Early American Literature: Citing Evidence and Analyzing Texts

UNIT 0: CITING TEXTUAL EVIDENCE
UNIT 1: EARLY AMERICAN LITERATURE
INSTRUCTOR: T. YOUNG
STANDARDS (READING)
ELAGSE11-12RI3:
 
ANALYZE
 A 
COMPLEX SET OF IDEAS
 OR 
SEQUENCE OF
EVENTS
 AND 
EXPLAIN 
HOW SPECIFIC 
INDIVIDUALS, IDEAS,
 OR 
EVENTS
INTERACT
 AND 
DEVELOP
 OVER THE COURSE OF THE TEXT. 
ELAGSE11-12RI4: DETERMINE
 THE 
MEANING OF WORDS
 AND 
PHRASES
 AS THEY ARE USED IN A
TEXT, INCLUDING 
FIGURATIVE
CONNOTATIVE
, AND 
TECHNICAL MEANINGS
ANALYZE
 HOW
AN 
AUTHOR USES AND REFINES THE MEANING OF A KEY TERM OR TERMS
 OVER THE COURSE OF
A TEXT (E.G., HOW MADISON DEFINES FACTION IN FEDERALIST NO. 10).
ELAGSE11-12RL3: ANALYZE 
 THE 
IMPACT OF THE AUTHOR’S CHOICES
 REGARDING HOW
TO 
DEVELOP AND RELATE ELEMENTS OF A STORY OR DRAMA
 (E.G., WHERE A STORY IS SET, HOW
THE ACTION IS ORDERED, HOW THE CHARACTERS ARE INTRODUCED AND DEVELOPED).
ELAGSE11-12RL4:
 
DETERMINE
 THE 
MEANING OF WORDS
 AND 
PHRASES
 AS THEY ARE USED IN THE
TEXT, INCLUDING 
FIGURATIVE
 AND 
CONNOTATIVE MEANINGS
ANALYZE
 THE 
IMPACT OF
SPECIFIC WORD CHOICES
 ON 
MEANING
 AND 
TONE
, INCLUDING WORDS WITH 
MULTIPLE
MEANINGS
 OR 
LANGUAGE
 THAT IS PARTICULARLY 
FRESH, ENGAGING, OR BEAUTIFUL.
 (INCLUDE
SHAKESPEARE AS WELL AS OTHER AUTHORS.)
STANDARDS (WRITING)
ELAGSE11-12W2: WRITE
 
INFORMATIVE/EXPLANATORY
TEXTS
 TO 
EXAMINE
 
AND 
CONVEY COMPLEX IDEAS
CONCEPTS
,
AND INFORMATION CLEARLY AND ACCURATELY THROUGH
THE 
EFFECTIVE SELECTION, ORGANIZATION, AND ANALYSIS
OF CONTENT.
ELAGSE11-12W5:
 
