The Impact of Political and Social Revolution in the Romantic Period (1785-1830)

 
Romantic Period (1785-1830)
 
                                  Dr. Betül ALTAŞ
 
The Political Background
 
England experienced a change from 
agricultural society
to 
a modern industrial nation.
 
Thus, the balance of economic power shifted to 
large-
scale employers.
 
This change occured in the context of 
American
Revolution
.
 
Moreover, the change took place 
in the context of the
French Revolution.
 
 
 
This drastic change occured in
the context of:
 
 wars
 inflation
 depression
 constant threat to  the social structure to
which ruling class responded.
 
The Spirit of the Age
 
Political and social revolution.
Revolution in literature is connected with:
  provocations of French Revolution
  discussions
   hopes and terrors
 
The Revolution generated a pervasive feeling
that this was an age of new beginnings.
 
Samuel Taylor Coleridge 
and 
William
Wordsworth
,
 
publishers of 
Lyrical Ballads of
1798,  give new insights into English literature
in terms of :
  
politics of democracy
 the theory
 practice of poetry
 
In the course of 18th century, there had been
increasing oppositions to tradition of Dryden,
Pope, S. Johnson, especially in the 1740s and
later.
 
The concept of poetry and the poet
 
Poetry is defined as 
imitation of human life.
 
The main focus of the poet is on instructing
and giving artistic pleasure to reader.
 
According to William Wordsworth, source of
poem is located in both the outer and inner
world.
 
In his opinion, essential materials of a poem
are not external people and events,  but the
inner feelings of the author.
In other words, external objects in nature
should be transformed by the author.
 
Other Romantic theories also refer to 
mind,
emotions 
and
 imagination
 of the poet.
 
Like Wordsworth’s 
overflow
 in poetry, many writers
identified poetry as 
expression, utterance
 and
exhibition of emotions.
 
William Blake               poem as an embodiment of
Percy Bysshe Shelley   poet’s vision
 
In the Romantic lyric, the 
I is not 
a typicall lyric
speaker, such as the 
Petrarchan lover 
or Cavier
gallant of 
Elizabethan
 and 
17th century love po
ems.
 
In the poems of 
Wordsworth, Coleridge, Shelley
and
 Keats, 
the experiences and states of mind
which are expressed by the lyric speaker are in
accord with 
known facts of poet’s life
 and 
personal
confessions.
 
 
William Blake’s 
Milton
Percy Shelley’s 
Prometheus Unbound
John Keats’s 
Endymion / The Fall of Hyperion
 
As to Coleridge, the truth lies in a union of
opposites.
In his opinion, the act of composing poetry is
predicated on 
psycholog
ical contraries of
passion
 and 
of will.
 
The emphasis is on the free activity of
imagination related to 
instinct,  in
s
titution
 
and
feelings of the heart 
to complement to
judgments of logical faculty.
Coleridge claims that deep thinking is attained
by a man of deep feeling.
A metaphysical solution is seen as suspicous
by Coleridge.
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England underwent significant changes during the Romantic Period (1785-1830) as it transitioned from an agricultural to an industrial nation, shifting economic power dynamics. This period was marked by wars, inflation, and social upheaval, leading to a revolution in literature and a focus on inner emotions in poetry. Key figures such as Samuel Taylor Coleridge and William Wordsworth reshaped English literature with their emphasis on democracy and the theory of poetry. The era challenged traditional literary norms and focused on the inner world of emotions in creating poetry.

  • Romantic Period
  • Political Revolution
  • Social Revolution
  • Literature
  • Poetry

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  1. Romantic Period (1785-1830) Dr. Bet l ALTA

  2. The Political Background England experienced a change from agricultural society to a modern industrial nation. Thus, the balance of economic power shifted to large- scale employers. This change occured in the context of American Revolution. Moreover, the change took place in the context of the French Revolution.

  3. This drastic change occured in the context of: wars inflation depression constant threat to the social structure to which ruling class responded.

  4. The Spirit of the Age Political and social revolution. Revolution in literature is connected with: provocations of French Revolution discussions hopes and terrors

  5. The Revolution generated a pervasive feeling that this was an age of new beginnings.

  6. Samuel Taylor Coleridge and William Wordsworth, publishers of Lyrical Ballads of 1798, give new insights into English literature in terms of : politics of democracy the theory practice of poetry

  7. In the course of 18th century, there had been increasing oppositions to tradition of Dryden, Pope, S. Johnson, especially in the 1740s and later.

  8. The concept of poetry and the poet Poetry is defined as imitation of human life. The main focus of the poet is on instructing and giving artistic pleasure to reader. According to William Wordsworth, source of poem is located in both the outer and inner world.

  9. In his opinion, essential materials of a poem are not external people and events, but the inner feelings of the author. In other words, external objects in nature should be transformed by the author.

  10. Other Romantic theories also refer to mind, emotions and imagination of the poet. Like Wordsworth s overflow in poetry, many writers identified poetry as expression, utterance and exhibition of emotions. William Blake poem as an embodiment of Percy Bysshe Shelley poet s vision

  11. In the Romantic lyric, the I is not a typicall lyric speaker, such as the Petrarchan lover or Cavier gallant of Elizabethan and 17th century love poems. In the poems of Wordsworth, Coleridge, Shelley and Keats, the experiences and states of mind which are expressed by the lyric speaker are in accord with known facts of poet s life and personal confessions.

  12. William Blakes Milton Percy Shelley s Prometheus Unbound John Keats s Endymion / The Fall of Hyperion

  13. As to Coleridge, the truth lies in a union of opposites. In his opinion, the act of composing poetry is predicated on psychological contraries of passion and of will.

  14. The emphasis is on the free activity of imagination related to instinct, institution and feelings of the heart to complement to judgments of logical faculty. Coleridge claims that deep thinking is attained by a man of deep feeling. A metaphysical solution is seen as suspicous by Coleridge.

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