nhi\u1ec1u b\u00e0 m\u1eb9.

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C\u00f3 m\u1ed9t s\u1ed1 b\u00e0i t\u1eadp th\u1ec3 d\u1ee5c cho b\u00e0 b\u1ea7u 3 th\u00e1ng cu\u1ed1i gi\u00fap m\u1eb9 d\u1ec5 sinh h\u01a1n, chuy\u1ec3n d\u1ea1 nhanh h\u01a1n. C\u00f9ng t\u00ecm hi\u1ec3u v\u1ec1 nh\u1eefng b\u00e0i t\u1eadp n\u00e0y qua b\u00e0i vi\u1ebft d\u01b0\u1edbi \u011

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T\u1eadp th\u1ec3 d\u1ee5c khi mang thai l\u00e0 m\u1ed9t trong s\u1ed1 nh\u1eefng ho\u1ea1t \u0111\u1ed9ng m\u00e0 c\u00e1c m\u1eb9 n\u00ean th\u1ef1c hi\u1ec7n. \u0110i\u1ec1u n\u00e0y kh\u00f4ng ch\u1ec9 gi\u00fap m\u1eb9 d\u1ec5 sinh h\u01a1n m\u00e0 c\u00f2n mang l\u1ea1i nhi\u1ec1u l\u1ee3i \u

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V\u1edbi m\u1eb9 b\u1ea7u, vi\u1ec7c t\u1eadp th\u1ec3 d\u1ee5c kh\u00f4ng nh\u1eefng gi\u00fap c\u1ea3i thi\u1ec7n s\u1ee9c kh\u1ecfe, d\u1ec5 sinh m\u00e0 c\u00f2n \u0111\u1eb7c bi\u1ec7t h\u1eefu \u00edch cho s\u1ef1 ph\u00e1t tri\u1ec3n c\u1ee7a em b\u00e9 trong b\u1ee5ng. D\u01b0\u1edbi \u0111\

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Discussions on the importance of dialogue and connectedness in validating knowledge claims, challenges faced by Black women scholars, and the role of style in constructing identity, with insights on humor as a cultural marker.

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R\u1ea5t nhi\u1ec1u m\u1eb9 b\u1ea7u c\u00f3 th\u00f3i quen th\u1ee9c khuya, ng\u1ee7 mu\u1ed9n trong th\u1eddi gian mang thai m\u00e0 kh\u00f4ng bi\u1ebft nh\u1eefng t\u00e1c \u0111\u1ed9ng c\u1ee7a vi\u1ec7c l\u00e0m n\u00e0y t\u1edbi thai k\u1ef3. M\u1eb9 b\u1ea7u ng\u1ee7 mu\u1ed9n c\u00f3 \u1ea

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M\u1ed7i ng\u01b0\u1eddi m\u1eb9 c\u00f3 tuy\u1ebfn s\u1eefa kh\u00f4ng gi\u1ed1ng nhau, v\u00e0 kh\u00f4ng ph\u1ea3i m\u1eb9 b\u1ec9m n\u00e0o c\u0169ng c\u00f3 th\u1ec3 cho con b\u00fa no. V\u1eady ng\u01b0\u1eddi m\u1eb9 c\u1ea7n ph\u1ea3i l\u00e0m g\u00ec \u0111\u1ec3 c\u00f3 \u0111\u1ee7 s\u1ee

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Ch\u0103m s\u00f3c sau chuy\u1ec3n ph\u00f4i l\u00e0 nh\u1eefng c\u00e1ch ch\u0103m s\u00f3c m\u1eb9 b\u1ea7u sau khi th\u1ef1c hi\u1ec7n th\u1ee7 thu\u1eadt quan tr\u1ecdng, gi\u00fap t\u0103ng t\u1ef7 l\u1ec7 th\u1ee5 thai th\u00e0nh c\u00f4ng.

