Creative Process of Jessica Christina in Contemporary Dance at Inspiryo Moves, Bandung
ARBI NURALAMSYAH
ICADE 2022
•
THE DEVELOPMENT OF CONTEMPORARY DANCE IN
BANDUNG CITY IS SO FAST, NOT STAGNANT AND
ABLE TO COMPARE WITH OTHER CITIES
INTRODUCTION
•
THERE IS STILL THE MIND THAT BANDUNG IS NOT
STRONG OTHER CITIES AND BECAUSE OF SOME
FACTORS
•
INITIATORS APPEAR AND MOVE OUTSIDE THE
DANCE ENVIRONMENT SCHEME THAT
CONSISTS AND BEGINS WITH VISION,
MISSION, TARGETS, ALSO INTERESTING
SEGMENTS
•
HOW THE CREATIVE PROCESS OF JESSICA
CHRISTINA CREATED TRAN.SIT'S DANCE ON
THE INSPYRO MOVES PLATFORM BANDUNG?
QUESTION
QUESTION
METHOD
METHOD
•
QUALITATIVE PARADIGM WITH DESCRIPTION-
ANALYTIC METHOD. DATA COLLECTION
TECHNIQUES IN THE FORM OF
OBSERVATIONS, INTERVIEWS,
DOCUMENTATION STUDIES, AND LITERATURE
STUDIES. DATA ANALYSIS TECHNIQUE IS
TRIANGULATED.
WHO’S
JESSICA
CHRISTINA?
9/3/20XX
Presentation Title
3
•
Jesssica Christina (Jesss) is a dancer,
choreographer and dance teacher, who is
passionate about contemporary dance.
•
Formal education in classical ballet from RAD
(Rovel Academy of Dance), advanced II
Ballet (2007), and continued his studies at
LASALLE Callege of the Arts Singapore.
•
Learn to hone his dancing and of course
have the opportunity to dance with foreign
choreographers like Kuik Swee Boon. Kim Jae
Duk. Dimo Kirilov Milev, Wu Yi San, Xing Liang
and Jeffrey Tan.
•
consistently for 7 (seven) years of career in
Singapore, one of which was as a teacher at
O School Singapore and a full-time dancer
with T.H.E Dance Company Singapore.
•
In addition to dancing in Indonesia, she
also often dances on international
stages, such as in Singapore, Malaysia,
China, Korea, France, Italy and
Denmark.
•
In 2014 Jess returned to Indonesia,
married and settled in Bandung
•
In 2015 Inspyro Moves was presented by
Jesssica, for her longing to share
experiences and hope to be able to
participate in building the contemporary
dance ecosystem..
What’s
INSPYRO
MOVES?
•
A place for Indonesian dancers to
broaden their horizons in the world of
dance, make acquaintances, network
and connect with inter-city dancers to
inspire each other, and most
importantly, learn together with the aim
of supporting the sustainability of dance
in Bandung and Indonesia.
•
Space to gain valuable learning,
especially for those (people) who may
not have the opportunity to study dance
abroad. Jesssica tries to introduce
contemporary dance to more dancers
and the public, so that there is interest
and appreciation for the art of this field.
Jesssica's creative process is not only poured into
making personal works but by presenting programs
in the form of events based on the purpose of
establishing Inspyro Moves.
In the early days of the PSBB/covid-19 pandemic in the city
of Bandung, Inspyro Moves swiftly shifted its activities and
classes into an online format that lasted only 2 months.
Taking a break of 1 month, just take this opportunity to
evaluate, train and improve the skills of I.M Officials. to
reflect themselves in strategies for dealing with future
situations. Jesss invites I.M Officials to retrace their feelings
and emotions
HOW
PROSES KREATIF
JESSICA DI INSPYRO
MOVES?
•
REGULER CLASS
•
WORKSHOP
•
DANCE INTENSVE
•
DANCE COMPETITION
•
SHARING SESSION
•
I.M OFFICIAL
Alma M Hawkins' theory suggests that
there are several stages in the
creative process, namely:
Experiencing/Revealing, Seeing,
Feeling, Imagining, Manifesting, Self-
Formation, Leading the Experience
Process and Evaluation
Presentation Title
5
Dancing is an expression and communication of energy through body movements
between the dancer and the audience. and space without having to say a word. Jesss
explores dance through an understanding of the freedom of movement of the body, she
hears where her body wants to move, observes space and her surroundings, and "speaks
through her dance compositions. A consideration that is complex and requires maturity,
because in this case she balances the moment between free movement and flow. by
giving definition and meaning.
Alma M Hawkins in his book entitled Moving
From Within A New Method For Dance
Making which is translated by I Wayan Dibia
states that creativity is a process of
searching within oneself which is full of
memories, thoughts, and sensations to the
most basic nature for life
.
