Themes and Influences in Jamaica Kincaid's Lucy

 
Jamaica Kincaid
 
Lucy
 
Kincaid, born in Antigua in 1949
 
Opening Reflections
 
What would you say are the key themes of the
text?
 
Henry Louis Gates Jr.
 
Henry Louis Gates Jr. has stated that “[Kincaid] never feels the
necessity of claiming the existence of a black world or a female
sensibility. She assumes them both. I think it’s a distinct departure
that she’s making, and I think that more and more black American
writers will assume their world the way that she does. So that we
can get beyond the large theme of racism and get to the deeper
themes of racism and get to the deeper themes of how black
people love and cry and live and die. Which after all, is what art is
all about.”
In response to this Kincaid explains “In actual life “white” is
powerful and “black” is powerless. I never say people are white. I
never say people are black. I describe them. […] When I sit at my
typewriter, I’m not a woman, I’m not from the Caribbean, I’m not
black. I’m just this sort of unhappy person struggling to make
something, struggling to be free. Yet the freedom isn’t a political
one or a public one: it’s a personal one.”
Might this suggest that Kincaid is consciously attempting not to
claim the stereotype of a black female Caribbean writer?
 
Lucy/Lucifer
 
Kincaid contends “a key to Lucy is the name Lucifer […]
The great influences on this young woman’s life are
Genesis and Revelation and, strangely enough, Jane
Eyre. […] Lucy is a very moralistic person and she’s very
judgmental. Her view on the world is very much
shaped by a nineteenth-century view, filtered through
the mist of colony and mother country.”
Can you see any connections to Jane Eyre?
Is Kincaid suggesting it is “better reign in Hell, than
serve in Heaven”, to feel self-possessed than to be a
victim?
 
Reproduction of Mothering
 
Nancy Chodorow in 
Reproduction of Mothering 
1978, documented
the pattern of absolute dependence in a primary relationship that
links the child to the nurturing mother who plays a role in the
formation of gendered identity. Chodorow contends mothering is
geared to producing female children who fit into the domestic
world and male children to the public world (174). In Chodorow’s
argument, growing up into womanhood means coming to terms
with “ideology, meanings and expectations that go into being a
gendered member of our society” (98).
Girls are expected to be “continuous” and “more like” their mothers
than boys, and they are not supposed to individuate themselves as
distinct from their mothers (166).
Apply Nancy Chodorow’s model to Kincaid’s Lucy and her mother,
how does this relationship with her mother affect her identity
formation?
Is the separation from her mother a metaphor for the protagonist’s
de-colonisation?
 
Paul Gauguin (1848-1903)
French post-Impressionist painter
 
Reversal of Roles
 
To what extent is Lucy’s self invention
dependent on the reversal of colonial and
patriarchal gender roles?
Is Lucy’s empowerment, her new sense of
strength and cohesion, purchased at too high
an emotional cost?
How does the protagonist regard sex?
 
William Wordsworth, “Daffodils”
(1804)
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Explore the key themes in Jamaica Kincaid's novel Lucy, including identity, colonialism, and rebellion against societal expectations. Reflect on how Kincaid's writing style challenges stereotypes and embraces personal freedom, as discussed by critics like Henry Louis Gates Jr. Connect themes of motherhood and gender identity from Nancy Chodorow's model to Lucy's complex relationship with her mother. Delve into the protagonist's journey of self-discovery within the context of post-colonial influences. Consider the literary connections to works like Jane Eyre as Kincaid reimagines the struggle for autonomy and individuality.


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  1. Jamaica Kincaid Lucy

  2. Kincaid, born in Antigua in 1949

  3. Opening Reflections What would you say are the key themes of the text?

  4. Henry Louis Gates Jr. Henry Louis Gates Jr. has stated that [Kincaid] never feels the necessity of claiming the existence of a black world or a female sensibility. She assumes them both. I think it s a distinct departure that she s making, and I think that more and more black American writers will assume their world the way that she does. So that we can get beyond the large theme of racism and get to the deeper themes of racism and get to the deeper themes of how black people love and cry and live and die. Which after all, is what art is all about. In response to this Kincaid explains In actual life white is powerful and black is powerless. I never say people are white. I never say people are black. I describe them. [ ] When I sit at my typewriter, I m not a woman, I m not from the Caribbean, I m not black. I m just this sort of unhappy person struggling to make something, struggling to be free. Yet the freedom isn t a political one or a public one: it s a personal one. Might this suggest that Kincaid is consciously attempting not to claim the stereotype of a black female Caribbean writer?

  5. Lucy/Lucifer Kincaid contends a key to Lucy is the name Lucifer [ ] The great influences on this young woman s life are Genesis and Revelation and, strangely enough, Jane Eyre. [ ] Lucy is a very moralistic person and she s very judgmental. Her view on the world is very much shaped by a nineteenth-century view, filtered through the mist of colony and mother country. Can you see any connections to Jane Eyre? Is Kincaid suggesting it is better reign in Hell, than serve in Heaven , to feel self-possessed than to be a victim?

  6. Reproduction of Mothering Nancy Chodorow in Reproduction of Mothering 1978, documented the pattern of absolute dependence in a primary relationship that links the child to the nurturing mother who plays a role in the formation of gendered identity. Chodorow contends mothering is geared to producing female children who fit into the domestic world and male children to the public world (174). In Chodorow s argument, growing up into womanhood means coming to terms with ideology, meanings and expectations that go into being a gendered member of our society (98). Girls are expected to be continuous and more like their mothers than boys, and they are not supposed to individuate themselves as distinct from their mothers (166). Apply Nancy Chodorow s model to Kincaid s Lucy and her mother, how does this relationship with her mother affect her identity formation? Is the separation from her mother a metaphor for the protagonist s de-colonisation?

  7. Paul Gauguin (1848-1903) French post-Impressionist painter

  8. Reversal of Roles To what extent is Lucy s self invention dependent on the reversal of colonial and patriarchal gender roles? Is Lucy s empowerment, her new sense of strength and cohesion, purchased at too high an emotional cost? How does the protagonist regard sex?

  9. William Wordsworth, Daffodils (1804)

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