DEVELOP
 AND 
STRENGTHEN
 
WRITING
 AS
NEEDED BY 
PLANNING
REVISING
EDITING
REWRITING
,
OR 
TRYING
 A 
NEW APPROACH
FOCUSING
 ON 
ADDRESSING
WHAT IS MOST SIGNIFICANT FOR A SPECIFIC PURPOSE AND
AUDIENCE
. (EDITING FOR CONVENTIONS SHOULD DEMONSTRATE
COMMAND OF LANGUAGE STANDARDS 1–3 UP TO AND
INCLUDING GRADES 11-12.)
ESSENTIAL QUESTIONS
WHAT CONNECTS PEOPLE TO CERTAIN PLACES?
WHAT VALUES AND BELIEFS SHAPE WHO WE ARE?
WHAT DOES IT MEAN TO BE A STRANGER IN A STRANGE
LAND? 
WHAT HAPPENS WHEN CULTURES COLLIDE? 
VOCABULARY
FLASHBACK                        
NARRATIVE STRUCTURE       
RISING
ACTION                   
FALLING
ACTION                   
TONE                                  
IMAGERY                            
FIGURATIVE
LANGUAGE                
ALLUSION                    
ANTAGONIST                      
STATIC CHARACTER     
UNIT 0 GOALS:
CITE TEXTUAL EVIDENCE TO SUPPORT WHAT IS
STATED EXPLICITLY AND IMPLICITLY 
DETERMINE THE MEANING OF WORDS AND
PHRASES AS THEY ARE USED IN A TEXT 
WHAT IS IMPLICIT VS EXPLICIT
EXPLICIT REFERS TO WHAT IS DIRECTLY STATED WHEREAS IMPLICIT REFERS TO WHAT IS
SUGGESTED AND UNDERSTOOD BUT IS VAGUE AND LACKS CLARITY. 
WHAT IS CITING?????????
THE PRIMARY REASON TO CITE YOUR SOURCES IS TO AVOID PLAGIARISM AND GIVE
PROPER CREDIT TO THE ORIGINAL AUTHOR OR CREATOR.  OTHER REASONS FOR CITING
YOUR SOURCES:
1.
ENABLES A READER TO LOCATE THE SOURCES YOU CITED.
2.
DEMONSTRATES THE ACCURACY AND RELIABILITY OF YOUR INFORMATION.
3.
SHOWS THE AMOUNT OF RESEARCH YOU’VE DONE.
4.
STRENGTHENS YOUR WORK BY LENDING OUTSIDE SUPPORT TO YOUR IDEAS.
THERE ARE MULTIPLE WAYS TO CITE A SOURCE:
1.
IN-TEXT CITATION
2.
FOOTNOTES
IN-TEXT VS FOOT NOTES
TEXTUAL EVIDENCE
USING SPECIFIC WORDS/PHRASES  FROM AN ALREADY PUBLISHED AUTHOR THAT HELPS TO PROVE A
STATEMENT OR TO LEND CREDIBILITY TO AN IDEA 
EXAMPLE ESSAY:
 THE DANCING MONKEYS
A PRINCE HAD MONKEYS IN HIS COURT THAT COULD DANCE. AS MONKEYS ARE
NATURAL MIMICS, THEY LOOKED WONDERFUL IN THEIR RICH CLOTHES AND MASKS,
DANCING VERY MUCH LIKE HUMAN BEINGS. WORD SPREAD FAR AND WIDE ABOUT
THEIR UNIQUE PERFORMANCE AND PEOPLE FROM ALL OVER FLOCKED TO SEE THEM
PERFORM EVERY DAY. EVERYONE WAS AMAZED AT THE MONKEYS’ INTELLIGENCE.
ONE DAY, A MISCHIEVOUS COURTIER THOUGHT OF PLAYING A TRICK ON THE
MONKEYS. WHEN THE MONKEYS WERE DANCING, HE TOOK A POCKETFUL OF NUTS
AND THREW THEM UPON THE STAGE. AS SOON AS THE MONKEYS SAW THE NUTS,
THEY FORGOT DANCING AND LEAPT TO GRAB THEM. THEY PULLED OFF THEIR
MASKS AND TORE THEIR ROBES FIGHTING WITH EACH OTHER FOR THE NUTS.
EVERYONE STARTED LAUGHING AT THE ENTERTAINING SIGHT.
ANALYSIS OF TEXT
THE DANCING MONKEYS
A PRINCE HAD MONKEYS IN HIS COURT THAT COULD DANCE. AS MONKEYS ARE
NATURAL MIMICS
, THEY 
LOOKED WONDERFUL IN THEIR RICH CLOTHES AND MASKS,
DANCING
 VERY MUCH 
LIKE HUMAN BEINGS
. WORD SPREAD FAR AND WIDE ABOUT
THEIR 
UNIQUE PERFORMANCE 
AND PEOPLE FROM ALL OVER FLOCKED TO SEE THEM
PERFORM EVERY DAY. 
EVERYONE WAS AMAZED 
AT THE 
MONKEYS’ INTELLIGENCE
.
ONE DAY, A 
MISCHIEVOUS COURTIER 
THOUGHT OF 
PLAYING A TRICK 
ON THE
MONKEYS. WHEN THE MONKEYS WERE DANCING, HE TOOK A POCKETFUL OF NUTS
AND THREW THEM UPON THE STAGE. AS SOON AS THE MONKEYS SAW THE NUTS,
THEY FORGOT DANCING AND LEAPT TO GRAB THEM. THEY 
PULLED OFF THEIR MASKS
AND TORE THEIR ROBES FIGHTING WITH EACH OTHER
 FOR THE NUTS. 
EVERYONE
STARTED LAUGHING
 AT THE ENTERTAINING SIGHT.
TEXT ANALYSIS AND EVIDENCE
ANALYSIS IDEAS: 
1.
MONKEYS ARE EASY TO
TRAIN.
2.
ONE PERSONS ATTITUDE
CAN AFFECT A GROUP.
3.
TONE CONTRAST
THROUGH CONNOTATION
       OF WORDS
Textual Evidence:
1.
“Natural mimics” (P1);
“monkeys’ intelligence” (P1)
2.
Mischievious courtier” (P2);
“play trick” (P2); “amazed” (P1);
“everyone…laughing “(P2)”
3.
“wonderful, rich, dancing”
(P1); “pulled off, tore, fighting”
(P2)
PUT IT ALL TOGETHER!!!!
EXAMPLE #1:
 