PROSES KREATIF KARYA
TRAN•SIT
COSTUM
TIME
SPACE
DANCERS
MOTION
MUSIC
MAKEUP
CONCLUSION
•
Based on the research that has been done, it can be concluded that Jessica's creative
process can have a significant impact on the contemporary dance ecosystem in the city
of Bandung. This can be seen from his hard work with Inspro Moves to awaken the
passion and enthusiasm of every actor in this field. Studying one's creative process is not
only about creating works with all the novelty of ideas and ideas it offers. But it can be
realized in other ways, such as sharing experiences, transferring knowledge through
learning, especially when it comes to creativity in any field. For example, Jessica who
presents many training programs and events, which provide opportunities for anyone
who wants to learn regardless of background. Contemporary dance can be interpreted
as a freedom of expression, openness, and humanity. This statement is evidenced in the
work of Transit as a result of Jessica's creativity in seeing the progress of the
times/modernity along with existing social and environmental phenomena.
9/3/20XX
Presentation Title
6
REFERENCE
•
Supriyanto, Eko. Ikat Kait Impulsif Sarira, gagasan yang mewujud Era 1990- 2010. Yogyakarta, Garudhawaca, 2018.
(126)
•
Narawari,Tati. Wajah Tari Sunda Dari Masa Ke Masa. Bandung. PAST UPI. 2003. (146,180)
•
Suanda, Endo & Sumaryono. Tari Tontonan, Buku Pelajaran Kesenian Nusantara. LPSN. Sawah lunto. 2006. (25)
•
Hawkins, Alma M., and Wayan Dibia.
Bergerak menurut kata hati: metoda baru dalam menciptakan tari
.
Masyarakat Seni Pertunjukan Indonesia (MSPI), 2003. (15)
•
Sunaryo, Ayo. Dasar-Dasar Koreografi. UPI Press. Bandung. 2020. (127)
•
Imam, Imam Kristianto. "Proses Kreatif Eko Supriyanto dalam Penciptaan Tari Balabala."
Jurnal Kajian Seni
5.2
(2019): 207-220. (218)
•
Mulyana, Edy. "Kreativitas Gugum Gumbira dalam Penciptaan Jaipongan."
Dewa Ruci: Jurnal Pengkajian dan
Penciptaan Seni
6.1 (2009). (20)
•
Sutianto, Maradita. Sebuah pengantar (
curratorial statment
)
Tran•Sit,
Solo Project
Jessica Christina dan I.M
Officials.
2020
THANKS
7
"Delve into the dynamic world of contemporary dance development in Bandung through the creative journey of Jessica Christina at Inspiryo Moves. Discover how she intertwines passion, experience, and innovation to nurture a vibrant dance ecosystem in Indonesia."
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Presentation Transcript
ICADE 2022 ARBI NURALAMSYAH CREATIVE PROCESS OF CREATING TRAN.SIT DANCE BY JESSSICA CHRISTINA AT THE INSPYRO MOVES PLATFORM BANDUNG
INTRODUCTION THE DEVELOPMENT OF CONTEMPORARY DANCE IN BANDUNG CITY IS SO FAST, NOT STAGNANT AND ABLE TO COMPARE WITH OTHER CITIES THERE IS STILL THE MIND THAT BANDUNG IS NOT STRONG OTHER CITIES AND BECAUSE OF SOME FACTORS INITIATORS APPEAR AND MOVE OUTSIDE THE DANCE ENVIRONMENT SCHEME THAT CONSISTS AND BEGINS WITH VISION, MISSION, TARGETS, ALSO INTERESTING SEGMENTS QUESTION HOW THE CREATIVE PROCESS OF JESSICA CHRISTINA CREATED TRAN.SIT'S DANCE ON THE INSPYRO MOVES PLATFORM BANDUNG? METHOD QUALITATIVE PARADIGM WITH DESCRIPTION- ANALYTIC METHOD. DATA COLLECTION TECHNIQUES IN THE FORM OF OBSERVATIONS, INTERVIEWS, DOCUMENTATION STUDIES, AND LITERATURE STUDIES. DATA ANALYSIS TECHNIQUE IS TRIANGULATED.
