Zora Neale Hurston: African-American Writer of the Harlem Renaissance
Zora Neale Hurston, born in Notasulga, Alabama, in 1891, was a prominent African-American writer known for her works reflecting the African-American culture and folklore. Growing up in Eatonville, Florida, and later studying at Barnard College, she stood out among her contemporaries for her portrayal of racism. Hurston's contributions to the Harlem Renaissance included novels like "Their Eyes Were Watching God" and collections of African-American folktales. Her work played a significant role in shaping the cultural identity of black Americans in the 1920s and 1930s.
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By Jon HURSTON, ZORA NEALE 1891? 60, African-American writer
LIFE African-American writer, b. Notasulga, Ala. She grew up in the pleasant all- black town of Eatonville, Fla. and, moving north, graduated from Barnard College, where she studied with Franz Boas. Her placid childhood and privileged academic background are often cited as major reasons for her work's general lack of stress on racism, a characteristic so unlike such contemporaries as Richard Wright. An anthropologist and folklorist, Hurston collected African-American folktales in the rural South and sympathetically interpreted them in the collections Mules and Men (1935) and Tell My Horse (1938). A third volume of tales, Every Tongue Got to Confess, was discovered in manuscript and published in 2001. Hurston, a significant figure in the Harlem Renaissance, was also the author of four novels including Jonah's Gourd Vine (1934) and the influential Their Eyes Were Watching God (1937). Her plays include the comedy Mule Bone (1931), written in collaboration with her friend Langston Hughes
LIFE CONT. Originally called the New Negro Movement, the Harlem Renaissance was a literary and intellectual flowering that fostered a new black cultural identity in the 1920s and 1930s. Critic and teacher Alain Locke described it as a "spiritual coming of age" in which the black community was able to seize upon its "first chances for group expression and self determination." With racism still rampant and economic opportunities scarce, creative expression was one of the few avenues available to African Americans in the early twentieth century. Chiefly literary the birth of jazz is generally considered a separate movement the Harlem Renaissance, according to Locke, transformed "social disillusionment to race pride."