THE NARRATOR DESCRIBES THE MONKEYS AS BEING 
“NATURAL MIMICS” (P1)
AND HAVING 
“INTELLIGENCE” (P1) 
WHICH INFERS
 THAT MONKEYS ARE EASY TO TRAIN.
NOTE:
1.
THE EXACT WORDS FROM THE TEXT ARE PUT IN “QUOTATION MARKS” AND THE
PARAGRAPH OR PAGE NUMBER FOLLOW IN (PARENTHESIS). 
2.
THE VERB PHRASE CONNECTS IDEAS WITH THE TEXTUAL SUPPORT.
PUT IT ALL TOGETHER!!!
EXAMPLE #2:
THE CROWD’S ATTITUDE CHANGED FROM BEING 
“AMAZED” (P1) 
TO  
“EVERYONE
LAUGHING” (P2
) WHEN THE 
“MISCHIEVOUS COURTIER …PLAYED A TRICK” (2)  
PROVING
ONE PERSON’S ACTIONS CAN AFFECT MANY.
NOTE:
1.
THE EXACT WORDS FROM THE TEXT ARE PUT IN “QUOTATION MARKS” AND THE
PARAGRAPH OR PAGE NUMBER FOLLOW IN (PARENTHESIS). 
2.
THE VERB  CONNECTS IDEAS WITH THE TEXTUAL SUPPORT.
DO IT AGAIN!!!
EXAMPLE #3:
THERE IS A CONTRAST IN TONE WHEN COMPARING THE PARAGRAPHS; THE WORDS
“WONDERFUL, RICH, DANCING” (P1) 
DISPLAY AN ELEGANT TONE WHILE 
“PULLED OFF”,
“TORE”, AND  “FIGHTING” (P2) 
EXEMPLIFY
 AN UNDIGNIFIED TONE. 
NOTE:
1.
THE EXACT WORDS FROM THE TEXT ARE PUT IN “QUOTATION MARKS” AND THE
PARAGRAPH OR PAGE NUMBER FOLLOW IN (PARENTHESIS). 
2.
THE VERB  CONNECTS IDEAS WITH THE TEXTUAL SUPPORT.
DETERMINE THE MEANING OF WORDS AND PHRASES
AS THEY ARE USED IN A TEXT
WE DETERMINE THE MEANING OF WORDS AS THEY
ARE USED IN TEXT BY ANALYZING THE TEXT’S
CONNOTATIVE, DENOTATIVE, IMPLIED AND EXPLICIT
TEXTUAL EVIDENCE (CONTEXT).
CONNOTATIVE
CONNOTATIVE WORDS AND PHRASES ARE THOSE THAT UNVEIL ATTITUDE,
FEELINGS AND EMOTIONS. THESE WORDS AND PHRASES CAUSE AROUSAL OF
OUR EMOTIONS (POSITIVE OR NEGATIVE). 
CONNOTATIVE WORDS AND PHRASES ARE THOSE THAT UNVEIL ATTITUDE,
FEELINGS AND EMOTIONS. THESE WORDS AND PHRASES CAUSE AROUSAL OF
OUR EMOTIONS (POSITIVE OR NEGATIVE). 
DENOTATION
A DENOTATION IS THE LITERAL MEANING OF A WORD
This Photo
 by Unknown Author is licensed under 
CC BY-NC-ND
This Photo
 by Unknown
Author is licensed under
CC BY-SA
Fat
 Cat
Beautiful
 girl with 
big
 hair
Handsome Man
WHAT CONNECTS PEOPLE TO CERTAIN PLACES?
FAMILY
HISTORY
CULTURE
RACE
ADVANCED OPPORTUNITY 
FREEDOM
COST OF LIVING
THE GREAT MIGRATION (1910-1970)
READ ABOUT THE GREAT MIGRATION
HTTPS://WWW.ARCHIVES.GOV/RESEARCH/AFRICAN-AMERICANS/MIGRATIONS/GREAT-
MIGRATION
HTTPS://WWW.CSMONITOR.COM/USA/SOCIETY/2014/0316/WHY-AFRICAN-AMERICANS-
ARE-MOVING-BACK-TO-THE-SOUTH
HTTPS://WWW.WASHINGTONPOST.COM/NATION/2022/01/14/BLACK-MIGRATION-
SOUTH/
DISCUSSION BOARD DUE TUESDAY BY 11:59PM
WHAT CONNECTS PEOPLE TO CERTAIN PLACES?
NO LESS THAN 250 WORDS, NO MORE THAN 300 WORDS
MUST USE 2 OF THE SOURCES PROVIDED IN CONJUNCTION WITH A SOURCE INDEPENDENTLY
FOUND
WHAT IS ANALYZING?
ELAGSE11-12RI3:
 
