Mood and Modality in Morphosyntax with Prof. John Corbett

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MORPHOSYNTAX
 
Prof John Corbett
USP-CAPES International Fellow
 
TODAY’S SESSION
 
 
The final three sets of grammatical categories relating to verbs:
 
mood
 (is the statement fact or non-fact?)
 
modality
 (what is the speaker’s 
stance
 towards the statement?)
 
voice
 (is the Subject of the sentence performing the action or is it
affected by the action?)
These are all sentence-level issues but they impact on the form of
the verb.
 
THE MOOD SYSTEM IN PRESENT DAY ENGLISH
 
 
The present day English category of mood can be understood as a set of realizations. Can you
match the sentence up with its possible descriptions?
 
 
Possible realisations
 
Hurry up!
     
Let's go.
 
What are you doing?
    
Is this the right room?
 
My name's Jim.
 
-----------------------------------------------------------------------------------------------------------------
 
Possible labels
 
open
  
imperative
  
exclusive
  
declarative
 
closed
  
interrogative
  
inclusive
  
indicative
 
THE MOOD SYSTEM IN PRESENT DAY ENGLISH
 
                                                           
 
declarative (
My name’s Jim
.)
 
  
indicative (fact)                                                                          open (
What are you doing?)
                                                          
 
 interrogative (
asking a question
)
 
M
ood
  
                                                                                                closed (
Is this the right room?)
 
                                            
 
  
 
 inclusive (
Let’s go
.)
 
 
                     
 
imperative (non-fact)
 
                                                           
 
exclusive (
Hurry up!)
 
A FOSSILISED MOOD…
 
 
As well as the imperative, English has traces of another non-fact mood, the
subjunctive.
 
In a range of languages, the subjunctive expresses 
hopes, desires, conditions,
obligations, possibilities.
 
In present-day English, some of these functions are realized by the modality system,
but a few examples of the subjunctive mood survive in idiomatic expressions and in
subordinate/dependent clauses with certain verbs and adjectives.
 
A FOSSILISED MOOD…
 
 
Traces of the subjunctive mood:
 
I
n exclamations:
  
Lord 
help
 us!
In toasts:
   
God 
save
 the king!
In formulaic expressions
 
Be
 that as it may… far 
be
 it from me… 
suffice
 it to say…
 
In subordinate clauses following verbs expressing weak/strong recommendations:
 
I recommend/suggest/demand/insist…that he 
leave
.
In subordinate clauses following adjectives/noun/verbs expressing desires/suggestions:
 
It is advisable that he 
leave
. It is a requirement that he
 leave
. I wish I 
were
 you.
In ‘if’ clauses:
 
If I 
were 
a rich man, I wouldn’t have to work hard… (
Now normally 
‘If I was rich…’)
 
MODALITY
 
 
Modality is a two-part system in English – a verb can either be:
 
 
Unmodalised (positive or negative)
 
She eats nails and spits rust.
 
 
                                                    
 
She doesn’t eat nails or spit rust.
 
or
 
 
Modalised (epistemic or deontic)
 
She 
can/could 
eat nails…
 
                                                   
 
She 
will/would 
eat nails
 
            
    
She 
shall/should 
eat nails…
 
             
    
She 
may/might 
eat nails…
 
                                                    
 
She 
has (got) to/had (got) to 
eat nails
 
                                  
  
She 
ought to
 eat nails…
 
               
   
She 
must
 eat nails…
 
EPISTEMIC OR DEONTIC?
 
 
Epistemic
: to do with possibility, necessity and ability (what
we can know).
 
 
Deontic:
 
to do with permission and obligation.
 
MODAL MEANINGS
 
 
(1) Speaker’s assessment of possibility (here, modal + perfect aspect):
 
 
I could have left my phone in the cinema.
 
I might have left my phone in the cinema.
 
I may have left my phone in the cinema.
  
Increasing likelihood
 
I must have left my phone in the cinema.
 
I’ll have left my phone in the cinema.
 
MODAL MEANINGS
 
 
(2) Speaker’s assessment of ability (to do something):
 
I could win this game
 
 
 
I can win this game.
 
 
(
3) Permission:
 
    
 
You may leave early.
 
You can leave early
 
Might I leave early?
 
MODAL MEANINGS
 
 
Obligation
        
 
There has (got) to be a referendum.  
 
(insistence)
 
There ought to be a referendum.
 