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V\u00f2ng 2 thon g\u1ecdn l\u00e0 mong mu\u1ed1n c\u1ee7a nhi\u1ec1u ch\u1ecb em sau sinh nh\u1ea5t l\u00e0 sau sinh m\u1ed5. Khi n\u00e0o c\u00f3 th\u1ec3 b\u1eaft \u0111\u1ea7u t\u1eadp b\u1ee5ng sau sinh m\u1ed5 \u0111\u1ec3 \u0111\u1ea3m b\u1ea3o an to\u00e0n cho s\u1ee9c kh\u1ecfe l\u00e0 v\u1e

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R\u1ea5t nhi\u1ec1u nh\u1eefng b\u0103n kho\u0103n sau chuy\u1ec3n ph\u00f4i nh\u01b0 ch\u1ebf \u0111\u1ed9 \u0103n, ch\u1ebf \u0111\u1ed9 sinh ho\u1ea1t, ngh\u1ec9 ng\u01a1i. V\u00e0 t\u01b0 th\u1ebf n\u1eb1m ng\u1ee7 sau khi chuy\u1ec3n ph\u00f4i c

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C\u00e1c chuy\u00ean gia khuy\u00ean b\u00e0 b\u1ea7u n\u00ean n\u1eb1m nghi\u00eang tr\u00e1i l\u00e0 t\u1ed1t nh\u1ea5t. V\u00ec sao b\u00e0 b\u1ea7u n\u00ean n\u1eb1m nghi\u00eang b\u00ean tr\u00e1i?

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Sau sinh m\u1ed5, m\u1eb9 n\u00e0o c\u0169ng mu\u1ed1n mau ch\u00f3ng l\u1ea5y l\u1ea1i v\u00f3c d\u00e1ng b\u1eb1ng c\u00e1ch t\u1eadp th\u1ec3 d\u1ee5c. Tuy nhi\u00ean, sau sinh m\u1ed5 3 th\u00e1ng t\u1eadp th\u1ec3 d\u1ee5c \u0111\u01b0\u1ee3c kh

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Trong th\u1eddi k\u1ef3 mang thai, c\u00e1c m\u1eb9 th\u01b0\u1eddng quan t\u00e2m \u0111\u1ebfn chu k\u1ef3 gi\u1ea5c ng\u1ee7 c\u1ee7a thai nhi. V\u1eady m\u1eb9 l\u00e0m sao \u0111\u1ec3 bi\u1ebft thai nhi \u0111ang th\u1ee9c?

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L\u00e0m sao \u0111\u1ec3 bi\u1ebft thai nhi \u0111ang ng\u1ee7 l\u00e0 \u0111i\u1ec1u c\u00e1c m\u1eb9 c\u1ea7n bi\u1ebft, gi\u00fap m\u1eb9 nh\u1eadn bi\u1ebft \u0111\u01b0\u1ee3c nh\u1ecbp sinh l\u00fd c\u1ee7a con trong thai k\u1ef3 t\u1ed1t nh\u

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Explore the impact of racism and racial disparities through a book club focused on personal growth, provoking emotional responses, and committing to action and systems change. The club delves into definitions, blackness and whiteness, breaking silence, and confronting societal norms. Engage in conve

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R\u1ea5t nhi\u1ec1u m\u1eb9 \u0111ang cho con b\u00fa g\u1eb7p t\u00ecnh tr\u1ea1ng m\u1ea5t s\u1eefa 1 b\u00ean khi\u1ebfn c\u00e1c m\u1eb9 v\u00f4 c\u00f9ng lo l\u1eafng. \u00c1p d\u1ee5ng c\u00e1c bi\u1ec7n ph\u00e1p \u0111\u1ec3 l\u1ea5y l\u1ea1i

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Sau sinh m\u1ed5 bao l\u00e2u th\u00ec n\u1eb1m nghi\u00eang \u0111\u01b0\u1ee3c? M\u1eb9 sau sinh m\u1ed5 n\u1eb1m \u0111\u00fang t\u01b0 th\u1ebf ng\u1ee7 s\u1ebd gi\u00fap v\u1ebft m\u1ed5 \u0111\u1ee1 \u0111au, g\u00f3p ph\u1ea7n gi\u00fap s\u1ee

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Ben Jonson, a renowned playwright and contemporary of Shakespeare and Donne, led a tumultuous life marked by writing scandals, imprisonment, and notable works like "The Masque of Blackness." Known for his diverse literary contributions and associations with influential figures, Jonson's legacy conti

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Gi\u1ea3i \u0111\u00e1p mang thai 5 tu\u1ea7n m\u1eb9 b\u1ea7u c\u00f3 nh\u1eefng thay \u0111\u1ed5i g\u00ec gi\u00fap c\u00e1c m\u1eb9 s\u1edbm nh\u1eadn bi\u1ebft \u0111\u01b0\u1ee3c b\u1ea3n th\u00e2n \u0111ang mang thai.

