The Life and Poetry of Philip Larkin
Philip Larkin
●
Philip Arthur Larkin
was born on August 9, 1922, in Coventry.
●
He attended the
City’s King Henry VIII School
between 1930 and 1940, and
made regular contributions to the school magazine,
The Coventrian
,
which, between 1939 and 1940,
he also helped to edit .
●
Later he studied at
St. John’s College, Oxford
Biography
Philip Larkin
Despite the war he was able to complete
his degree without interruption,
graduating in 1943 with
First Class
Honours in English
.
●
Larkin had failed his army medical
because of his poor eyesight.
●
His closest friends at Oxford were
Kingsley Amis and Bruce Montgomery.
His First Poems
The
first of his poems
to be published in a national weekly was ‘
Ultimatum’,
which appeared in the Listener, November 28, 1940.
Then in June 1943, three of his poems were published in
Oxford Poetry (1942-
43):
1.
‘A Stone Church Damaged By A Bomb’,
2.‘Mythological Introduction’
3.‘I dreamed of an out-thrust arm of land’.
After Graduation
Larkin lived with his parents for a while, before being appointed
Librarian
at Wellington, Shropshire, in November of 1943.
Here, he studied to qualify as a professional librarian, but
continued to
write and publish.
In
1945
, ten of his poems, which later that year would be included in
The
North Ship
, appeared in
Poetry from Oxford in Wartime
.
Two novels
,
Jill
and
A Girl in
Winter
were published in 1946 and 1947
respectively.
Larkin became assistant
Librarian
at the
University College of Leicester.
He completed his professional studies
and became an
Associate of the Library
Association
in 1949.
•
Sub-Librarian at
Queen’s University,
Belfast
Publishing
It was in Belfast that he applied fresh vigour to his poetry activities, and,
in 1951, had a small collection,
XX Poems
, privately printed in an edition
of 100 copies.
Also, in 1954, the
Fantasy Press
published a
pamphlet containing five of
his poems.
The Marvell Press
, based in Hessle, near Hull, published ‘Toads’ and
‘Poetry of departures’ in
Listen
.
It would be the Marvell Press that published his next collection
The Less
Deceived
.
Poetry
Poetry
Larkin took up the position of Librarian at the
University of Hull on March 21, 1955, and it was in
October of that year that The Less Deceived was
published.
It was this collection that would be the foundation of
his reputation as one of the foremost figures in 20th
Century poetry.
Poetry
It wasn’t until 1964 that his next collection,
The Whitsun Weddings
was
published.
Again, the collection was well received, and widely acclaimed, and the
following year, Larkin was
awarded the Queen’s Gold Medal for Poetry
.
In
1970
under the title
All What Jazz:
a record diary 1961-1968
.
He also edited the
Oxford Book of
Twentieth Century English Verse
,
which was published in 1973.
Resources
His last collection
High
Windows
was published in
1974,
and confirmed him as one of the
finest poets in English Literary
history.
‘
Aubade
’, his last great poem, was
published in
The Times Literary
Supplement
in
December 1977.
A
c
o
l
l
e
c
t
i
o
n
o
f
h
i
s
e
s
s
a
y
s
a
n
d
r
e
v
i
e
w
s
w
a
s
p
u
b
l
i
s
h
e
d
i
n
N
o
v
e
m
b
e
r
1
9
8
3
a
s
R
e
q
u
i
r
e
d
W
r
i
t
i
n
g
:
m
i
s
c
e
l
l
a
n
e
o
u
s
p
i
e
c
e
s
1
9
5
5
-
1
9
8
2
,
a
n
d
w
o
n
t
h
e
W
.
H
.
S
m
i
t
h
L
i
t
e
r
a
r
y
A
w
a
r
d
f
o
r
1
9
8
4
.
Awards and job
Larkin received
many awards
in recognition of his writing, especially in his
later years.
In
1982 the University of Hull made him a Professor
.
In 1984 he received an honorary D.Litt. from Oxford University, and was
elected to the Board of the British Library.
In mid
1985
Larkin was admitted to hospital with an
illness in his throat
, and
on June 11 an operation was carried out to remove his oesophagus.
●
His
health was deteriorating
, and when he was awarded the much prized
Order of the Companion of Honour he
was unable
, because of ill health,
to
attend
the investiture, which was due to take place at Buckingham Palace
on November 25. He received the official notification courtesy of the Royal
Mail.
●
Philip Larkin died of cancer on December 2 1985. He was 63 years old.