(external pressure)
 
There should be a referendum.
 
(external pressure)
 
There must be a referendum.
  
(internal pressure)
 
There shall be a referendum.
  
(decree)
12
 
 
THE 
VOICE 
SYSTEM
 
Voice is a 2-part system: active versus passive voice.
 
I want to tell you something…
  
I
ve broken 
your car window.
  
Your car window 
has been broken 
(by me).
 
Passive transformation:
Object
 becomes 
Subject
VERB
 becomes 
TO BE + PAST PARTICIPLE (-en)
 
ANOTHER FORM OF THE PASSIVE
 
 
GET + past participle
        
 
They got married in a registry office.
 
They were married in a registry office.
 
When do we use the ‘get’ passive?
  
 
Less formal discourse.
   
 
Arguable the ‘get’ passive focuses on the action & the ‘be’ passive focuses on
 
the resulting state of affairs:
    
  
The senator was caught embezzling funds. (Focus on the senator)
  
The senator got caught embezzling funds. (Focus on the catching)
 
ERGATIVITY
 
 
Some verbs can be used in the active voice but have passive meanings. The action is
realized through the subject of the verb:
 
The door opened.
    
The door was opened.
 
Flight KL 098 is now boarding at gate 3.
  
The flight is being boarded…
 
These oranges peel easily.
   
These oranges are peeled…
 
 
15
 
WHY DO WE NEED THE SYSTEM OF VOICE?
 
 
To negotiate responsibility (delete the Agent, move information around.)
 
 
When we do not know the Agent (My house 
has been burgled
.)
 
When we want to obscure the Agent (Your essay 
has been mislaid
.)
 
 To manage 
information flow
:
  
The first item on the programme was a song. The song 
was sung
 by a girl.
 
The first item on the programme was a girl. The girl 
sang 
a song.
 
       
 
Given info>New info.
 
 
16
 
WHY DO WE NEED THE SYSTEM OF VOICE?
 
 
To manage 
information flow
:
 
The first item on the programme was a song. The song 
was sung
 by a girl.
 
 
The first item on the programme was a girl. The girl 
sang 
a song.
 
       
Given info>New info.
 
VERBS AND POINT-OF-VIEW
 
 
She kissed him.
 
He was kissed by her.
 
They kissed.
 
Suddenly there were his lips on her neck.
 
VERBS AND POINT-0F-VIEW
 
 
From 
The Inheritors 
by William Golding (interpretation by MAK Halliday)
 
VERBS AND POINT-OF-VIEW
 
 
These come from (allegedly real) reports of traffic accidents, sent to insurance
companies by clients claiming compensation. What is interesting about the verb
choices?
 
a)
 
A pedestrian hit me and went under my car.
 
(b)
 
As I approached the intersection, a sign appeared in a place where no sign
 
had ever appeared before.
 
(c)
 
My car was legally parked as it backed into the other vehicle.
 
(d)
 
I saw a sad-faced, slow-moving old gentleman, as he bounced off the roof of
 
my car.
 
VERBS AND POINT-OF-VIEW
 
 
These come from (allegedly real) reports of traffic accidents, sent to insurance
companies by clients claiming compensation. What is interesting about the verb
choices?
 
a)
 
A pedestrian hit me and went under my car. 
(Active voice where passive
 
would be more ‘natural’. Responsibility put on the pedestrian.)
 
(b)
 
As I approached the intersection, a sign appeared in a place where no sign
 
had ever appeared before. 
(Inanimate subject ‘sign’ but verb of action.)
 
(c)
 
My car was legally parked as it backed into the other vehicle. 
(Stative verb
 
‘was parked’ at the same time as verb of action ‘backed’.)
 
(d)
 
I saw a sad-faced, slow-moving old gentleman, as he bounced off the roof of
 
my car. 
(Incongruity of the person perceived as ‘slow-moving’ as he ‘bounces’.)
21
 
VERB SYSTEMS: PUTTING IT ALL TOGETHER
 
  
was sleeping:
 
 
number:  
 
singular
 
person:
 
third
 
tense:
  
past
 
aspect:
 
progressive
 
voice:
  
active
 
finiteness:
 
finite
 
modality:
 
non-modalised
 
mood:
  
indicative
22
 
VERB SYSTEMS: PUTTING IT ALL TOGETHER
 
  
should have been being trained
 
 
tense:
  
past
 
(
should
, not 
shall
)
 
aspect:
 
perfect progressive (have...being)
 
voice:
  
passive (been
trained)
 
finiteness:
 
finite (tense is marked)
 
modality:
 
modalised (should)
 
mood:
  
indicative (statement of fact)
 
FINAL THOUGHTS
 
 
You can now explain a number of grammatical categories that apply to:
 
 
Nouns 
(number, gender, case, person and definiteness)
 
Pronouns
 (number, gender, case and person)
 
Adjectives and some adverbs 
(degree)
 
Verbs
 (number, person, tense, aspect, finiteness, mood, modality and voice).
 