ANALYZE
 A 
COMPLEX SET OF IDEAS
 OR 
SEQUENCE OF
EVENTS
 AND 
EXPLAIN 
HOW SPECIFIC 
INDIVIDUALS, IDEAS,
 OR 
EVENTS
INTERACT
 AND 
DEVELOP
 OVER THE COURSE OF THE TEXT. 
ELAGSE11-12RL3: ANALYZE 
 THE 
IMPACT OF THE AUTHOR’S CHOICES
 REGARDING HOW
TO 
DEVELOP AND RELATE ELEMENTS OF A STORY OR DRAMA
 (E.G., WHERE A STORY IS SET,
HOW THE ACTION IS ORDERED, HOW THE CHARACTERS ARE INTRODUCED AND DEVELOPED).
ANALYZE: TO BREAK MATERIAL DOWN INTO ITS CONSTITUENT PARTS AND DETERMINE HOW
THE PARTS RELATE TO ONE ANOTHER AND TO THE OVERALL STRUCTURE OR PURPOSE OF THE
TEXT(S)
HTTPS://WWW.YOUTUBE.COM/WATCH?V=DJJSMTWFAXY
HTTPS://WWW.YOUTUBE.COM/WATCH?V=PR4BJZKQ5NC
LET PRACTICE
I see no changes, wake up in the morning and I ask myself
Is life worth livin'? Should I blast myself?
I'm tired of bein' poor and, even worse, I'm black
My stomach hurts so I'm lookin' for a purse to snatch
Cops give a damn about a negro
Pull the trigger, kill a nigga, he's a hero
Give the crack to the kids, who the hell cares?
One less hungry mouth on the welfare
First ship 'em dope and let 'em deal to brothers
Give 'em guns, step back, watch 'em kill each other
"It's time to fight back, " that's what Huey said
Two shots in the dark, now Huey's dead
I got love for my brother
But we can never go nowhere unless we share with each other
We gotta start makin' changes
Learn to see me as a brother instead of two distant strangers
And that's how it's supposed to be
How can the Devil take a brother if he's close to me? Uh
I'd love to go back to when we played as kids
But things change, and that's the way it is
ELAGSE11-12RI3:
 
ANALYZE
 A 
COMPLEX SET OF
IDEAS
 OR 
SEQUENCE OF EVENTS
 AND 
EXPLAIN 
HOW
SPECIFIC 
INDIVIDUALS, IDEAS,
 OR 
EVENTS
INTERACT
 AND 
DEVELOP
 OVER THE COURSE OF THE TEXT.
HTTPS://AMERICANLITERATURE.COM/AUTHOR/CHARLES-W-CHESNUTT/SHORT-STORY/THE-
PASSING-OF-GRANDISON
TWO DAY READ (READ TWO PARTS PER DAY)
ANALYZE THE TEXT 
DOES GRANDISON BEHAVIOR DEVELOP OVER TIME?
HOW DOES GRANDISON'S BEHAVIOR DEVELOP OVER TIME? 
WHAT ARE THE SEQUENCE OF EVENTS IN THIS STORY?
HOW DOES THE CHARACTERS INTERACT AND INFLUENCE EACH OTHER?
HOW DOES THE CHARACTERS INTERACTION DEVELOP OVER THE COURSE OF THE TEXT?
INFORMATIVE WRITING
ELAGSE11-12W2: WRITE
 
INFORMATIVE/EXPLANATORY TEXTS
 TO 
EXAMINE
 
AND 
CONVEY
COMPLEX IDEAS
CONCEPTS
, AND INFORMATION CLEARLY AND ACCURATELY THROUGH
THE 
EFFECTIVE SELECTION, ORGANIZATION, AND ANALYSIS OF CONTENT.
 
