Understanding the Impact of Audio-Visual Content on Movie Trailer Viewers

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Movie trailers use various techniques such as music, close-ups, and genre cues to evoke emotional responses and engage viewers. These effects, including chills, gender differences, and memory associations, are strategically crafted to drive sales by leveraging natural human tendencies and psychological responses. Research experiments examine the effectiveness of trailer production styles in eliciting desired emotional reactions and engagement levels from audiences.


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  1. Anna Rinko

  2. How does the audio/visual content of movie trailers affect viewers? Two parts Actual effects How those effects are achieved

  3. Early Interest Hobby Projects

  4. Chills Shiver down the spine Piloerection (goosebumps) Gender differences Tend to serve as markers for emotional response Music Dopamine

  5. Facial Close-Ups Focus on individual emotion Pulls at natural tendency to center on the human face Possible evolutionary connection

  6. Evoke specific genres Trigger context- dependent memories Connect advertised movie to past successful films Usage of music tracks from other trailers and films

  7. Purpose of the trailer is to garner greater sales Exploitation of natural human tendencies and psychology Feelings Memory Associations Manifest as physical and emotional reactions Higher reactions are correlated to higher profits

  8. Two parts 1. Trailer-esque Film Production 2. Experiment Style of a modern movie trailer Created using music pieces from official trailers BBC News clips Reduce bias Presentations to multiple classes Self-reports for data collection Are the desired emotional effects present? Do the data trends (relating to intensity of emotion, gender, etc.) match those of the research.

  9. Close-ups Contrast Music Choice

  10. Engagement Level (0-3) Total Percentage 0 1 2 3 Average Engagement Level: 2.49 Average Male Engagement Level: 2.33 Average Female Engagement Level: 2.59 35% 4% 93% 3% 58%

  11. Intensity Level (0-3) Total Percentage 0 1 2 3 Average Intensity Level: 2.55 Average Male Intensity Level: 2.40 Average Female Intensity Level: 2.66 34% 1% 96% 3% 62%

  12. Emotions Male Target Emotions Not Target Emotions 6% Total Respondents Target Emotions Not Target Emotions 94% 4% Female Target Emotions Not Target Emotions 2% 96% 98%

  13. Emotions Continued 70.00% 60.00% 50.00% 40.00% Percentages Male 30.00% Percentages Female 20.00% 10.00% 0.00% Sad Inspired Anxious Tense Other None Emotions

  14. Physical Reactions Male Physical Reaction No Physical Reaction Total Respondents 43% Physical Reaction No Physical Reaction 57% Female 28% Physical Reaction No Physical Reaction 72% 18% 82%

  15. Physical Reactions Continued 50.00% 45.00% 40.00% 35.00% 30.00% 25.00% Male 20.00% Female 15.00% 10.00% 5.00% 0.00% "Shiver down the spine" Goosebumps Chills Tingling Other None Physical Reactions

  16. Successful application Corroborated research Gender Differences

  17. Anderson, Lisa, and Arthur P. Shimamura. Influences of Emotion on Context Memory while Viewing Film Clips. The American Journal of Psychology 118.3 (2005): 323-37. Web. Baughman, Brent. The art of the Modern Movie Trailer. NPR.org. NPR, 15 Jan. 2012. Web. 13 Feb. 2013. Benedek, Mathias and Kaernbach, Christian. Physiological correlates and emotional specificity of human piloerection. Nih.gov. National Center for Biotechnology Information, Mar. 2011. Web. 27. Sept. 2013. Brown, Royal. Modern Film Music. The Oxford History of World Cinema: The definitive history of cinema worldwide.Ed. Geoffrey Nowell-Smith. Oxford: Oxford University Press, 1996. 558-66. Print. Devantier, Alecia T., and Turkington, Carol A. Extraordinary Jobs in Media. New York: Ferguson, 2007. Print. Frazer, Bryant. Q&A: Creative Director Federico Ponce on Making Movie Trailers. Studiodaily.com. 8 Feb. 2013. Web. 13 Feb. 2013. Groom, Jim. Email. 2 June 2014. Hart, Hugh. 9 (Short) Storytelling Tips From a Master of Movie Trailers. Fastcocreate.com. Fast Company & Inc., 29 May 2014. Web. 17 Dec. 2014. Hoeckner, Berthold, Emma W. Wyatt, Jean Decety, and Howard Nusbaum. Film Music Influences How Viewers Relate to Movie Characters. Psychology of Aesthetics Creativity and the Arts 5.2 (2011): 146-53. Web. Holtzclaw, Robert P., and Robert A. Armour. Film The Greenwood Guide to American Popular Culture. Inge, Thomas M., and Hall, Dennis, Eds. Westport: Greenwood Press, 2002. Print. Jerrick, David. The Effectiveness of Film Trailers: Evidence from the College Student Market. Uwlax.edu. UW-L Journal of Undergraduate Research XVI, 2013. Web. 28 Sept. 2013. Kar, Anita. Musical chills: why they give us thrills. Mni.mcgill.ca. Montreal Neurological Institute and Hospital, 10 Jan. 2011. Web. 27 Sept. 2013. Kehe, Jason and Palmer, Katie M. Secrets of a Trailer Guru: How This Guy Gets You to the Movies. Wired.com. Wired, 18 Jun. 2013. Web. 17 Dec. 2014. Lipscomb, Scott D. and David E. Tolchinsky. The role of music communication in cinema. Lipscomb.umn.edu. Northwestern University, 2004. Web. 17 Mar. 2014. Parke, Rob, Chew Elaine, and Kyriakakis Chris. Quantitiative and Visual Analysis of the Impact of Music on Perceived Emotion of Film. Usc.edu. University of Southern California Viterbi School of Engineering. Web. 28 Sept. 2013. Patches, Matt. How a Movie Trailer is Made: Behind-the-Scenes of Dark Knight Rises, Great Gatsby, and More. Hollywood.com. Hollywood.com LLC, 11 Feb. 2013. Web. 17 Dec. 2014. Rathus, Spencer A. Psychology: Principles in Practice. Hold McDougal, 2010. Print Tan, Siu-Lan. 3 Reasons Why We re Drawn to Faces in Film. Psychologytoday.com. Sussex Publishers, 20 Nov. 2013. Web. 17 Web. 2014. Williams, Kathleen. Fake and fan film trailers as incarnations of audience anticipation and desire. Transformativeworks.com. Web. 29 Sept. 2013. Yanagisawa, Kazuka, Takayuki Iida, and Kakuro Amasaka. Constructing a Model for Creating Movie Trailers Increase Customers Desire. Research in Applied Economics 6.1 (2014) : 73-84. Web.

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