Ultimate Guide to Monitoring in Music Production

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Exploring the importance of monitoring in music production, this guide covers topics such as types of monitoring, reference monitors, performance specifications, and terminology. It emphasizes the need for accurate response in pro-studio monitoring systems and distinguishes between hi-fi and lo-fi equipment. Additionally, it explains why equipment with bass boost or noise filtering features may not be suitable for referencing purposes.


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  1. Essential Guide to MONITORING

  2. Aims To understand the following: What is Monitoring Types of Monitoring Speakers & Headphones What is Reference Monitoring Performance -Frequency Range Performance Power Ratings / Volume / SPL Manufacturer s Spec of Yamaha HS50M Manufacturer s Spec of HD280 Pro Terminology

  3. MONITORING Monitoring is essential in recording as it allows you to hear. Monitoring is required for: To soundcheck and set levels 1) 2) To audition a signal before recording 3) To perform along to a previous recording or guide 4) To arrange a multi track recording 5) To measure the results of processing (Effects, EQ etc) 6) To mix a multi-track recording 7) To master a multi track recording

  4. MONITORING Two essential monitoring systems: 1) Reference Monitors 2) Reference Headphones

  5. MONITORING Note the word Reference This is a very important attribute for a pro-studio monitoring system. Refers to: Accurate Response

  6. HI-FI Hi-Fi, or High-Fidelity Designed to be high quality. Traditionally accurate in response More recently feature: Bass Boost EQ Noise Reduction Artificial environments Surround

  7. LO-FI Lo-Fi, or Low Fideltyequipment such as Computer Monitors. Limited Frequency Response

  8. BASS BOOST Any equipment with additions such as Bass Boost, Dolby Surround, Noise filtering, or that is not true stereo, cannot be used for referencing. Why?

  9. REFERENCE MONITORS Two types of Referencing Monitor speakers: 1) Nearfield 2) Midfield

  10. NEARFIELD MONITORS Nearfield Designed for close monitoring in a small studio and tend to have 2 or 3 cones or horns per unit.

  11. MIDFIELD MONITORS Midfield More powerful and designed for larger studios. Tend to have at least 3 cones or horns per unit.

  12. REFERENCE MONITORS NB: As monitors need to be turned up to maximum volume for optimum frequency response, if you use Midfield monitoring in a small studio you will probably damage your ears.

  13. MEASURING THE PERFORMANCE OF MONITORING SYSTEMS All monitors, headphones and speakers are measured in several ways, these are the two most essential: 1) Power in Watts. This is how powerful the equipment is. (Volume /SPL) 2) Frequency response in Hz. This is the bandwidth of the audio spectrum that the unit is able to deliver.

  14. AUDIO SPECTRUM

  15. YAMAHA HS50M STUDIO MONITORS

  16. YAMAHA HS50M STUDIO MONITORS 2 Way True Reference Monitor 5 Cone Woofer, Dome HF Unit 70 Watts Power Frequency Response 55Hz 20khz Mid EQ Room Control & High Response Control Switches Low Cut Switch Crossover Freq 3Khz www.uk-yamaha.com

  17. HEADPHONES Headphones are simply mini-monitors. They are close range so there is less need for different power ratings and configurations. Like speakers, headphones are rated by power and frequency response. There are other factors to consider when choosing headphones for studio use...

  18. DIFFERENT TYPES OF HEADPHONES

  19. DIFFERENT TYPES OF HEADPHONES Circumaural Headphones (Noise Cancelling) Encompass the whole ear Fully seal against the head to cancel out background noise

  20. DIFFERENT TYPES OF HEADPHONES Supra-Aural Headphones Press against the ear Less attenuation of background noise

  21. DIFFERENT TYPES OF EAR CUP Open Back Allow background Noise in Allow noise to escape They give a more ambient and speaker-like response Deliver sense of distance from the sound source

  22. DIFFERENT TYPES OF EAR CUP Closed Back Block background Noise Prevent noise escaping Give a much closer sounding response

  23. WHICH SET? In a studio setting you need the following: 1) Closest, most accurate sound (no enhancement) 2) No bleed (sound should be sealed in so it is not picked up on the recording) 3) Outside sound blocked out to help accurate monitoring

  24. WHICH SET? Circumaural, Closed Back, Full Frequency Range, Referencing Headphones with no Bass Boost or Noise Reduction.

  25. Sennheiser HD280 Pro Closed Back Headphones

  26. Sennheiser HD280 Pro Closed Back Headphones 32dB Background Noise Attenuation Power Rating 500mw Frequency Response 8 25000hz SPL: 102dB (1 mw of input signal = 102dB) THD 0.1% Closed Back Circumaural design for limited overspill Accurate Linear Response http://en-uk.sennheiser.com

  27. References www.howequipmentworks.com www.thomann.de www.mixonline.com www.uk-yamaha.com http://en-us.sennheiser.com http://en-uk.sennheiser.com http://shure.custhelp.com/

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