“The Movement”
●
The Movement
was a term coined in 1954 by
J. D. Scott
, literary editor
of
The Spectator
, to describe a group of writers including
Philip
Larkin, Kingsley Amis, Donald Davie, D. J. Enright, John
Wain, Elizabeth Jennings, Thom Gunn and Robert Conquest.
●
To these poets, good poetry meant simple, sensuous content and
traditional, conventional and dignified form.
●
The group's objective was to prove the importance of
English poetry
over
the new modernist poetry.
“The Movement”
●
The members of the Movement were not anti-modernists; they were
opposed
to
modernism
, which was reflected in the Englishness of their poetry.
●
The Movement sparked the divisions among different types of British poetry.
●
Their
poems were nostalgic
for the earlier Britain and filled with pastoral
images of the decaying way of life as Britain
moved
farther from the rural and
more
towards the urban
.
“The Group”
●
The Group
was an informal group of poets who met in London from the mid-
1950s to the mid-1960s.
●
As a poetic movement in Great Britain it is often seen as being the successor
to The Movement.
●
But this movement take place in some cities along the time, like in
Cambridge that in November.
The Group
●
1952 while at Downing College, Cambridge University,
Philip Hobsbaum along with two friends, Tony Davis and Neil Morris,
dissatisfied with the way poetry was read aloud in the university.
●
Decided to place a notice in the undergraduate newspaper Varsity for
people interested in forming a poetry discussion group.
●
Five others, came along to the first meeting.
The Group
●
Another city was London that when Hobsbaum moved to there, the
discussion group reconstituted itself in this city.
●
It is this London group that is now referred to as The Group.
●
The poets gathered to discuss each other's work, putting into practice the
sort of analysis and objective comment in keeping with the principles
of Hobsbaum's Cambridge tutor F. R. Leavis and of the New Criticism in
general”.
●
Another city where this movement take place too was Belfast bit there it
was called as The Belfast Group.
His First Poems
The
first of his poems
to be published in a national weekly was ‘
Ultimatum’,
which appeared in the Listener, November 28, 1940.
Then in June 1943, three of his poems were published in
Oxford Poetry (1942-
43):
1.
‘A Stone Church Damaged By A Bomb’,
2.‘Mythological Introduction’
3.‘I dreamed of an out-thrust arm of land’.
The Explosion by Philip Larkin
On the day of the explosion
Shadows pointed towards the pithead.
In the sun the slagheap slept.
Down the lane came men in pitboots
Coughing oath-edged talk and pipe-smoke,
Shouldering off the freshened silence.
One chased after rabbits; lost them;
Came back with a nest of lark's eggs;
Showed them; lodged them in the grasses
.
At noon there came a tremor; cows
Stopped chewing for a second; sun
Scarfed as in a heat-haze dimmed.
The dead go on before us, they
Are sitting in God's house in comfort,
We shall see them face to face--
plain as lettering in the chapels
It was said and for a second
Wives saw men of the explosion
Larger than in life they managed--
Gold as on a coin or walking
Somehow from the sun towards them
One showing the eggs unbroken.
h
t
t
p
s
:
/
/
w
w
w
.
y
o
u
t
u
b
e
.
c
o
m
/
w
a
t
c
h
?
v
=
5
s
M
x
n
c
S
F
o
R
0
&
a
b
_
c
h
a
n
n
e
l
=
F
a
r
r
a
r
S
t
r
a
u
s
%
2
6
G
i
r
o
u
x
“The Explosion”
●
In his poem “The Explosion,” Philip Larkin discusses the dramatic
event of the mine disaster observed in 1969.
●
This poem is the elegy to remember the tragedy of the explosion.
●
Thus, the main themes discussed by the author are
life and death
,
and the main idea is the
victory of life
over death in
spite of the
experienced tragedy
.
The Days by Philip Larkin
What are days for?
Days are where we live.
They come, they wake us
Time and time over.
They are to be happy in:
Where can we live but days?
Ah, solving that question
Brings the priest and the doctor
In their long coats
Running over the fields.
h
t
t
p
s
:
/
/
w
w
w
.
y
o
u
t
u
b
e
.
c
o
m
/
w
a
t
c
h
?
v
=
Z
K
a
N
R
Y
W
q
J
n
s
&
a
b
_
c
h
a
n
n
e
l
=
T
h
a
n
a
s
i
s
P
a
n
o
u
“The Days”
●
‘Days’ is written
in free verse
, with
no rhyme scheme
or regular metre
●
Days’ reflects, in a rather matter-of-fact way, on the deepest of questions:
‘what’s it all about?’ and ‘what is the meaning of life?’
