Vibrant Folk Dances of India: Bihu, Raibenshe, and Padayani
The
Bihu
dance is an indigenous
folk dance
from
the
Indian
state of
Assam
related to the
Bihu
festival and an
important part of
Assamese culture
. Performed in a group, the
Bihu dancers are usually young men and women, and the
dancing style is characterized by brisk steps, and rapid hand
movements. The traditional costume of dancers is colorful and
centred round the red colour theme, signifying joy and vigour.
There are three Bihus celebrated by the Asssmese
community –
1.Rongali or Bohag Bihu ( Festival of happiness )
2.Kongali or Kati Bihu ( Festival of scarity )
3.Bhogali or Magh Bihu ( Festival of festing )
Description
The dance begins with the performers,
young men and women, slowly walking
into the performance space.The men then
start playing musical instruments, like
drums (particularly the double-
headed dhol), horn-pipes and flutes,
while the women place their hands above
their hips with the palms facing outwards,
forming an inverted triangular shape.The
women then start to slowly move in tuner
with he music by swaying, while bending
slightly forward from the waist.
Gradually, they open up the shoulders
and place their legs slightly apart,
adopting the main posture used in the
Bihu dance. Meanwhile, the music played
by the men picks up in temp and
intensity, leading women to thrust
forward their breasts and pelvis,
alternatively, to the tune.
Raibenshe is a folk martial dance form which evolved from
ancient martial art practised by the bodyguards of the
kings and the Zamindars of Bengal. As performers were
originally soldiers, Raibenshe was originally danced with
spears and the dance form is characterised by vigorous
body movements and balancing acts. Along with the
energetic and masculine movements, it involves acrobatics
by the dancers with a Raibansh, which is the long bamboo
pole from which the dance takes its name. According to
legend, the strength and courage of the people of this
region owes its origin to the courage of Bhima, one of the
Pandavas in the Mahabharata.
One of the most colorful and
enchanting dances of Kerala,
Padayani or Paddeni is associated
with the festivals of certain temples.
These temples are found in the
districts of Alleppey, Quilon,
Pathanamthitta and Kottayam
districts. The literal meaning of
Padayani, in folk art, is military
formations or rows of army. It
involves a series of divine and semi
divine impersonations The
performers in Paddeni consist of
dancers or actors, singers (who recite
different poems for different Kolams)
and instrumentalists (who play wild
and loud rhythms on their drums
called thappu and cymbals).
Padayani dancers wear Kolams of
different shapes, colors and designs,
painted on the stalks of areca nut
fronds. Kolams are basically huge
headgears, with many projections
and devices, having a mask for the
face and a piece to cover the chest
and abdomen of the performer. The
main kolams (huge masks) used in
Padayani are those of Bhairavi (Kali),
Kalan (god of death), Yakshi (fairy)
and Pakshi (bird). One of the popular
Paddeni dances involve the dancers,
singers and instrumentalists forming
a procession of Kali and her spirits,
returning after the killing of the
'Asura' chief Darika.
Dumhal is a dance performed in
occupied
Jammu and Kashmir
of
India by the
Watal
tribe. Only the
men folk of the wattal are
privileged to perform this dance,
on specific occasions and at set
locations.
[1]
Generally, this dance
is performed with wearing long,
colourful robes and tall, conical
caps, studded with beads and
shells.
The dancers sing in chorus.
Drums are used to assist the
music. The performers move in a
ritual manner and dig a banner
into the ground on set occasions.
Usually, the dance begins with
men dancing around this banner.
Pung Cholom is also known as
Mrindanga Kirtan or Dhumal or
Dram dance. This dance is
performed with a drum,
Mrindanga. This dance performed
by only males either as integral
parts of Nata Sankirtan or
independently in front of social
gathering.
When it is a part of Nata, two
players participate in its
performance, but as an independent
dance performance at least 14
players follow the sequence of Nata
Sankirtan. In this series with more
than 40 complicated talas and
sanchars that represents particular
compositions of rhythms are
presented.
In short, Pung Cholom is folk art form with a combination of sound and
movement. The movements sometimes demands acrobatics abilities &
stamina. The dancers themselves play the Mridanga (Pung) while
executing the performance in front of the audience. It contains a
modulation in sound used while addressing that ranges from soft whisper
to a thunderous climax. There is a wonderful blending of the interplay of
intricate rhythms and cross rhythms used with varying time from the
slow to the quick. The whole performance is characterized with graceful
and vigorous body movements that lead to make it a unique.