LOOKING AHEAD…
 
 
Next week we turn from the description of morphosyntactic patterns and grammatical
systems to the teaching of grammatical structures in second language classrooms.
 
 
How were you taught grammar in school?
 
* Explicitly or implicitly?
 
* Inductively (from examples to rules) or deductively (from rules to examples)?
 
* What worked/didn’t work for you?
 
 
Next week we start looking at issues and options for teachers of grammar.
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Today's session with Prof. John Corbett explores the final three sets of grammatical categories related to verbs: mood (fact or non-fact), modality (speaker's stance), and voice (subject's role). The session delves into the present-day English mood system, differentiating between various realizations like imperative, interrogative, declarative, and indicative. Additionally, the fossilized mood of the subjunctive in English is discussed, highlighting its presence in idiomatic expressions and subordinate clauses. Modality in English is explained as a two-part system where a verb can be unmodalized (positive or negative).


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  1. MORPHOSYNTAX Prof John Corbett USP-CAPES International Fellow

  2. TODAYS SESSION The final three sets of grammatical categories relating to verbs: mood (is the statement fact or non-fact?) modality (what is the speaker s stance towards the statement?) voice (is the Subject of the sentence performing the action or is it affected by the action?) These are all sentence-level issues but they impact on the form of the verb.

  3. THE MOOD SYSTEM IN PRESENT DAY ENGLISH The present day English category of mood can be understood as a set of realizations. Can you match the sentence up with its possible descriptions? Possible realisations Hurry up! What are you doing? My name's Jim. ----------------------------------------------------------------------------------------------------------------- Possible labels open imperative exclusive closed interrogative inclusive Let's go. Is this the right room? declarative indicative

  4. THE MOOD SYSTEM IN PRESENT DAY ENGLISH declarative (My name s Jim.) indicative (fact) open (What are you doing?) interrogative (asking a question) Mood closed (Is this the right room?) inclusive (Let s go.) imperative (non-fact) exclusive (Hurry up!)

  5. A FOSSILISED MOOD As well as the imperative, English has traces of another non-fact mood, the subjunctive. In a range of languages, the subjunctive expresses hopes, desires, conditions, obligations, possibilities. In present-day English, some of these functions are realized by the modality system, but a few examples of the subjunctive mood survive in idiomatic expressions and in subordinate/dependent clauses with certain verbs and adjectives.

  6. A FOSSILISED MOOD Traces of the subjunctive mood: In exclamations: In toasts: In formulaic expressions Lord help us! God save the king! Be that as it may far be it from me suffice it to say In subordinate clauses following verbs expressing weak/strong recommendations: I recommend/suggest/demand/insist that he leave. In subordinate clauses following adjectives/noun/verbs expressing desires/suggestions: It is advisable that he leave. It is a requirement that he leave. I wish I were you. In if clauses: If I were a rich man, I wouldn t have to work hard (Now normally If I was rich )

  7. MODALITY Modality is a two-part system in English a verb can either be: Unmodalised (positive or negative) She eats nails and spits rust. She doesn t eat nails or spit rust. or Modalised (epistemic or deontic) She can/could eat nails She will/would eat nails She shall/should eat nails She may/might eat nails She has (got) to/had (got) to eat nails She ought to eat nails She must eat nails

  8. EPISTEMIC OR DEONTIC? Epistemic: to do with possibility, necessity and ability (what we can know). Deontic: to do with permission and obligation.

  9. MODAL MEANINGS (1) Speaker s assessment of possibility (here, modal + perfect aspect): I could have left my phone in the cinema. I might have left my phone in the cinema. I may have left my phone in the cinema. I must have left my phone in the cinema. I ll have left my phone in the cinema. Increasing likelihood

  10. MODAL MEANINGS (2) Speaker s assessment of ability (to do something): I could win this game I can win this game. (3) Permission: You may leave early. You can leave early Might I leave early?

