Critical Approaches to Literature and Literary Theory

 
Critical Approaches
to Literature
 
Literary Theory
Unit Focus Questions
 
How do we study literature?
How do viewpoint and bias affect
our perception of reality?
Critical Approaches to the Study of Literature
 
Critical Approaches are different
perspectives we consider when looking at
a piece of literature.
They seek to give us answers to these
questions, in addition to aiding us in
interpreting literature.
 
1. What do we read?
 
2. Why do we read?
3
.
 
H
o
w
 
d
o
 
w
e
 
r
e
a
d
?
Critical Approaches to Consider
 
1.
Reader-Response Criticism
2.
Formalist Criticism
3.
Psychological/Psychoanalytic Criticism
4.
Sociological Criticism
A. Feminist/Gender Criticism
B. Marxist Criticism
5.
Biographical Criticism
6.
New Historicist Criticism
Questions to ponder for each
Theory/Approach
 
What are the benefits of each form of
criticism?
What are potential problems with each
form?
Is there a “right” or a “wrong” form?
Can the mode of criticism alter the entire
meaning of a text?
 
1. The Reader-Response Approach – Part 1
 
Reader-Response Criticism asserts that a great deal of
meaning in a text lies with how the reader responds to it.
Focuses on the act of reading and how it affects our
perception of meaning in a text (how we feel at the
beginning vs. the end)
Deals more with the process of creating meaning and
experiencing a text as we read.  A text is an
experience, not an object.
The text is a living thing that lives in the reader’s
imagination.
 
READER + READING SITUATION + TEXT = MEANING
 
1. The Reader-Response Approach – Part 2
 
Important Ideas in Reader-Response
1.
An individual reader’s interpretation usually
changes over time.
2.
Readers from different generations and
different time periods interpret texts
differently.
 
Ultimately… How do YOU feel about what you
have read?  What do YOU think it means?
2. The Formalist Approach – Part 1
 
Formalist Criticism emphasizes the form of a literary
work to determine its meaning, focusing on literary
elements and how they work to create meaning.
Examines a text as independent from its time period,
social setting, and author’s background.  A text is an
independent entity.
Focuses on close readings of texts and analysis of
the 
effects
 of literary elements and techniques on the
text.
 
2. The Formalist Approach – Part 2
 
Two Major Principles of Formalism
1.
A literary text exists
independent of any particular
reader and, in a sense, has a
fixed meaning.
2.
The greatest literary texts are
“timeless” and “universal.”
3. The Psychological/ Psychoanalytic
Approach
 
Psychological Criticism views a text as a
revelation of its author’s mind and personality.
It is based on the work of Sigmund Freud
.
Also focuses on the 
hidden
 motivations of
literary characters
Looks at literary characters as a reflection of
the writer
4. The Sociological Approach
 
Sociological criticism argues that social
contexts (the social environment) must
be considered when analyzing a text.
Focuses on the values of a society
and how those views are reflected in
a text
Emphasizes the economic, political,
and cultural issues within literary
texts
Core Belief:  Literature is a reflection
of its society.
4A. The Marxist Approach – Part 1
 
Marxist Criticism emphasizes economic
and social conditions.  It is based on
the political theory of Karl Marx and
Friedrich Engels.
Concerned with understanding the
role of power, politics, and money in
literary texts
4A. The Marxist Approach – Part 2
 
Marxist Criticism examines literature to
see how it reflects
1.
The way in which dominant groups
(typically, the majority) exploit the
subordinate groups (typically, the
minority)
2.
The way in which people become
alienated from one another through
power, money, and politics
 
4B. The Feminist Approach – Part 1
 
Feminist Criticism is concerned with the role,
position, and influence of women in a
literary text.
Asserts that most “literature” throughout
time has been written by men, for men.
Examines the way that the female
consciousness is depicted by both male
and female writers.
 
4B. The Feminist Approach – Part 2
 
4 Basic Principles of Feminist Criticism
1.
Western civilization is patriarchal.
2.
The concepts of gender are mainly
cultural ideas created by patriarchal
societies.
3.
Patriarchal ideals pervade “literature.”
4.
Most “literature” through time has been
gender-biased.
 
5. The Biographical Approach – Part 1
 
Biographical Criticism argues that we must
take an author’s life and background into
account when we study a text.
 
5. The Biographical Approach – Part 2
 
Three Benefits:
1.
Facts about an author’s experience can help a
reader decide how to interpret a text.
2.
A reader can better appreciate a text by
knowing a writer’s struggles or difficulties in
creating that text.
3.
A reader can understand a writer’s
preoccupation by studying the way they apply
and modify their own life experiences in their
works.
 
6. The New Historicist Approach – Part 1
 
New Historicist Criticism argues that every literary
work is a product of its time and its world.
 
6. The New Historicist Approach – Part 2
 
New Historicism:
1.
Provides background information necessary to
understand how literary texts were perceived in their
time.
2.
Shows how literary texts reflect ideas and attitudes
of the time in which they were written.
New historicist critics often compare the language in
contemporary documents and literary texts to reveal
cultural assumptions and values in the text.
 
