Exploring the Creative Process of Jessica Christina in Contemporary Dance at Inspiryo Moves, Bandung

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"Delve into the dynamic world of contemporary dance development in Bandung through the creative journey of Jessica Christina at Inspiryo Moves. Discover how she intertwines passion, experience, and innovation to nurture a vibrant dance ecosystem in Indonesia."


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  1. ICADE 2022 ARBI NURALAMSYAH CREATIVE PROCESS OF CREATING TRAN.SIT DANCE BY JESSSICA CHRISTINA AT THE INSPYRO MOVES PLATFORM BANDUNG

  2. INTRODUCTION THE DEVELOPMENT OF CONTEMPORARY DANCE IN BANDUNG CITY IS SO FAST, NOT STAGNANT AND ABLE TO COMPARE WITH OTHER CITIES THERE IS STILL THE MIND THAT BANDUNG IS NOT STRONG OTHER CITIES AND BECAUSE OF SOME FACTORS INITIATORS APPEAR AND MOVE OUTSIDE THE DANCE ENVIRONMENT SCHEME THAT CONSISTS AND BEGINS WITH VISION, MISSION, TARGETS, ALSO INTERESTING SEGMENTS QUESTION HOW THE CREATIVE PROCESS OF JESSICA CHRISTINA CREATED TRAN.SIT'S DANCE ON THE INSPYRO MOVES PLATFORM BANDUNG? METHOD QUALITATIVE PARADIGM WITH DESCRIPTION- ANALYTIC METHOD. DATA COLLECTION TECHNIQUES IN THE FORM OF OBSERVATIONS, INTERVIEWS, DOCUMENTATION STUDIES, AND LITERATURE STUDIES. DATA ANALYSIS TECHNIQUE IS TRIANGULATED.

  3. Jesssica choreographer and dance teacher, who is passionate about contemporary dance. In addition to dancing in Indonesia, she also often dances on international stages, such as in Singapore, Malaysia, China, Korea, France, Italy and Denmark. Christina (Jesss) is a dancer, Formal education in classical ballet from RAD (Rovel Academy of Dance), advanced II Ballet (2007), and continued his studies at LASALLE Callege of the Arts Singapore. WHO S JESSICA CHRISTINA? Learn to hone his dancing and of course have the opportunity to dance with foreign choreographers like Kuik Swee Boon. Kim Jae Duk. Dimo Kirilov Milev, Wu Yi San, Xing Liang and Jeffrey Tan. Jesssica, for her longing to share experiences and hope to be able to participate in building the contemporary dance ecosystem.. In 2014 Jess returned to Indonesia, married and settled in Bandung In 2015 Inspyro Moves was presented by consistently for 7 (seven) years of career in Singapore, one of which was as a teacher at O School Singapore and a full-time dancer with T.H.E Dance Company Singapore. 9/3/20XX Presentation Title 3

  4. HOW PROSES KREATIF JESSICA DI INSPYRO MOVES? What s INSPYRO MOVES? Jesssica's creative process is not only poured into making personal works but by presenting programs in the form of events based on the purpose of establishing Inspyro Moves. A place for Indonesian dancers to broaden their horizons in the world of dance, make acquaintances, network and connect with inter-city dancers to inspire each other, and most importantly, learn together with the aim of supporting the sustainability of dance in Bandung and Indonesia. REGULER CLASS WORKSHOP DANCE INTENSVE SHARING SESSION I.M OFFICIAL DANCE COMPETITION In the early days of the PSBB/covid-19 pandemic in the city of Bandung, Inspyro Moves swiftly shifted its activities and classes into an online format that lasted only 2 months. Taking a break of 1 month, just take this opportunity to evaluate, train and improve the skills of I.M Officials. to reflect themselves in strategies for dealing with future situations. Jesss invites I.M Officials to retrace their feelings and emotions Space to gain valuable learning, especially for those (people) who may not have the opportunity to study dance abroad. Jesssica tries to introduce contemporary dance to more dancers and the public, so that there is interest and appreciation for the art of this field.

  5. Dancing is an expression and communication of energy through body movements between the dancer and the audience. and space without having to say a word. Jesss explores dance through an understanding of the freedom of movement of the body, she hears where her body wants to move, observes space and her surroundings, and "speaks through her dance compositions. A consideration that is complex and requires maturity, because in this case she balances the moment between free movement and flow. by giving definition and meaning. PROSES KREATIF KARYA TRAN SIT Alma M Hawkins' theory suggests that there are several stages in the creative process, namely: Experiencing/Revealing, Seeing, Feeling, Imagining, Manifesting, Self- Formation, Leading the Experience Process and Evaluation Alma M Hawkins in his book entitled Moving From Within A New Method For Dance Making which is translated by I Wayan Dibia states that creativity is a process of searching within oneself which is full of memories, thoughts, and sensations to the most basic nature for life. DANCERS COSTUM MOTION TIME MUSIC SPACE MAKEUP Presentation Title 5

  6. CONCLUSION Based on the research that has been done, it can be concluded that Jessica's creative process can have a significant impact on the contemporary dance ecosystem in the city of Bandung. This can be seen from his hard work with Inspro Moves to awaken the passion and enthusiasm of every actor in this field. Studying one's creative process is not only about creating works with all the novelty of ideas and ideas it offers. But it can be realized in other ways, such as sharing experiences, transferring knowledge through learning, especially when it comes to creativity in any field. For example, Jessica who presents many training programs and events, which provide opportunities for anyone who wants to learn regardless of background. Contemporary dance can be interpreted as a freedom of expression, openness, and humanity. This statement is evidenced in the work of Transit as a result of Jessica's creativity in seeing the progress of the times/modernity along with existing social and environmental phenomena. REFERENCE Supriyanto, Eko. Ikat Kait Impulsif Sarira, gagasan yang mewujud Era 1990- 2010. Yogyakarta, Garudhawaca, 2018. (126) Narawari,Tati. Wajah Tari Sunda Dari Masa Ke Masa. Bandung. PAST UPI. 2003. (146,180) Suanda, Endo & Sumaryono. Tari Tontonan, Buku Pelajaran Kesenian Nusantara. LPSN. Sawah lunto. 2006. (25) Hawkins, Alma M., and Wayan Dibia. Bergerak menurut kata hati: metoda baru dalam menciptakan tari. Masyarakat Seni Pertunjukan Indonesia (MSPI), 2003. (15) Sunaryo, Ayo. Dasar-Dasar Koreografi. UPI Press. Bandung. 2020. (127) Imam, Imam Kristianto. "Proses Kreatif Eko Supriyanto dalam Penciptaan Tari Balabala." Jurnal Kajian Seni 5.2 (2019): 207-220. (218) Mulyana, Edy. "Kreativitas Gugum Gumbira dalam Penciptaan Jaipongan." Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni 6.1 (2009). (20) Sutianto, Maradita. Sebuah pengantar (curratorial statment) Tran Sit, Solo Project Jessica Christina dan I.M Officials. 2020 9/3/20XX Presentation Title 6

  7. THANKS 7

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