Literary Themes Through Forgotten Women in Famous Men's Lives

 
Well known men represented through the
forgotten women in their lives.
 
Anne Hathaway was Shakespeare’s wife and the
poem focuses on Hathaway reflecting on their
relationship after he has died.
 
King Midas was a greedy, mythological king who
was granted a wish whereby everything he
touched turned to gold. This poem focuses on
the effect it has on their relationship.
 
Read the two poems.
 
Highlight use of the following features:
Simile
Metaphor
Personification
Alliteration
Onomatopoeia
Word choice showing passion
Use of sentence structure for a particular reason
 
What is each poem about?
What are the main themes of each poem?
What is the tone of each poem? (Using quotes)
 
Anne Hathaway
 
Reflecting on her love for her husband after he has died.
Theme: passion, love, remembrance.
Tone: reflective, sensual.
 
Shakespeare is famous for writing 154 sonnets; a form of
poetry.
This poem is also written in a 
sonnet form, with 14 lines
,
made up of 3 quatrains (4 lines) and 
1 rhyming couplet
.
Enjambment - to show how free their love was, as well as
to place emphasis on important words or phrases.
 
The entire poem is a metaphor comparing the couple’s
love making to the process poetic creativity.
 
 
 
'Item I gyve unto my wife my second best bed ...'
(from Shakespeare's will)
 
 
 
First line is taken from Shakespeare’s will.
Although it seems odd, in the poem it says the “best”
bed was for their guests and the “second best” bed was
theirs. After everything we’re shown about their
relationship; this is his last romantic gesture.
 
 
The bed we loved in was a 
spinning world
of forests, castles, torchlight, clifftops, seas
where we would 
dive for pearls
. 
My lover's words
were shooting stars which fell to earth as kisses
 
Their love/her
happiness made
her dizzy
 
Places
Shakespeare
wrote about.
Magical places of
stories. They’re
cut off in their
own world.
 
Pearls –
precious/valuable,
Like their love.
 
Calling him her
lover
demonstrates
importance of
physical side
of their
relationship.
 
Metaphor. She was seduced by
his language/words.
 
on these lips; 
my body now a softer rhyme
to his
, now echo, assonance; his touch
a verb dancing in the centre of a noun.
Some nights, 
I dreamed he'd written me
, the 
bed
 
 
Extends the
language metaphor.
Compares their
having sex to
something poetic.
 
It is only through
his eyes and
imagination that
she feels fully alive.
 
Shows how
in tune they
are with each
other; they
echo.
 
a page beneath his writer's hands
. Romance
and drama played by touch, by scent, by taste.
In the other bed, the best, 
our guests dozed on,
dribbling their prose
. My 
living laughing love
 -
 
The bed compared to a
blank piece of paper
with what happens up
to his imagination. Bed
represents their
relationship.
 
Sensory
imagery
 
Their
relationship
dull in
comparison.
 
Upbeat alliteration
compared to the dull ‘D’
and ‘P’ sound of dozed,
dribbling and prose.
 
Longer pieces
of writing
boring in
comparison
to poetry.
 
The dash
separates the
description
from the
reality that he
is dead.
 
I hold him in the casket of my widow's head
as he held me upon that next best bed.
 
Rhyming
couplet.
 
Somewhere to
keep valuables and
protect them. In
the same way that
she felt with her
husband in their
bed.
 
Their love is
now only in her
head; a
memory.
 
Mrs Midas - written from the viewpoint of the wife
of the mythological King Midas.
 
King Midas was granted a wish by the god Dionysus
whereby everything he touched would turn to gold.
 
A wide range of emotions is expressed through the
persona of Mrs Midas as she separates herself from
her husband and his selfish actions.
She leaves him and reflects the loss of their physical
relationship and the chance to have a baby with her
husband.
 
Themes
 
Greed – damaging effects on the relationship
and the isolation it causes.
 
Consequences of actions – pay the price for
not thinking the wish through.
 
Relationships.
 
Form and structure.
 
Form: dramatic monologue
11 stanzas
Irregular line length reflecting the chaos of the
situation.
Stanza 1 -6 deals with discovering Midas’ power
and the panic it causes.
Stanzas 7 -11 deal with the implications on their
relationship/future.
Last line – regret at loss of physical contact.
 
Now the garden was long and the visibility poor, the way
 the dark of the ground seems to drink the light of the sky,
 but that twig in his hand was gold. And then he plucked
 a pear from a branch - we grew Fondante d'Automne -
and 
it sat in his palm like a light bulb
. On.
 I thought to myself, Is he 
putting fairy lights in the tree
?
 