Phone number --
9732969846
Whattsapp no. --
9800301705
The Bihu festival in Assam showcases colorful Bihu dancers performing in groups with brisk steps and rapid hand movements. Raibenshe is a folk martial dance form from Bengal characterized by vigorous movements and acrobatics with a bamboo pole. Padayani, associated with temple festivals in Kerala, features divine impersonations and loud rhythmic music performed by dancers wearing painted Kolams.
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The the Indian state of Assam related to the Bihu festival and an important part of Assamese culture. Performed in a group, the Bihu dancers are usually young men and women, and the dancing style is characterized by brisk steps, and rapid hand movements. The traditional costume of dancers is colorful and centred round the red colour theme, signifying joy and vigour. Bihu dance is an indigenous folk dance from There are three Bihus celebrated by the Asssmese community 1.Rongali or Bohag Bihu ( Festival of happiness ) 2.Kongali or Kati Bihu ( Festival of scarity ) 3.Bhogali or Magh Bihu ( Festival of festing )
Description The dance begins with the performers, young men and women, slowly walking into the performance space.The men then start playing musical instruments, like drums (particularly headed dhol), horn-pipes and flutes, while the women place their hands above their hips with the palms facing outwards, forming an inverted triangular shape.The women then start to slowly move in tuner with he music by swaying, while bending slightly forward Gradually, they open up the shoulders and place their legs slightly apart, adopting the main posture used in the Bihu dance. Meanwhile, the music played by the men picks up in temp and intensity, leading women to thrust forward their breasts alternatively, to the tune. the double- from the waist. and pelvis,
Raibenshe is a folk martial dance form which evolved from ancient martial art practised by the bodyguards of the kings and the Zamindars of Bengal. As performers were originally soldiers, Raibenshe was originally danced with spears and the dance form is characterised by vigorous body movements and balancing acts. Along with the energetic and masculine movements, it involves acrobatics by the dancers with a Raibansh, which is the long bamboo pole from which the dance takes its name. According to legend, the strength and courage of the people of this region owes its origin to the courage of Bhima, one of the Pandavas in the Mahabharata.
One of the most colorful and enchanting dances Padayani or Paddeni is associated with the festivals of certain temples. These temples are found in the districts of Alleppey, Pathanamthitta districts. The literal meaning of Padayani, in folk art, is military formations or rows of army. It involves a series of divine and semi divine impersonations performers in Paddeni consist of dancers or actors, singers (who recite different poems for different Kolams) and instrumentalists (who play wild and loud rhythms on their drums called thappu of Kerala, Quilon, Kottayam and The and cymbals).
Padayani dancers wear Kolams of different shapes, colors and designs, painted on the stalks of areca nut fronds. Kolams are basically huge headgears, with many projections and devices, having a mask for the face and a piece to cover the chest and abdomen of the performer. The main kolams (huge masks) used in Padayani are those of Bhairavi (Kali), Kalan (god of death), Yakshi (fairy) and Pakshi (bird). One of the popular Paddeni dances involve the dancers, singers and instrumentalists forming a procession of Kali and her spirits, returning after the killing of the 'Asura' chief Darika.
Dumhal is a dance performed in occupied Jammu and Kashmir of India by the Watal tribe. Only the men folk of the wattal are privileged to perform this dance, on specific occasions and at set locations.[1]Generally, this dance is performed with wearing long, colourful robes and tall, conical caps, studded with beads and shells. The dancers sing in chorus. Drums are used to assist the music. The performers move in a ritual manner and dig a banner into the ground on set occasions. Usually, the dance begins with men dancing around this banner.
Pung Cholom is also known as Mrindanga Kirtan or Dhumal or Dram dance. performed with Mrindanga. This dance performed by only males either as integral parts of Nata independently in front of social gathering. This dance a is drum, Sankirtan or
When it is a part of Nata, two players participate performance, but as an independent dance performance at least 14 players follow the sequence of Nata Sankirtan. In this series with more than 40 complicated talas and sanchars that represents particular compositions of presented. in its rhythms are In short, Pung Cholom is folk art form with a combination of sound and movement. The movements sometimes demands acrobatics abilities & stamina. The dancers themselves play the Mridanga (Pung) while executing the performance in front of the audience. It contains a modulation in sound used while addressing that ranges from soft whisper to a thunderous climax. There is a wonderful blending of the interplay of intricate rhythms and cross rhythms used with varying time from the slow to the quick. The whole performance is characterized with graceful and vigorous body movements that lead to make it a unique.
https://www.utsavpedia.com/cultural- connections/://www.utsavpedia.com/ Wikipedia https://en.unesco.org/ https://dances.iloveindia.com/folk-dances/southern.html https://en.m.wikipedia.org/wiki/Dumhal IF YOU HAVE ANY QUERIES, PLEASE CONTACT AT Phone number -- 9732969846 Whattsapp no. -- 9800301705