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Khi mang thai, h\u1ec7 mi\u1ec5n d\u1ecbch c\u1ee7a m\u1eb9 b\u1ea7u b\u1ecb suy gi\u1ea3m, v\u00ec v\u1eady t\u1ef7 l\u1ec7 m\u1eafc c\u00e1c lo\u1ea1i b\u1ec7nh c\u0169ng cao h\u01a1n. M\u1ed9t trong s\u1ed1 c\u00e1c b\u1ec7nh khi\u1ebfn b\u00e0 b\

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Nghe nh\u1ea1c gi\u00fap thai nhi ph\u00e1t tri\u1ec3n to\u00e0n di\u1ec7n v\u1ec1 tr\u00ed tu\u1ec7 v\u00e0 kh\u1ea3 n\u0103ng c\u1ee7a b\u00e9. Nhi\u1ec1u m\u1eb9 v\u1eabn c\u00f2n th\u1eafc m\u1eafc kh\u00f4ng bi\u1ebft n\u00ean cho thai nhi nghe

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Shreya Parikh, a Dual Ph.D. candidate, delves into the social construction of Blackness in Tunisia through a comprehensive research project focusing on social imagination, racialization based on skin color, and processes of contestation. The study aims to unravel the intersections of race, ethnicity

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D\u1ecb \u1ee9ng da, n\u1ed5i m\u1ea9n ng\u1ee9a, m\u1ec1 \u0111ay l\u00e0 t\u00ecnh tr\u1ea1ng th\u01b0\u1eddng g\u1eb7p \u1edf ph\u1ee5 n\u1eef 3 th\u00e1ng sau sinh, d\u00f9 l\u00e0 sinh th\u01b0\u1eddng hay sinh m\u1ed5, c\u01a1 \u0111\u1ecba c\u

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nhi\u1ec1u m\u1eb9 b\u1ea7u b\u0103n kho\u0103n kh\u00f4ng bi\u1ebft \u0111\u00e2u l\u00e0 d\u1ea5u hi\u1ec7u thai 5 tu\u1ea7n ph\u00e1t tri\u1ec3n b\u00ecnh th\u01b0\u1eddng. D\u01b0\u1edbi \u0111\u00e2y l\u00e0 nh\u1eefng \u0111\u1eb7c \u0111i\u1ec

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H\u1eaft h\u01a1i s\u1ed5 m\u0169i l\u00e0 t\u00ecnh tr\u1ea1ng r\u1ea5t nhi\u1ec1u ch\u1ecb me m\u1eafc ph\u1ea3i khi mang thai v\u00e0 c\u00f3 \u1ea3nh h\u01b0\u1edfng nhi\u1ec1u \u0111\u1ebfn sinh ho\u1ea1t h\u1eb1ng ng\u00e0y. H\u1eaft h\u01a1i s

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Sau sinh b\u1ecb \u0111au r\u0103ng l\u00e0 t\u00ecnh tr\u1ea1ng th\u01b0\u1eddng g\u1eb7p \u0111\u1ed1i v\u1edbi c\u00e1c m\u1eb9 b\u1ec9m. Khi b\u1ecb \u0111au r\u0103ng, m\u1eb9 s\u1ebd c\u00f3 c\u1ea3m gi\u00e1c \u0111au nh\u1ee9c v\u00e0 kh\u00f

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B\u00e0i vi\u1ebft h\u00f4m nay s\u1ebd mang \u0111\u1ebfn cho c\u00e1c m\u1eb9 c\u00e1ch ng\u0103n s\u1eefa ch\u1ea3y nhi\u1ec1u khi cho con b\u00fa, gi\u00fap tr\u00e1nh nh\u1eefng t\u00ecnh hu\u1ed1ng kh\u00f4ng mong mu\u1ed1n v\u00e0 \u0111\u1ea3

