Brian Eno's Musical Journey through Images
The Big Ship (3:02)
Another Green World (1975)
Art School
Minimalism
From playing the
synthesizer to
“playing the studio”
Roxy Music, London, 1972
Excerpt from 1/1 (17:21)
Ambient 1: Music for Airports (1978)
“Well, for me, it was
something to do with
stillness and non-
chaoticness—some sort of
belonging… It was the sense
of wanting to make
something that felt like it
had a place in the world,
rather than something that
you just kind of stuck on for
a little while to see how it
works.”
The Shutov Assembly (1992)
Stedelijk (5:29)
Excerpt from Lux 3
Lux (2012)
Influencees
British Pop/Rock
No Wave
(NYC, late 1970s)
Electronic music
Everybody?
Bono, The Edge, and Eno, 1984.
To begin with, he’s a man of paradoxes.
A composer who never matered an instrument
Obstinate rebel, but obsessed with systems
Ambient music, also a rock star?
Brian Eno, a pioneer in ambient music, is showcased through a series of images capturing key moments in his career. From his influential album "Another Green World" to his concept of ambient music as a form of stillness and belonging, the images highlight his evolution as an artist and his impact on genres like electronic and experimental music.
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Presentation Transcript
The Big Ship (3:02) Another Green World (1975)
Influences Art School Minimalism From playing the synthesizer to playing the studio Roxy Music, London, 1972
Excerpt from 1/1 (17:21) Ambient 1: Music for Airports (1978)
Ambient Music Well, for me, it was something to do with stillness and non- chaoticness some sort of belonging It was the sense of wanting to make something that felt like it had a place in the world, rather than something that you just kind of stuck on for a little while to see how it works.
The Shutov Assembly (1992) Stedelijk (5:29)
Excerpt from Lux 3 Lux (2012)
Influencees British Pop/Rock No Wave (NYC, late 1970s) Electronic music Everybody? Bono, The Edge, and Eno, 1984.