Puts it down to not being
able to see properly.
 
Simile.
Shows the
shape and
brightness
coming
from it.
 
Short sentence
shows her
sudden shock
and disbelief.
 
Imagery is light and
humorous in comparison
with what has happened.
 
It was late September. I'd just poured a glass of wine, begun
 to unwind, while the vegetables cooked. The 
kitchen
 filled with the smell of itself, relaxed, its steamy breath
 gently blanching the windows. So I opened one,
 then with my fingers 
wiped the other's glass like a brow
.
 He was standing under the pear tree snapping a twig.
 
Typical domestic scene.
 
Personification.
 
He came into the house. The doorknobs gleamed.
 He drew the blinds. You know the mind; I thought of
 the Field of the Cloth of Gold and of Miss Macready.
 He sat in that chair like a king on a burnished throne.
 The look on his face was 
strange, wild, vain
. I said,
 What in the name of God is going on? He started to laugh.
 
 I served up the meal. For starters, corn on the cob.
 Within seconds he was 
spitting out the teeth of the rich
.
 He toyed with his spoon, then mine, then with the knives, the forks.
 He asked where was the wine. 
I poured with shaking hand,
 a fragrant, bone-dry white from Italy, then watched
 as he picked up the 
glass, goblet, golden chalice
, drank.
 
Makes her
remember a
school
history
lesson.
Meeting
between
Kings of
England and
France
where they
covered their
temporary
palaces with
golden cloth.
Shows
extravagance
.
 
Doesn’t recognise
the look on his
face. His greed has
given him
tremendous power.
 
Shows negative
effects of his greed.
He can not enjoy the
simple things in life.
Emphasising gold
teeth usually found
in the rich.
 
List of
household
things turned to
gold; how many
things he
touches.
 
Her anxiety
revealed.
 
Watching the glass change.
Alliteration of harsh sound
emphasises harshness of
the reality.
 
It was then that 
I started to scream. He sank to his knees.
 After we had both calmed down, I finished the wine
 on my own, hearing him out. 
I made him sit
 on the other side of the room and keep his hands to himself.
 
I locked the cat in the cellar. I moved the phone.
 The toilet I didn't mind
. I couldn't believe my ears:
 
 how he'd had a wish. Look, we all have 
wishes; granted.
 But who has wishes granted
? Him. Do you know about gold?
 
It feeds no one
; aurum, soft, untarnishable; slakes
 no thirst. He tried to light a cigarette; I gazed, entranced,
 as the blue flame played on its luteous stem. At least,
 I said, 
you'll be able to give up smoking for good.
 
Realisation
 
Humorous. His
new ‘power’
means he won’t
be able to touch
his wife.
 
Humorous
Deliberate pause, pun.
All have wishes but
her fool of a husband
is the one whose wish
comes true.
 
Lack of real
value in gold
.
Humorous -
contrasts with the
harsh truth.
 
Separate beds. In fact, I put a chair against my door,
near petrified. He was below, turning the spare room
into the 
tomb of Tutankhamun
. You see, we were passionate then,
in those halcyon days; unwrapping each other, rapidly,
like presents, fast food. But now I feared his honeyed embrace,
the kiss that would turn my lips to a work of art.
And who, when it comes to the crunch, 
can live
with a heart of gold? 
That night, I dreamt I bore
his child, its perfect ore limbs, its little tongue
like a precious latch, 
its amber eyes
holding their pupils like flies
. My 
dream-milk
burned in my breasts. I woke to the streaming sun.
 
Summarises the effect
in one harsh sentence
.
 
Relationship
dead.
 
Fear of
husband
and what he
can do.
 
Focuses on
what they
have lost to
emphasise
effect
.
 
Usually
positive but
means this
metaphor
literally.  His
touch would
kill her.
 
Disturbing image
Knows
her
dream of
having a
baby can
never
happen.
So he had to move out. We'd a caravan
in the wilds, in a glade of its own. I drove him up
under cover of dark. He sat in the back.
And then I came home, the women who married the fool
who wished for gold. At first I visited, odd times,
parking the car a good way off, then walking.
You knew you were getting close. Golden trout
on the grass. One day, a hare hung from a larch,
a beautiful lemon mistake. And then his footprints,
glistening next to the river's path. He was 
thin,
delirious; hearing, he said, the music of Pan
from the woods. Listen. That was the last straw.
What gets me now is not the idiocy or greed
but lack of thought for me. Pure selfishness. I sold
the contents of the house and came down here.
I think of him in certain lights, dawn, late afternoon,
and once a bowl of apples stopped me dead. I miss most,
even now, his 
hands
, his warm 
hands
 on my skin, his touch.
 