●
The terms of ‘days’, rather than life or existence in general, points up an
important and recurring theme for Larkin’s poetry: the daily ritual of work,
the day-to-day business of living.
The Days
●
Days are, we are told,
‘where we live
’ and they are for being happy in: the
upbeat, almost childlike catechism of this first stanza seems coyly innocent of
the day-to-day realities of drudgery and work.
●
There is nowhere we can
live but in ‘days
’ – that is, in the daily cycle of work
and being a functioning member of society – unless we’re mad or dead.
●
The second stanza of Larkin’s poem characteristically combines the faintly
comic (the priest and doctor in their long coats) with more morbid subject
matter.
Philip Larkin, born in Coventry in 1922, was a renowned English poet. Despite his poor eyesight preventing him from joining the army during World War II, Larkin pursued his passion for writing. He excelled in poetry, with his works gaining recognition in national publications. Larkin's professional journey as a librarian and novelist further shaped his literary career, with his collections like "The Less Deceived" solidifying his status as a prominent figure in 20th-century poetry.
Download Presentation
Please find below an Image/Link to download the presentation.
The content on the website is provided AS IS for your information and personal use only. It may not be sold, licensed, or shared on other websites without obtaining consent from the author. Download presentation by click this link. If you encounter any issues during the download, it is possible that the publisher has removed the file from their server.
E N D
Presentation Transcript
Biography Philip Arthur Larkin was born on August 9, 1922, in Coventry. He attended the City s King Henry VIII School between 1930 and 1940, and made regular contributions to the school magazine, The Coventrian, which, between 1939 and 1940, he also helped to edit . Later he studied at St. John s College, Oxford
Philip Larkin Despite the war he was able to complete his degree without interruption, graduating in 1943 with First Class Honours in English. Larkin had failed his army medical because of his poor eyesight. His closest friends at Oxford were Kingsley Amis and Bruce Montgomery.
His First Poems The first of his poems to be published in a national weekly was Ultimatum , which appeared in the Listener, November 28, 1940. Then in June 1943, three of his poems were published in Oxford Poetry (1942- 43): 1. A Stone Church Damaged By A Bomb , 2. Mythological Introduction 3. I dreamed of an out-thrust arm of land .
After Graduation Larkin lived with his parents for a while, before being appointed Librarian at Wellington, Shropshire, in November of 1943. Here, he studied to qualify as a professional librarian, but continued to write and publish. In 1945, ten of his poems, which later that year would be included in The North Ship, appeared in Poetry from Oxford in Wartime.
Publishing Two novels, Jill and A Girl in Winter were published in 1946 and 1947 respectively. Larkin became assistant Librarian at the University College of Leicester. He completed his professional studies and became an Associate of the Library Association in 1949. Sub-Librarian at Queen s University, Belfast
Poetry It was in Belfast that he applied fresh vigourto his poetry activities, and, in 1951, had a small collection, XX Poems, privately printed in an edition of 100 copies. Also, in 1954, the Fantasy Press published a pamphlet containing five of his poems. The Marvell Press, based in Hessle, near Hull, published Toads and Poetry of departures in Listen. It would be the Marvell Press that published his next collection The Less Deceived.
Poetry Larkin took up the position of Librarian at the University of Hull on March 21, 1955, and it was in October of that year that The Less Deceivedwas published. It was this collection that would be the foundation of his reputation as one of the foremost figures in 20th Century poetry.
Poetry It wasn t until 1964 that his next collection,The Whitsun Weddings was published. Again, the collection was well received, and widely acclaimed, and the following year, Larkin was awarded the Queen s Gold Medal for Poetry. CREDITS: This presentation template was created by Slidesgo, including icons by Flaticon, and infographics & images by Freepik.
Resources His last collection High Windows was published in 1974, and confirmed him as one of the finest poets in English Literary history. In 1970 under the title All What Jazz: a record diary 1961-1968. He also edited the Oxford Book of Twentieth Century English Verse, which was published in 1973. Aubade , his last great poem, was published in The Times Literary Supplement in December 1977. A collection of his essays and reviews was published in November 1983 as Required Writing: miscellaneous pieces 1955-1982, and won the W.H. Smith Literary Award for 1984.
Awards and job Larkin received many awards in recognition of his writing, especially in his later years. In 1982 the University of Hull made him a Professor. In 1984 he received an honorary D.Litt. from Oxford University, and was elected to the Board of the British Library. CREDITS: This presentation template was created by Slidesgo, including icons by Flaticon, and infographics & images by Freepik.