 
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Delve into Early American Literature with a focus on citing textual evidence, analyzing complex ideas, and exploring essential questions. Understand the standards in reading and writing while enhancing vocabulary and grasping implicit versus explicit meanings in texts.

  • American Literature
  • Textual Evidence
  • Analysis
  • Essential Questions
  • Language Standards

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  1. UNIT 0: CITING TEXTUAL EVIDENCE UNIT 1: EARLY AMERICAN LITERATURE INSTRUCTOR: T. YOUNG

  2. STANDARDS (READING) ELAGSE11-12RI3: ANALYZE A COMPLEX SET OF IDEAS OR SEQUENCE OF EVENTS AND EXPLAIN HOW SPECIFIC INDIVIDUALS, IDEAS, OR EVENTS INTERACT AND DEVELOP OVER THE COURSE OF THE TEXT. ELAGSE11-12RI4: DETERMINE THE MEANING OF WORDS AND PHRASES AS THEY ARE USED IN A TEXT, INCLUDING FIGURATIVE, CONNOTATIVE, AND TECHNICAL MEANINGS; ANALYZE HOW AN AUTHOR USES AND REFINES THE MEANING OF A KEY TERM OR TERMS OVER THE COURSE OF A TEXT (E.G., HOW MADISON DEFINES FACTION IN FEDERALIST NO. 10). ELAGSE11-12RL3: ANALYZE THE IMPACT OF THE AUTHOR S CHOICES REGARDING HOW TO DEVELOP AND RELATE ELEMENTS OF A STORY OR DRAMA (E.G., WHERE A STORY IS SET, HOW THE ACTION IS ORDERED, HOW THE CHARACTERS ARE INTRODUCED AND DEVELOPED). ELAGSE11-12RL4: DETERMINE THE MEANING OF WORDS AND PHRASES AS THEY ARE USED IN THE TEXT, INCLUDING FIGURATIVE AND CONNOTATIVE MEANINGS; ANALYZE THE IMPACT OF SPECIFIC WORD CHOICES ON MEANING AND TONE, INCLUDING WORDS WITH MULTIPLE MEANINGS OR LANGUAGE THAT IS PARTICULARLY FRESH, ENGAGING, OR BEAUTIFUL. (INCLUDE SHAKESPEARE AS WELL AS OTHER AUTHORS.)

  3. STANDARDS (WRITING) ELAGSE11-12W2: WRITE INFORMATIVE/EXPLANATORY TEXTS TO EXAMINE AND CONVEY COMPLEX IDEAS, CONCEPTS, AND INFORMATION CLEARLY AND ACCURATELY THROUGH THE EFFECTIVE SELECTION, ORGANIZATION, AND ANALYSIS OF CONTENT. ELAGSE11-12W5: DEVELOP AND STRENGTHEN WRITING AS NEEDED BY PLANNING, REVISING, EDITING, REWRITING, OR TRYING A NEW APPROACH, FOCUSING ON ADDRESSING WHAT IS MOST SIGNIFICANT FOR A SPECIFIC PURPOSE AND AUDIENCE. (EDITING FOR CONVENTIONS SHOULD DEMONSTRATE COMMAND OF LANGUAGE STANDARDS 1 3 UP TO AND INCLUDING GRADES 11-12.)

  4. ESSENTIAL QUESTIONS WHAT CONNECTS PEOPLE TO CERTAIN PLACES? WHAT VALUES AND BELIEFS SHAPE WHO WE ARE? WHAT DOES IT MEAN TO BE A STRANGER IN A STRANGE LAND? WHAT HAPPENS WHEN CULTURES COLLIDE?