Relationship
destroyed.
Causes
isolation for
both of them.
Sorrowful
description which
makes us pity him.
Ironic that a
gift focussed
on wealth
left him so
poor in
other ways.
 
She is left with
anger as she thinks
of the man he was.
 
Mourns
their
relationship
.
 
Repetition emphasises that this is
the one thing she can’t have.
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The poems "Anne Hathaway" and "King Midas" shed light on the overlooked women behind well-known men - Shakespeare and the mythological King Midas. Delve into themes of passion, love, and remembrance as these women reflect on their relationships posthumously, with a reflective and sensual tone. Various literary devices like metaphor, personification, and alliteration are skillfully employed to illustrate the depth of emotions and connections shared.

  • Literary themes
  • Forgotten women
  • Relationship reflections
  • Passionate musings
  • Reflective poetry

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  1. Well known men represented through the forgotten women in their lives. Anne Hathaway was Shakespeare s wife and the poem focuses on Hathaway reflecting on their relationship after he has died. King Midas was a greedy, mythological king who was granted a wish whereby everything he touched turned to gold. This poem focuses on the effect it has on their relationship.

  2. Read the two poems. Highlight use of the following features: Simile Metaphor Personification Alliteration Onomatopoeia Word choice showing passion Use of sentence structure for a particular reason What is each poem about? What are the main themes of each poem? What is the tone of each poem? (Using quotes)

  3. Anne Hathaway Reflecting on her love for her husband after he has died. Theme: passion, love, remembrance. Tone: reflective, sensual. Shakespeare is famous for writing 154 sonnets; a form of poetry. This poem is also written in a sonnet form, with 14 lines, made up of 3 quatrains (4 lines) and 1 rhyming couplet. Enjambment - to show how free their love was, as well as to place emphasis on important words or phrases. The entire poem is a metaphor comparing the couple s love making to the process poetic creativity.

  4. 'Item I gyve unto my wife my second best bed ...' (from Shakespeare's will) First line is taken from Shakespeare s will. Although it seems odd, in the poem it says the best bed was for their guests and the second best bed was theirs. After everything we re shown about their relationship; this is his last romantic gesture.

  5. Their love/her happiness made her dizzy Places Shakespeare wrote about. Magical places of stories. They re cut off in their own world. The bed we loved in was a spinning world of forests, castles, torchlight, clifftops, seas where we would dive for pearls. My lover's words were shooting stars which fell to earth as kisses Pearls precious/valuable, Like their love. Calling him her lover demonstrates importance of physical side of their relationship. Metaphor. She was seduced by his language/words.

  6. Shows how in tune they are with each other; they echo. on these lips; my body now a softer rhyme to his, now echo, assonance; his touch a verb dancing in the centre of a noun. Some nights, I dreamed he'd written me, the bed Extends the language metaphor. Compares their having sex to something poetic. It is only through his eyes and imagination that she feels fully alive.

  7. The bed compared to a blank piece of paper with what happens up to his imagination. Bed represents their relationship. Sensory imagery a page beneath his writer's hands. Romance and drama played by touch, by scent, by taste. In the other bed, the best, our guests dozed on, dribbling their prose. My living laughing love - Longer pieces of writing boring in comparison to poetry. Their relationship dull in comparison. Upbeat alliteration compared to the dull D and P sound of dozed, dribbling and prose. The dash separates the description from the reality that he is dead.

  8. Somewhere to keep valuables and protect them. In the same way that she felt with her husband in their bed. Their love is now only in her head; a memory. I hold him in the casket of my widow's head as he held me upon that next best bed. Rhyming couplet.

  9. Mrs Midas - written from the viewpoint of the wife of the mythological King Midas. King Midas was granted a wish by the god Dionysus whereby everything he touched would turn to gold. A wide range of emotions is expressed through the persona of Mrs Midas as she separates herself from her husband and his selfish actions. She leaves him and reflects the loss of their physical relationship and the chance to have a baby with her husband.

  10. Themes Greed damaging effects on the relationship and the isolation it causes. Consequences of actions pay the price for not thinking the wish through. Relationships.

  11. Form and structure. Form: dramatic monologue 11 stanzas Irregular line length reflecting the chaos of the situation. Stanza 1 -6 deals with discovering Midas power and the panic it causes. Stanzas 7 -11 deal with the implications on their relationship/future. Last line regret at loss of physical contact.

