Explore the Enchanting World of Villanelle Poetry

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Delve into the rich history and captivating structure of the Villanelle poetic form. Discover how this unique style has been embraced by renowned poets through the ages, and experience the beauty of a modern Villanelle by Sondra Ball. Uncover the essence and charm of the Villanelle through its melodic repetition and intricate rhyme scheme.


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  1. Villanelle Matt, Zach, Yarden, Morgan

  2. History of the Villanelle Villanella- Italian folk song with a dance created during the Renaissance period Adopted by the French in the 16th century and became the Villanelle

  3. Continued History The first true Villanelle was the Villanelle by Jean Passerat in the 16th century After the 16th century, the Villanelle lost its popularity and became obscure Theodore de Banville popularized the form in the 19th century Many famous poets and writers including Oscar Wilde, James Joyce, Theodore Roethke, Elizabeth Bishop, W.H. Auden, and Dylan Thomas wrote in the villanelle form

  4. Structure 19 line poem Five tercets and one quatrain The first and third lines of the opening tercet are repeated alternately in the last lines of the succeeding stanzas The refrain then serves as the poem s final two lines ABA ABA ABA ABA ABA ABAA rhyme scheme

  5. Now do you know the villanelle structure? Let s see! Reassemble the poem Villanelle by Sondra Ball

  6. The Villanelle Sondra Ball It never arcs into the sharp loud yell of vast pipe organs. Soft its climb. Musical and sweet, the villanelle, Musical and sweet, the villanelle, like light reflected in a gentle rhyme, moves to the ringing of a silver bell, like a tiny and translucent shell catching sunlight in the summer time, moves to the ringing of a silver bell. its form creating soft and tender spells. Like the singing of distant silver chimes, musical and sweet, the villanelle Soft and gentle, tender and so frail, like light pouring through petals of the lime, musical and sweet, the villanelle moves to the ringing of a silver bell. flows through the heart, and builds a magic spell from sunlight and from shadows, and, sublime, moves to the ringing of a silver bell.

  7. The Villanelle: Thought Questions What s the poem literally talking about? Underline sensory images. What is a villanelle compared to/personified as? How does form contribute to the poem s meaning? Villanelle structure? Enjambment?

  8. The Waking Theodore Roethke I wake to sleep, and take my waking slow. I feel my fate in what I cannot fear. I learn by going where I have to go. Light takes the Tree; but who can tell us how? The lowly worm climbs up a winding stair; I wake to sleep, and take my waking slow. We think by feeling. What is there to know? I hear my being dance from ear to ear. I wake to sleep, and take my waking slow. Great Nature has another thing to do To you and me; so take the lively air, And, lovely, learn by going where to go. Of those so close beside me, which are you? God bless the Ground! I shall walk softly there, And learn by going where I have to go. This shaking keeps me steady. I should know. What falls away is always. And is near. I wake to sleep, and take my waking slow.

  9. The Waking: Thought Questions What s the poem literally talking about? Underline nature imagery. What is/are the mood(s) of the poem? How does form contribute to the poem s meaning? Villanelle structure? Punctuation? Capitalization?

  10. Homework: Write a villanelle about a phobia. Feel free to use that word in your poem!

  11. Bibliography http://www.webexhibits.org/poetry/explore_classic_villanelle_background.html http://www.public.asu.edu/~aarios/formsofverse/reports2000/page8.html http://i.ytimg.com/vi/FuqaQ_f3SKc/hqdefault.jpg

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