  5. VOCABULARY FLASHBACK NARRATIVE STRUCTURE RISING ACTION FALLING ACTION TONE IMAGERY FIGURATIVE LANGUAGE ALLUSION ANTAGONIST STATIC CHARACTER

  6. UNIT 0 GOALS: CITE TEXTUAL EVIDENCE TO SUPPORT WHAT IS STATED EXPLICITLY AND IMPLICITLY DETERMINE THE MEANING OF WORDS AND PHRASES AS THEY ARE USED IN A TEXT

  7. WHAT IS IMPLICIT VS EXPLICIT EXPLICIT REFERS TO WHAT IS DIRECTLY STATED WHEREAS IMPLICIT REFERS TO WHAT IS SUGGESTED AND UNDERSTOOD BUT IS VAGUE AND LACKS CLARITY.

  8. WHAT IS CITING????????? THE PRIMARY REASON TO CITE YOUR SOURCES IS TO AVOID PLAGIARISM AND GIVE PROPER CREDIT TO THE ORIGINAL AUTHOR OR CREATOR. OTHER REASONS FOR CITING YOUR SOURCES: 1. ENABLES A READER TO LOCATE THE SOURCES YOU CITED. 2. DEMONSTRATES THE ACCURACY AND RELIABILITY OF YOUR INFORMATION. 3. SHOWS THE AMOUNT OF RESEARCH YOU VE DONE. 4. STRENGTHENS YOUR WORK BY LENDING OUTSIDE SUPPORT TO YOUR IDEAS. THERE ARE MULTIPLE WAYS TO CITE A SOURCE: 1. IN-TEXT CITATION 2. FOOTNOTES

  9. IN-TEXT VS FOOT NOTES

  10. TEXTUAL EVIDENCE USING SPECIFIC WORDS/PHRASES FROM AN ALREADY PUBLISHED AUTHOR THAT HELPS TO PROVE A STATEMENT OR TO LEND CREDIBILITY TO AN IDEA EXAMPLE ESSAY: THE DANCING MONKEYS A PRINCE HAD MONKEYS IN HIS COURT THAT COULD DANCE. AS MONKEYS ARE NATURAL MIMICS, THEY LOOKED WONDERFUL IN THEIR RICH CLOTHES AND MASKS, DANCING VERY MUCH LIKE HUMAN BEINGS. WORD SPREAD FAR AND WIDE ABOUT THEIR UNIQUE PERFORMANCE AND PEOPLE FROM ALL OVER FLOCKED TO SEE THEM PERFORM EVERY DAY. EVERYONE WAS AMAZED AT THE MONKEYS INTELLIGENCE. ONE DAY, A MISCHIEVOUS COURTIER THOUGHT OF PLAYING A TRICK ON THE MONKEYS. WHEN THE MONKEYS WERE DANCING, HE TOOK A POCKETFUL OF NUTS AND THREW THEM UPON THE STAGE. AS SOON AS THE MONKEYS SAW THE NUTS, THEY FORGOT DANCING AND LEAPT TO GRAB THEM. THEY PULLED OFF THEIR MASKS AND TORE THEIR ROBES FIGHTING WITH EACH OTHER FOR THE NUTS. EVERYONE STARTED LAUGHING AT THE ENTERTAINING SIGHT.

  11. ANALYSIS OF TEXT THE DANCING MONKEYS A PRINCE HAD MONKEYS IN HIS COURT THAT COULD DANCE. AS MONKEYS ARE NATURAL MIMICS, THEY LOOKED WONDERFUL IN THEIR RICH CLOTHES AND MASKS, DANCING VERY MUCH LIKE HUMAN BEINGS. WORD SPREAD FAR AND WIDE ABOUT THEIR UNIQUE PERFORMANCE AND PEOPLE FROM ALL OVER FLOCKED TO SEE THEM PERFORM EVERY DAY. EVERYONE WAS AMAZED AT THE MONKEYS INTELLIGENCE. ONE DAY, A MISCHIEVOUS COURTIER THOUGHT OF PLAYING A TRICK ON THE MONKEYS. WHEN THE MONKEYS WERE DANCING, HE TOOK A POCKETFUL OF NUTS AND THREW THEM UPON THE STAGE. AS SOON AS THE MONKEYS SAW THE NUTS, THEY FORGOT DANCING AND LEAPT TO GRAB THEM. THEY PULLED OFF THEIR MASKS AND TORE THEIR ROBES FIGHTING WITH EACH OTHER FOR THE NUTS. EVERYONE STARTED LAUGHING AT THE ENTERTAINING SIGHT.