Jesssica choreographer and dance teacher, who is passionate about contemporary dance. In addition to dancing in Indonesia, she also often dances on international stages, such as in Singapore, Malaysia, China, Korea, France, Italy and Denmark. Christina (Jesss) is a dancer, Formal education in classical ballet from RAD (Rovel Academy of Dance), advanced II Ballet (2007), and continued his studies at LASALLE Callege of the Arts Singapore. WHO S JESSICA CHRISTINA? Learn to hone his dancing and of course have the opportunity to dance with foreign choreographers like Kuik Swee Boon. Kim Jae Duk. Dimo Kirilov Milev, Wu Yi San, Xing Liang and Jeffrey Tan. Jesssica, for her longing to share experiences and hope to be able to participate in building the contemporary dance ecosystem.. In 2014 Jess returned to Indonesia, married and settled in Bandung In 2015 Inspyro Moves was presented by consistently for 7 (seven) years of career in Singapore, one of which was as a teacher at O School Singapore and a full-time dancer with T.H.E Dance Company Singapore. 9/3/20XX Presentation Title 3
HOW PROSES KREATIF JESSICA DI INSPYRO MOVES? What s INSPYRO MOVES? Jesssica's creative process is not only poured into making personal works but by presenting programs in the form of events based on the purpose of establishing Inspyro Moves. A place for Indonesian dancers to broaden their horizons in the world of dance, make acquaintances, network and connect with inter-city dancers to inspire each other, and most importantly, learn together with the aim of supporting the sustainability of dance in Bandung and Indonesia. REGULER CLASS WORKSHOP DANCE INTENSVE SHARING SESSION I.M OFFICIAL DANCE COMPETITION In the early days of the PSBB/covid-19 pandemic in the city of Bandung, Inspyro Moves swiftly shifted its activities and classes into an online format that lasted only 2 months. Taking a break of 1 month, just take this opportunity to evaluate, train and improve the skills of I.M Officials. to reflect themselves in strategies for dealing with future situations. Jesss invites I.M Officials to retrace their feelings and emotions Space to gain valuable learning, especially for those (people) who may not have the opportunity to study dance abroad. Jesssica tries to introduce contemporary dance to more dancers and the public, so that there is interest and appreciation for the art of this field.
Dancing is an expression and communication of energy through body movements between the dancer and the audience. and space without having to say a word. Jesss explores dance through an understanding of the freedom of movement of the body, she hears where her body wants to move, observes space and her surroundings, and "speaks through her dance compositions. A consideration that is complex and requires maturity, because in this case she balances the moment between free movement and flow. by giving definition and meaning. PROSES KREATIF KARYA TRAN SIT Alma M Hawkins' theory suggests that there are several stages in the creative process, namely: Experiencing/Revealing, Seeing, Feeling, Imagining, Manifesting, Self- Formation, Leading the Experience Process and Evaluation Alma M Hawkins in his book entitled Moving From Within A New Method For Dance Making which is translated by I Wayan Dibia states that creativity is a process of searching within oneself which is full of memories, thoughts, and sensations to the most basic nature for life. DANCERS COSTUM MOTION TIME MUSIC SPACE MAKEUP Presentation Title 5
CONCLUSION Based on the research that has been done, it can be concluded that Jessica's creative process can have a significant impact on the contemporary dance ecosystem in the city of Bandung. This can be seen from his hard work with Inspro Moves to awaken the passion and enthusiasm of every actor in this field. Studying one's creative process is not only about creating works with all the novelty of ideas and ideas it offers. But it can be realized in other ways, such as sharing experiences, transferring knowledge through learning, especially when it comes to creativity in any field. For example, Jessica who presents many training programs and events, which provide opportunities for anyone who wants to learn regardless of background. Contemporary dance can be interpreted as a freedom of expression, openness, and humanity. This statement is evidenced in the work of Transit as a result of Jessica's creativity in seeing the progress of the times/modernity along with existing social and environmental phenomena. REFERENCE Supriyanto, Eko. Ikat Kait Impulsif Sarira, gagasan yang mewujud Era 1990- 2010. Yogyakarta, Garudhawaca, 2018. (126) Narawari,Tati. Wajah Tari Sunda Dari Masa Ke Masa. Bandung. PAST UPI. 2003. (146,180) Suanda, Endo & Sumaryono. Tari Tontonan, Buku Pelajaran Kesenian Nusantara. LPSN. Sawah lunto. 2006. (25) Hawkins, Alma M., and Wayan Dibia. Bergerak menurut kata hati: metoda baru dalam menciptakan tari. Masyarakat Seni Pertunjukan Indonesia (MSPI), 2003. (15) Sunaryo, Ayo. Dasar-Dasar Koreografi. UPI Press. Bandung. 2020. (127) Imam, Imam Kristianto. "Proses Kreatif Eko Supriyanto dalam Penciptaan Tari Balabala." Jurnal Kajian Seni 5.2 (2019): 207-220. (218) Mulyana, Edy. "Kreativitas Gugum Gumbira dalam Penciptaan Jaipongan." Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni 6.1 (2009). (20) Sutianto, Maradita. Sebuah pengantar (curratorial statment) Tran Sit, Solo Project Jessica Christina dan I.M Officials. 2020 9/3/20XX Presentation Title 6
THANKS 7