  11. MODAL MEANINGS Obligation There has (got) to be a referendum. There ought to be a referendum. There should be a referendum. There must be a referendum. There shall be a referendum. (insistence) (external pressure) (external pressure) (internal pressure) (decree)

  12. THE VOICE SYSTEM Voice is a 2-part system: active versus passive voice. I want to tell you something I ve broken your car window. Your car window has been broken (by me). Passive transformation: Object becomes Subject VERB becomes TO BE + PAST PARTICIPLE (-en) 12

  13. ANOTHER FORM OF THE PASSIVE GET + past participle They got married in a registry office. They were married in a registry office. When do we use the get passive? Less formal discourse. Arguable the get passive focuses on the action & the be passive focuses on the resulting state of affairs: The senator was caught embezzling funds. (Focus on the senator) The senator got caught embezzling funds. (Focus on the catching)

  14. ERGATIVITY Some verbs can be used in the active voice but have passive meanings. The action is realized through the subject of the verb: The door opened. The door was opened. Flight KL 098 is now boarding at gate 3. The flight is being boarded These oranges peel easily. These oranges are peeled

  15. WHY DO WE NEED THE SYSTEM OF VOICE? To negotiate responsibility (delete the Agent, move information around.) When we do not know the Agent (My house has been burgled.) When we want to obscure the Agent (Your essay has been mislaid.) To manage information flow : The first item on the programme was a song. The song was sung by a girl. The first item on the programme was a girl. The girl sang a song. Given info>New info. 15

  16. WHY DO WE NEED THE SYSTEM OF VOICE? To manage information flow : The first item on the programme was a song. The song was sung by a girl. The first item on the programme was a girl. The girl sang a song. Given info>New info. 16

  17. VERBS AND POINT-OF-VIEW She kissed him. He was kissed by her. They kissed. Suddenly there were his lips on her neck.

  18. VERBS AND POINT-0F-VIEW From The Inheritors by William Golding (interpretation by MAK Halliday)

  19. VERBS AND POINT-OF-VIEW These come from (allegedly real) reports of traffic accidents, sent to insurance companies by clients claiming compensation. What is interesting about the verb choices? a) A pedestrian hit me and went under my car. (b) As I approached the intersection, a sign appeared in a place where no sign had ever appeared before. (c) My car was legally parked as it backed into the other vehicle. (d) I saw a sad-faced, slow-moving old gentleman, as he bounced off the roof of my car.

  20. VERBS AND POINT-OF-VIEW These come from (allegedly real) reports of traffic accidents, sent to insurance companies by clients claiming compensation. What is interesting about the verb choices? a) A pedestrian hit me and went under my car. (Active voice where passive would be more natural . Responsibility put on the pedestrian.) (b) As I approached the intersection, a sign appeared in a place where no sign had ever appeared before. (Inanimate subject sign but verb of action.) (c) My car was legally parked as it backed into the other vehicle. (Stative verb was parked at the same time as verb of action backed .) (d) I saw a sad-faced, slow-moving old gentleman, as he bounced off the roof of my car. (Incongruity of the person perceived as slow-moving as he bounces .)

  21. VERB SYSTEMS: PUTTING IT ALL TOGETHER was sleeping: number: person: tense: aspect: voice: finiteness: modality: mood: singular third past progressive active finite non-modalised indicative 21

  22. VERB SYSTEMS: PUTTING IT ALL TOGETHER should have been being trained tense: aspect: voice: finiteness: modality: mood: past perfect progressive (have...being) passive (been trained) finite (tense is marked) modalised (should) indicative (statement of fact) (should, not shall) 22

  23. FINAL THOUGHTS You can now explain a number of grammatical categories that apply to: Nouns (number, gender, case, person and definiteness) Pronouns (number, gender, case and person) Adjectives and some adverbs (degree) Verbs (number, person, tense, aspect, finiteness, mood, modality and voice).

  24. LOOKING AHEAD Next week we turn from the description of morphosyntactic patterns and grammatical systems to the teaching of grammatical structures in second language classrooms. How were you taught grammar in school? * Explicitly or implicitly? * Inductively (from examples to rules) or deductively (from rules to examples)? * What worked/didn t work for you? Next week we start looking at issues and options for teachers of grammar.

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