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M\u1eb9 b\u1ea7u \u0111au l\u01b0ng kh\u00f4ng ch\u1ec9 \u1ea3nh h\u01b0\u1edfng t\u1edbi sinh ho\u1ea1t h\u00e0ng ng\u00e0y m\u00e0 c\u00f2n g\u00e2y m\u1ea5t ng\u1ee7 ban \u0111\u00eam. V\u1eady b\u00e0 b\u1ea7u \u0111au l\u01b0ng v\u1ec1 \u0111\u0

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R\u1ee5ng t\u00f3c sau sinh l\u00e0 v\u1ea5n \u0111\u1ec1 r\u1ea5t nhi\u1ec1u ch\u1ecb em sau khi sinh con g\u1eb7p ph\u1ea3i khi\u1ebfn kh\u00f4ng \u00edt c\u00e1c m\u1eb9 bu\u1ed3n phi\u1ec1n t\u1ef1 ti khi t\u00f3c r\u1ee5ng qu\u00e1 nhi\u1ec1u. L

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T\u00ecnh tr\u1ea1ng c\u0103ng th\u1eb3ng qu\u00e1 m\u1ee9c c\u00f3 th\u1ec3 g\u00e2y ra nhi\u1ec1u \u1ea3nh h\u01b0\u1edfng t\u1edbi ch\u1ea5t l\u01b0\u1ee3ng cu\u1ed9c s\u1ed1ng v\u00e0 s\u1ee9c kh\u1ecfe c\u1ee7a m\u1eb9 sau sinh. B\u00ean c\u1ea1

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Explore the themes of identity, masks, and performance in the works of Danaids, Dunbar, and Ellison, as they delve into the complexities of black experience through the use of masks and metaphorical theatricality. The juxtaposition of ancient Greek tragedy and modern American literature reveals the

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Sau qu\u00e1 tr\u00ecnh v\u01b0\u1ee3t c\u1ea1n, \u0111i\u1ec1u quan tr\u1ecdng m\u1eb9 b\u1ec9m c\u1ea7n l\u00e0m l\u00e0 ch\u0103m s\u00f3c b\u1ea3n th\u00e2n \u0111\u1ec3 gi\u00fap c\u01a1 th\u1ec3 ph\u1ee5c h\u1ed3i nhanh ch\u00f3ng. Do \u0111\u0

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M\u1ed9t gi\u1ea3i ph\u00e1p \u0111\u01a1n gi\u1ea3n m\u00e0 v\u00f4 c\u00f9ng h\u1eefu hi\u1ec7u \u0111\u00f3 l\u00e0 b\u1ed5 sung nh\u1eefng m\u00f3n canh l\u1ee3i s\u1eefa cho b\u00e0 \u0111\u1ebb d\u00f9ng trong m\u00f9a h\u00e8, \u0111\u1ea3m b\

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Dive into the world of symbolism with projects centered around Edgar Allan Poe's "The Masque of the Red Death." From bell ringers to assessments, this collection offers a creative and engaging way to analyze the deeper meanings within the text. Students will decode symbols, connect themes, and expre

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Vi\u1ec7c b\u1ed5 sung canxi cho ph\u1ee5 n\u1eef sau sinh l\u00e0 r\u1ea5t quan tr\u1ecdng v\u00ec l\u01b0\u1ee3ng canxi \u0111\u01b0\u1ee3c h\u1ea5p thu v\u00e0o b\u00e9 ch\u1ee7 y\u1ebfu th\u00f4ng qua d\u00f2ng s\u1eefa m\u1eb9. V\u00ec v\u1eady c\u1ea7n b\u1ed5 sung c\u00e1c th\u1ef1c ph\u1ea9m

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Yoga l\u00e0 b\u1ed9 m\u00f4n v\u1eadn \u0111\u1ed9ng khoa h\u1ecdc v\u00e0 l\u00fd t\u01b0\u1edfng cho c\u00e1c b\u00e0 b\u1ea7u, v\u1edbi nhi\u1ec1u b\u00e0i t\u1eadp \u0111a d\u1ea1ng, ph\u00f9 h\u1ee3p. M\u1eb9 h\u00e3y \u0111\u1ecdc ngay b\u00e0

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