Insights from Horace's Ars Poetica: Poema
Horace's Ars Poetica: Poema delves into the art of poetry, focusing primarily on drama as a form of expression. It emphasizes the importance of plot construction, characterization, and the dramatic style in creating compelling works of literature. Drawing from traditional themes while allowing for skillful innovation, Horace's teachings provide valuable guidelines for aspiring poets. The work stresses coherence, consistency, and authenticity in portraying characters and situations, as well as the significance of maintaining a logical progression in the narrative flow. Furthermore, it offers advice on the structuring of plays, including the optimal number of acts, characters per scene, and the role of the chorus. Horace's insightful observations serve as a timeless resource for enhancing one's writing skills and enriching the world of literature.
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Presentation Transcript
Horaces Ars Poetica: Poema Poema is the second part of Ars Poetica. It is the most thoroughly handled of the three parts. In this part, drama as a form of poetry is discussed at length to the exclusion of the lyric and the epic.
Horaces Ars Poetica: Poema 1. The Plot The plot should be based on old familiar stories, and novelty may be imparted by skillful treatment. New themes may be invented, but for their successful treatment the poet requires great skill and art. When an old story is chosen, a slavish imitation of all details is not necessary, but care should be taken that the reshaping process is free from inconsistencies and absurdities. Comic themes should not be treated in the lofty vein of tragedy, nor tragic themes in the low vein of comedy.
Horaces Ars Poetica: Poema 1. The Plot As regards plot construction, it is good to follow the example of Homer, and plunge strait into the middle. The beginning should be simple and straightforward. All unnecessary details should be avoided. All incidents should have a logical connection.
Horaces Ars Poetica: Poema 2. Characterization The poet must be true to Types. Characters must be consistent. Those drawn from tradition must preserve their traditional traits. The qualities of various characters must fit their respective ages. Thus children should be shown as quick to anger and quick to cool, boys fond of sport, reckless, fickle and high-spirited; the men of riper years as businesslike, ambitious and worldly-wise ; and the old men always as critics of the new times and full of praises for the past, almost sluggish and cynical.
Horaces Ars Poetica: Poema 3. The dramatic style The dramatic style must vary in accordance with character, mood and circumstance. Different tones must be associated with different moods and personalities. This is essential for verisimilitude. The dramatist must know what to represent on the stage and what to report to the audience. Ugly and horrible incidents should happen off the stage.
Horaces Ars Poetica: Poema A play should not have more or less than FIVE ACTS. There must not be more than THREE CHARACTERS in any one scene. The fourth character should never be introduced. The gods should not intervene in the action, unless it is absolutely essential. The denouement should be the natural outcome of the incidents which have preceded, not the result of chance. The should forward the action of the play, and it, must back the good, and give sage counsel. It must check and control the passionate. Chorus should form an integral part of the play. Its songs
Horaces Ars Poetica: Poema The meter in which a long syllable is preceded by a short one is called Iambic meter. The syllables should be in groups of six. Spondees may be occasionally used for a change, to make the movement sedate and slower. the Greek models should be strictly followed. The poet who wants to achieve excellence must, read them by day, and think of them by night.
The End See you next time!