  12. TEXT ANALYSIS AND EVIDENCE Textual Evidence: ANALYSIS IDEAS: 1. Natural mimics (P1); monkeys intelligence (P1) 2. Mischievious courtier (P2); play trick (P2); amazed (P1); everyone laughing (P2) 1. MONKEYS ARE EASY TO TRAIN. 2. ONE PERSONS ATTITUDE CAN AFFECT A GROUP. 3. TONE CONTRAST THROUGH CONNOTATION 3. wonderful, rich, dancing (P1); pulled off, tore, fighting (P2) OF WORDS

  13. PUT IT ALL TOGETHER!!!! EXAMPLE #1: AND HAVING INTELLIGENCE (P1) WHICH INFERS THAT MONKEYS ARE EASY TO TRAIN. THE NARRATOR DESCRIBES THE MONKEYS AS BEING NATURAL MIMICS (P1) NOTE: 1. THE EXACT WORDS FROM THE TEXT ARE PUT IN QUOTATION MARKS AND THE PARAGRAPH OR PAGE NUMBER FOLLOW IN (PARENTHESIS). 2. THE VERB PHRASE CONNECTS IDEAS WITH THE TEXTUAL SUPPORT.

  14. PUT IT ALL TOGETHER!!! EXAMPLE #2: THE CROWD S ATTITUDE CHANGED FROM BEING AMAZED (P1) TO EVERYONE LAUGHING (P2) WHEN THE MISCHIEVOUS COURTIER PLAYED A TRICK (2) PROVING ONE PERSON S ACTIONS CAN AFFECT MANY. NOTE: 1. THE EXACT WORDS FROM THE TEXT ARE PUT IN QUOTATION MARKS AND THE PARAGRAPH OR PAGE NUMBER FOLLOW IN (PARENTHESIS). 2. THE VERB CONNECTS IDEAS WITH THE TEXTUAL SUPPORT.

  15. DO IT AGAIN!!! EXAMPLE #3: THERE IS A CONTRAST IN TONE WHEN COMPARING THE PARAGRAPHS; THE WORDS WONDERFUL, RICH, DANCING (P1) DISPLAY AN ELEGANT TONE WHILE PULLED OFF , TORE , AND FIGHTING (P2) EXEMPLIFY AN UNDIGNIFIED TONE. NOTE: 1. THE EXACT WORDS FROM THE TEXT ARE PUT IN QUOTATION MARKS AND THE PARAGRAPH OR PAGE NUMBER FOLLOW IN (PARENTHESIS). 2. THE VERB CONNECTS IDEAS WITH THE TEXTUAL SUPPORT.

  16. DETERMINE THE MEANING OF WORDS AND PHRASES AS THEY ARE USED IN A TEXT WE DETERMINE THE MEANING OF WORDS AS THEY ARE USED IN TEXT BY ANALYZING THE TEXT S CONNOTATIVE, DENOTATIVE, IMPLIED AND EXPLICIT TEXTUAL EVIDENCE (CONTEXT).

  17. CONNOTATIVE CONNOTATIVE WORDS AND PHRASES ARE THOSE THAT UNVEIL ATTITUDE, FEELINGS AND EMOTIONS. THESE WORDS AND PHRASES CAUSE AROUSAL OF OUR EMOTIONS (POSITIVE OR NEGATIVE). OUR EMOTIONS (POSITIVE OR NEGATIVE). CONNOTATIVE WORDS AND PHRASES ARE THOSE THAT UNVEIL ATTITUDE, FEELINGS AND EMOTIONS. THESE WORDS AND PHRASES CAUSE AROUSAL OF

  18. DENOTATION A DENOTATION IS THE LITERAL MEANING OF A WORD Beautiful girl with big hair Handsome Man Fat Cat This Photo by Unknown Author is licensed under