  12. Typical domestic scene. It was late September. I'd just poured a glass of wine, begun to unwind, while the vegetables cooked. The kitchen filled with the smell of itself, relaxed, its steamy breath gently blanching the windows. So I opened one, then with my fingers wiped the other's glass like a brow. He was standing under the pear tree snapping a twig. Personification. Puts it down to not being able to see properly. Now the garden was long and the visibility poor, the way the dark of the ground seems to drink the light of the sky, but that twig in his hand was gold. And then he plucked a pear from a branch - we grew Fondante d'Automne - and it sat in his palm like a light bulb. On. I thought to myself, Is he putting fairy lights in the tree? Short sentence shows her sudden shock and disbelief. Simile. Shows the shape and brightness coming from it. Imagery is light and humorous in comparison with what has happened.

  13. Makes her remember a school history lesson. Meeting between Kings of England and France where they covered their temporary palaces with golden cloth. Shows extravagance . Doesn t recognise the look on his face. His greed has given him tremendous power. He came into the house. The doorknobs gleamed. He drew the blinds. You know the mind; I thought of the Field of the Cloth of Gold and of Miss Macready. He sat in that chair like a king on a burnished throne. The look on his face was strange, wild, vain. I said, What in the name of God is going on? He started to laugh. Shows negative effects of his greed. He can not enjoy the simple things in life. Emphasising gold teeth usually found in the rich. I served up the meal. For starters, corn on the cob. Within seconds he was spitting out the teeth of the rich. He toyed with his spoon, then mine, then with the knives, the forks. He asked where was the wine. I poured with shaking hand, a fragrant, bone-dry white from Italy, then watched as he picked up the glass, goblet, golden chalice, drank. List of household things turned to gold; how many things he touches. Her anxiety revealed. Watching the glass change. Alliteration of harsh sound emphasises harshness of the reality.

  14. Humorous. His new power means he won t be able to touch his wife. Realisation It was then that I started to scream. He sank to his knees. After we had both calmed down, I finished the wine on my own, hearing him out. I made him sit on the other side of the room and keep his hands to himself. I locked the cat in the cellar. I moved the phone. The toilet I didn't mind. I couldn't believe my ears: Humorous Deliberate pause, pun. All have wishes but her fool of a husband is the one whose wish comes true. how he'd had a wish. Look, we all have wishes; granted. But who has wishes granted? Him. Do you know about gold? It feeds no one; aurum, soft, untarnishable; slakes no thirst. He tried to light a cigarette; I gazed, entranced, as the blue flame played on its luteous stem. At least, I said, you'll be able to give up smoking for good. Lack of real value in gold. Humorous - contrasts with the harsh truth.

  15. Summarises the effect in one harsh sentence. Fear of husband and what he can do. Separate beds. In fact, I put a chair against my door, near petrified. He was below, turning the spare room into the tomb of Tutankhamun. You see, we were passionate then, in those halcyon days; unwrapping each other, rapidly, like presents, fast food. But now I feared his honeyed embrace, the kiss that would turn my lips to a work of art. Relationship dead. Focuses on what they have lost to emphasise effect. Usually positive but means this metaphor literally. His touch would kill her. And who, when it comes to the crunch, can live with a heart of gold? That night, I dreamt I bore his child, its perfect ore limbs, its little tongue like a precious latch, its amber eyes holding their pupils like flies. My dream-milk burned in my breasts. I woke to the streaming sun. Disturbing image Knows her dream of having a baby can never happen.

  16. Relationship destroyed. So he had to move out. We'd a caravan in the wilds, in a glade of its own. I drove him up under cover of dark. He sat in the back. And then I came home, the women who married the fool who wished for gold. At first I visited, odd times, parking the car a good way off, then walking. Causes isolation for both of them. You knew you were getting close. Golden trout on the grass. One day, a hare hung from a larch, a beautiful lemon mistake. And then his footprints, glistening next to the river's path. He was thin, delirious; hearing, he said, the music of Pan from the woods. Listen. That was the last straw. Ironic that a gift focussed on wealth left him so poor in other ways. Sorrowful description which makes us pity him. What gets me now is not the idiocy or greed but lack of thought for me. Pure selfishness. I sold the contents of the house and came down here. I think of him in certain lights, dawn, late afternoon, and once a bowl of apples stopped me dead. I miss most, even now, his hands, his warm hands on my skin, his touch. She is left with anger as she thinks of the man he was. Mourns their relationship . Repetition emphasises that this is the one thing she can t have.

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