REMEMBER…
 
We will never look at a text STRICTLY from one
standpoint or another, ignoring all other views.
That is antithetical to what we are trying to do.
We should always keep our focus on the text and
use these critical approaches to clarify our
understanding of a text and develop an
interpretation of it.
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Explore different critical approaches to studying literature, including Reader-Response Criticism, Formalist Criticism, Psychological/Psychoanalytic Criticism, Sociological Criticism, and more. Dive into questions of how we read, interpret, and perceive meaning in texts, considering the impact of viewpoint, bias, and reader response on our understanding of literature. Delve into the significance of various forms of criticism, their benefits, potential drawbacks, and the ways in which they can shape the meaning of a text.

  • Literature
  • Literary Theory
  • Critical Approaches
  • Reader-Response Criticism
  • Interpretation

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  1. Critical Approaches to Literature Literary Theory

  2. Unit Focus Questions How do we study literature? How do viewpoint and bias affect our perception of reality?

  3. Critical Approaches to the Study of Literature Critical Approaches are different perspectives we consider when looking at a piece of literature. They seek to give us answers to these questions, in addition to aiding us in interpreting literature. 1. What do we read? 2. Why do we read? 3. How do we read?

  4. Critical Approaches to Consider 1. Reader-Response Criticism 2. Formalist Criticism 3. Psychological/Psychoanalytic Criticism 4. Sociological Criticism A. Feminist/Gender Criticism B. Marxist Criticism 5. Biographical Criticism 6. New Historicist Criticism

  5. Questions to ponder for each Theory/Approach What are the benefits of each form of criticism? What are potential problems with each form? Is there a right or a wrong form? Can the mode of criticism alter the entire meaning of a text?

  6. 1. The Reader-Response Approach Part 1 Reader-Response Criticism asserts that a great deal of meaning in a text lies with how the reader responds to it. Focuses on the act of reading and how it affects our perception of meaning in a text (how we feel at the beginning vs. the end) Deals more with the process of creating meaning and experiencing a text as we read. A text is an experience, not an object. The text is a living thing that lives in the reader s imagination. READER + READING SITUATION + TEXT = MEANING

  7. 1. The Reader-Response Approach Part 2 Important Ideas in Reader-Response 1. An individual reader s interpretation usually changes over time. 2. Readers from different generations and different time periods interpret texts differently. Ultimately How do YOU feel about what you have read? What do YOU think it means?

  8. 2. The Formalist Approach Part 1 Formalist Criticism emphasizes the form of a literary work to determine its meaning, focusing on literary elements and how they work to create meaning. Examines a text as independent from its time period, social setting, and author s background. A text is an independent entity. Focuses on close readings of texts and analysis of the effects of literary elements and techniques on the text.

  9. 2. The Formalist Approach Part 2 Two Major Principles of Formalism 1. A literary text exists independent of any particular reader and, in a sense, has a fixed meaning. 2. The greatest literary texts are timeless and universal.

  10. 3. The Psychological/ Psychoanalytic Approach Psychological Criticism views a text as a revelation of its author s mind and personality. It is based on the work of Sigmund Freud. Also focuses on the hidden motivations of literary characters Looks at literary characters as a reflection of the writer

  11. 4. The Sociological Approach Sociological criticism argues that social contexts (the social environment) must be considered when analyzing a text. Focuses on the values of a society and how those views are reflected in a text Emphasizes the economic, political, and cultural issues within literary texts Core Belief: Literature is a reflection of its society.

  12. 4A. The Marxist Approach Part 1 Marxist Criticism emphasizes economic and social conditions. It is based on the political theory of Karl Marx and Friedrich Engels. Concerned with understanding the role of power, politics, and money in literary texts

  13. 4A. The Marxist Approach Part 2 Marxist Criticism examines literature to see how it reflects 1. The way in which dominant groups (typically, the majority) exploit the subordinate groups (typically, the minority) 2. The way in which people become alienated from one another through power, money, and politics

  14. 4B. The Feminist Approach Part 1 Feminist Criticism is concerned with the role, position, and influence of women in a literary text. Asserts that most literature throughout time has been written by men, for men. Examines the way that the female consciousness is depicted by both male and female writers.

  15. 4B. The Feminist Approach Part 2 4 Basic Principles of Feminist Criticism 1. Western civilization is patriarchal. 2. The concepts of gender are mainly cultural ideas created by patriarchal societies. 3. Patriarchal ideals pervade literature. 4. Most literature through time has been gender-biased.

  16. 5. The Biographical Approach Part 1 Biographical Criticism argues that we must take an author s life and background into account when we study a text.

  17. 5. The Biographical Approach Part 2 Three Benefits: 1. Facts about an author s experience can help a reader decide how to interpret a text. 2. A reader can better appreciate a text by knowing a writer s struggles or difficulties in creating that text. 3. A reader can understand a writer s preoccupation by studying the way they apply and modify their own life experiences in their works.

  18. 6. The New Historicist Approach Part 1 New Historicist Criticism argues that every literary work is a product of its time and its world.

  19. 6. The New Historicist Approach Part 2 New Historicism: 1. Provides background information necessary to understand how literary texts were perceived in their time. 2. Shows how literary texts reflect ideas and attitudes of the time in which they were written. New historicist critics often compare the language in contemporary documents and literary texts to reveal cultural assumptions and values in the text.

  20. REMEMBER We will never look at a text STRICTLY from one standpoint or another, ignoring all other views. That is antithetical to what we are trying to do. We should always keep our focus on the text and use these critical approaches to clarify our understanding of a text and develop an interpretation of it.

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