  19. WHAT CONNECTS PEOPLE TO CERTAIN PLACES? FAMILY HISTORY CULTURE RACE ADVANCED OPPORTUNITY FREEDOM COST OF LIVING

  20. THE GREAT MIGRATION (1910-1970)

  21. READ ABOUT THE GREAT MIGRATION HTTPS://WWW.ARCHIVES.GOV/RESEARCH/AFRICAN-AMERICANS/MIGRATIONS/GREAT- MIGRATION HTTPS://WWW.CSMONITOR.COM/USA/SOCIETY/2014/0316/WHY-AFRICAN-AMERICANS- ARE-MOVING-BACK-TO-THE-SOUTH HTTPS://WWW.WASHINGTONPOST.COM/NATION/2022/01/14/BLACK-MIGRATION- SOUTH/

  22. DISCUSSION BOARD DUE TUESDAY BY 11:59PM WHAT CONNECTS PEOPLE TO CERTAIN PLACES? NO LESS THAN 250 WORDS, NO MORE THAN 300 WORDS MUST USE 2 OF THE SOURCES PROVIDED IN CONJUNCTION WITH A SOURCE INDEPENDENTLY FOUND

  23. WHAT IS ANALYZING? ELAGSE11-12RI3: ANALYZE A COMPLEX SET OF IDEAS OR SEQUENCE OF EVENTS AND EXPLAIN HOW SPECIFIC INDIVIDUALS, IDEAS, OR EVENTS INTERACT AND DEVELOP OVER THE COURSE OF THE TEXT. ELAGSE11-12RL3: ANALYZE THE IMPACT OF THE AUTHOR S CHOICES REGARDING HOW TO DEVELOP AND RELATE ELEMENTS OF A STORY OR DRAMA (E.G., WHERE A STORY IS SET, HOW THE ACTION IS ORDERED, HOW THE CHARACTERS ARE INTRODUCED AND DEVELOPED). ANALYZE: TO BREAK MATERIAL DOWN INTO ITS CONSTITUENT PARTS AND DETERMINE HOW THE PARTS RELATE TO ONE ANOTHER AND TO THE OVERALL STRUCTURE OR PURPOSE OF THE TEXT(S) HTTPS://WWW.YOUTUBE.COM/WATCH?V=DJJSMTWFAXY HTTPS://WWW.YOUTUBE.COM/WATCH?V=PR4BJZKQ5NC

  24. LET PRACTICE I see no changes, wake up in the morning and I ask myself Is life worth livin'? Should I blast myself? I'm tired of bein' poor and, even worse, I'm black My stomach hurts so I'm lookin' for a purse to snatch Cops give a damn about a negro Pull the trigger, kill a nigga, he's a hero Give the crack to the kids, who the hell cares? One less hungry mouth on the welfare First ship 'em dope and let 'em deal to brothers Give 'em guns, step back, watch 'em kill each other "It's time to fight back, " that's what Huey said Two shots in the dark, now Huey's dead I got love for my brother But we can never go nowhere unless we share with each other We gotta start makin' changes Learn to see me as a brother instead of two distant strangers And that's how it's supposed to be How can the Devil take a brother if he's close to me? Uh I'd love to go back to when we played as kids But things change, and that's the way it is

  25. ELAGSE11-12RI3: ANALYZE A COMPLEX SET OF IDEAS OR SEQUENCE OF EVENTS AND EXPLAIN HOW SPECIFIC INDIVIDUALS, IDEAS, OR EVENTS INTERACT AND DEVELOP OVER THE COURSE OF THE TEXT. HTTPS://AMERICANLITERATURE.COM/AUTHOR/CHARLES-W-CHESNUTT/SHORT-STORY/THE- PASSING-OF-GRANDISON TWO DAY READ (READ TWO PARTS PER DAY) ANALYZE THE TEXT DOES GRANDISON BEHAVIOR DEVELOP OVER TIME? HOW DOES GRANDISON'S BEHAVIOR DEVELOP OVER TIME? WHAT ARE THE SEQUENCE OF EVENTS IN THIS STORY? HOW DOES THE CHARACTERS INTERACT AND INFLUENCE EACH OTHER? HOW DOES THE CHARACTERS INTERACTION DEVELOP OVER THE COURSE OF THE TEXT?

  26. INFORMATIVE WRITING ELAGSE11-12W2: WRITE INFORMATIVE/EXPLANATORY TEXTS TO EXAMINE AND CONVEY COMPLEX IDEAS, CONCEPTS, AND INFORMATION CLEARLY AND ACCURATELY THROUGH THE EFFECTIVE SELECTION, ORGANIZATION, AND ANALYSIS OF CONTENT.

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