In mid 1985 Larkin was admitted to hospital with an illness in his throat, and on June 11 an operation was carried out to remove his oesophagus. His health was deteriorating, and when he was awarded the much prized Order of the Companion of Honourhe was unable, because of ill health, to attend the investiture, which was due to take place at Buckingham Palace on November 25. He received the official notification courtesy of the Royal Mail. Philip Larkin died of cancer on December 2 1985. He was 63 years old.
The Movement The Movement was a term coined in 1954 by J. D. Scott,literary editor ofThe Spectator, to describe a group of writers including Philip Larkin, Kingsley Amis, Donald Davie, D. J. Enright, John Wain, Elizabeth Jennings, Thom Gunn and Robert Conquest. To these poets, good poetry meant simple, sensuous content and traditional, conventional and dignified form. The group's objective was to prove the importance of English poetryover the new modernist poetry.
The Movement The members of the Movement were not anti-modernists; they were opposed to modernism, which was reflected in the Englishness of their poetry. The Movement sparked the divisions among different types of British poetry. Their poems were nostalgic for the earlier Britain and filled with pastoral images of the decaying way of life as Britain moved farther from the rural and more towards the urban.
The Group The Group was an informal group of poets who met in London from the mid- 1950s to the mid-1960s. As a poetic movement in Great Britain it is often seen as being the successor to The Movement. But this movement take place in some cities along the time, like in Cambridge that in November.
The Group 1952 while at Downing College, Cambridge University, Philip Hobsbaumalong with two friends, Tony Davis and Neil Morris, dissatisfied with the way poetry was read aloud in the university. Decided to place a notice in the undergraduate newspaper Varsity for people interested in forming a poetry discussion group. Five others, came along to the first meeting.
The Group Another city was London that when Hobsbaum moved to there, the discussion group reconstituted itself in this city. It is this Londongroup that is now referred to as The Group. The poets gathered to discuss each other's work, putting into practice the sort of analysis and objective comment in keeping with the principles ofHobsbaum's Cambridge tutor F. R. Leavis and of the New Criticism in general . Another city where this movement take place too was Belfast bit there it was called as The Belfast Group.
His First Poems The first of his poems to be published in a national weekly was Ultimatum , which appeared in the Listener, November 28, 1940. Then in June 1943, three of his poems were published in Oxford Poetry (1942- 43): 1. A Stone Church Damaged By A Bomb , 2. Mythological Introduction 3. I dreamed of an out-thrust arm of land .
The Explosion by Philip Larkin On the day of the explosion At noon there came a tremor; cows Stopped chewing for a second; sun Scarfed as in a heat-haze dimmed. Shadows pointed towards the pithead. In the sun the slagheap slept. The dead go on before us, they Are sitting in God's house in comfort, We shall see them face to face-- Down the lane came men in pitboots plain as lettering in the chapels It was said and for a second Wives saw men of the explosion Coughing oath-edged talk and pipe-smoke, Shouldering off the freshened silence. Larger than in life they managed-- Gold as on a coin or walking Somehow from the sun towards them One chased after rabbits; lost them; Came back with a nest of lark's eggs; One showing the eggs unbroken. Showed them; lodged them in the grasses. https://www.youtube.com/watch?v=5sMxncSFoR0&a b_channel=FarrarStraus%26Giroux
The Explosion In his poem The Explosion, Philip Larkin discusses the dramatic event of the mine disaster observed in 1969. This poem is the elegy to remember the tragedy of the explosion. Thus, the main themes discussed by the author are life and death, and the main idea is the victory of life over death in spite of the experienced tragedy.
The Days by Philip Larkin What are days for? Days are where we live. They come, they wake us Time and time over. They are to be happy in: Where can we live but days? Ah, solving that question Brings the priest and the doctor In their long coats https://www.youtube.com/watch?v=ZKaNRYWqJns& ab_channel=ThanasisPanou Running over the fields.
The Days Days is written in free verse, with no rhyme scheme or regular metre Days reflects, in a rather matter-of-fact way, on the deepest of questions: what s it all about? and what is the meaning of life? The terms of days , rather than life or existence in general, points up an important and recurring theme for Larkin s poetry: the daily ritual of work, the day-to-day business of living.
The Days Days are, we are told, where we live and they are for being happy in: the upbeat, almost childlike catechism of this first stanza seems coyly innocent of the day-to-day realities of drudgery and work. There is nowhere we can live but in days that is, in the daily cycle of work and being a functioning member of society unless we re mad or dead. The second stanza of Larkin s poem characteristically combines the faintly comic (the priest and doctor in their long coats) with more morbid subject matter.
