The Process of Film Production: From Script to Screen
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The four industrial stages
of constructing a film from
scripting to final edit.
The script is written and drafted
into a workable blueprint for a
film.
Preparations are made for the
shoot in which storyboards are
created, cast and crew are hired,
locations are selected, and props
and sets are built.
The raw elements for the finished
film are recorded.
The film is edited; production sound (dialogue) is
edited, music tracks (and songs) are composed,
performed and recorded; sound effects are
designed and recorded; and any other computer-
graphic 'visual' effects are digitally added, all
sound elements are mixed into "stems" then the
stems are mixed then married to picture and the
film is fully completed ("locked").
The film script that
includes dialogue and each
chronologically ordered
scene in the plot.
The film is screened for
potential buyers
(distributors), is picked up
by a distributor and
reaches its cinema and/or
home media audience.
A company or individual
that acts as a final agent
between a film production
company and a film
exhibitor to placing the
film on an exhibition
screen.
Controls a film's artistic and
dramatic aspects, and visualizes
the script while guiding the
technical crew and actors in the
fulfillment of that vision.
Oversees the film production
usually by finding the literary
property, shaping the idea into a
viable film, raising the money,
hiring the director, choosing the
cast, overseeing production and
postproduction, masterminding
the marketing, and negotiating
the worldwide rights for
distribution.
Describes the width and
height of the film frame
as it appears on a movie
screen or television.
1.33:1 or 4:3 used in most
films until the 1950’s
Cultural, emotional,
intellectual, and social
preferences or interests
that create expectations
and lead us to like or
dislike particular movies
or parts of movies.
We empathize with,
project onto, or
participate in a place, an
action, or a character.
The ability to understand,
interpret, and reflect on
different dimensions of
the movies.
Explore the intricate stages of film production, from script development to post-production editing and distribution. Learn about the creative roles like directors and distributors that shape a film's journey from concept to audience viewing.
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Presentation Transcript
KNOWLEDGE OF FILM
FILM PRODUCTION The four industrial stages of constructing a film from scripting to final edit.
DEVELOPMENT The script is written and drafted into a workable blueprint for a film.
PRE-PRODUCTION Preparations are made for the shoot in which storyboards are created, cast and crew are hired, locations are selected, and props and sets are built.
PRODUCTION The raw elements for the finished film are recorded.
POST-PRODUCTION The film is edited; production sound (dialogue) is edited, music tracks (and songs) are composed, performed and recorded; sound effects are designed and recorded; and any other computer- graphic 'visual' effects are digitally added, all sound elements are mixed into "stems" then the stems are mixed then married to picture and the film is fully completed ("locked").
SCREENPLAY The film script that includes dialogue and each chronologically ordered scene in the plot.
SALES AND DISTRIBUTION The film is screened for potential buyers (distributors), is picked up by a distributor and reaches its cinema and/or home media audience.
DISTRIBUTOR A company or individual that acts as a final agent between a film production company and a film exhibitor to placing the film on an exhibition screen.
DIRECTOR Controls a film's artistic and dramatic aspects, and visualizes the script while guiding the technical crew and actors in the fulfillment of that vision.
PRODUCER Oversees the film production usually by finding the literary property, shaping the idea into a viable film, raising the money, hiring the director, choosing the cast, overseeing production and postproduction, masterminding the marketing, and negotiating the worldwide rights for distribution.
ASPECT RATIO Describes the width and height of the film frame as it appears on a movie screen or television. Short Film
ACADEMY RATIO 1.33:1 or 4:3 used in most films until the 1950 s
TASTES Cultural, emotional, intellectual, and social preferences or interests that create expectations and lead us to like or dislike particular movies or parts of movies.
IDENTIFICATION We empathize with, project onto, or participate in a place, an action, or a character.
COGNITION The ability to understand, interpret, and reflect on different dimensions of the movies.
