The Impact of Music on Wellbeing: Insights from Applied Positive Psychology Symposium

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WITHOUT MUSIC LIFE WOULD BE A MISTAKE* 
- THE INFLUENCE OF
MUSIC PLAYING AND LISTENING ON HEDONIC AND EUDAIMONIC
WELLBEING 
(*Friedrich Nietzsche, 1844-1900)
Karan Douglas
MAPP, Bucks New University (alumnus)
1
st
 June, 2019
5
th
 Annual Applied Positive Psychology Symposium
2
Research studies
 
5
th
 Annual Applied Positive Psychology Symposium
 
The Impact of playing a musical instrument on well-being
2016, Unpublished thesis, MSc Applied Positive Psychology, Bucks New University
 
The sound of music - the effect on wellbeing and perceived workplace performance
of listening to personally selected music during the working day
2019, Unpublished thesis, MSc Business & Organisation Psychology, University of Liverpool
3
Review of literature
 
5
th
 Annual Applied Positive Psychology Symposium
Music and wellbeing has not been researched in Positive Psychology
Majority of research is in the fields of Music Therapy and Music Psychology
Congruence of theories relating to hedonic wellbeing
Diversity of theories relating to eudaimonic wellbeing
4
Playing alone vs playing with others
 
5
th
 Annual Applied Positive Psychology Symposium
5
Playing alone
 
5
th
 Annual Applied Positive Psychology Symposium
The 2
nd
 Mozart clarinet concerto – it’s really
beautiful, it makes me feel really happy
Engaged in the music, feel happy,
feel excited, charged
Can be so exciting, can blow your head off,
feel absolutely brilliant; overwhelming
happiness
If I’m feeling sad, I play some sad stuff,
gradually get happier, it cheers me up; its my
go-to place if I’m upset
Start playing, sort of wave, like deep love,
strong emotion, can make me cry
An adventure, find that piece of music,
work out how to do it, how that little riff
goes
It’s a way of being aware of how I’m feeling,
a way of getting out what’s in your head,
feels good to give a voice to it
Playing on my own, quite a private
experience, like keeping a diary
Set myself more challenging pieces technically,
pushing myself; you have to focus and your
fingers might hurt but you power through
Practise & practise and what I want doesn’t
come, I can be really determined, it takes a lot of
work, it will be right
Get it right, like climbing Everest, an elation,
huge grin; you feel absolutely brilliant
When you get it right, it’s so thrilling, yeah
that’s the sound I wanted
6
Playing with others
 
5
th
 Annual Applied Positive Psychology Symposium
A joint experience that you all enjoy; incredible
rush; on a real high if it does well; I let myself free a
lot live; with other people there is a buzz
If everyone connects, you feel that electricity
running through the whole group, it supercharges
you, like if electricity were an emotion
What we share in that time together, its quite
precious, it’s to do with bonding with people
Feeding off the audience and other band
members; the crowd really responded, just
having the best time
The colour is when you’re playing with
different people, those colours are
bounced back and forwards between you
When you’ve got an audience you go up a
gear, an overall upping of game
When I’m playing with others, particularly
performing, makes you really focus, has that
added level
I remember feeling really nervous in my legs,
not like a bad thing, an incredible sort of rush
Playing with your friends, really enjoying it,
they’re getting lost, you’re getting lost, has
the ability to take over you
7
Musical playing and Eudaimonia
 
5
th
 Annual Applied Positive Psychology Symposium
Lose track of time, you’re playing and
suddenly 2 hours gone, not a conscious thing,
kind of lose yourself
Start to feel the music in the same way, the
dynamics; people you are really used to playing
with – you really do start to become as one
Flow
Peak
experiences
Being asked to play in the orchestra, be treated
as a professional soloist, recognition at last
Special and emotional, the album dad made when
we were little kids, and then we played it as a family
25 years later, totally emotional moment
Creativity
The memories and feelings at the time are ingrained
into the song, it’s like if you were cooking, the
binding ingredient is the feel and the emotion
Improvising is very in the moment, with some
people there is a connection, it feels really right; you
have to trust the person you’re writing with
Daimon
I felt I hadn’t been me for a very long time,
playing music was part of being me again
If I couldn’t play music, I don’t know that I’d
know how to express myself; I feel empty if I
don’t play; like the death of a parent
8
Listening to self selected music at work – impact on
wellbeing and workplace performance
 
5
th
 Annual Applied Positive Psychology Symposium
9
Listening to self selected music at work – impact on
wellbeing and workplace performance
 
5
th
 Annual Applied Positive Psychology Symposium
10
Hedonic and eudaimonic outcomes of music listening & playing
 
5
th
 Annual Applied Positive Psychology Symposium
11
Hedonic and eudaimonic outcomes of music listening & playing
 
5
th
 Annual Applied Positive Psychology Symposium
12
Future research
 
5
th
 Annual Applied Positive Psychology Symposium
More research on the integration of hedonic and eudaimonic well-being – rather than as separate constructs
Is hedonia a pre-requisite to eudaimonia?
How important is hedonic reward to pursuit of eudaimonic activities?
Are hedonic and eudaimonic activities “inputs” to subjective well-being rather than outputs?
Daimon, growth, development of ones potential, life purpose, meaning – what is the developmental aspect of
well-being?
How do hedonia and eudaimonia change with age?
What are the dark sides of hedonic and eudaimonic well-being?
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The 5th Annual Applied Positive Psychology Symposium explored the influence of music on hedonic and eudaimonic wellbeing, presenting research on playing musical instruments and listening to music for overall wellbeing. It delved into the effects of music on workplace performance, with a focus on themes of happiness, emotional expression, and personal growth through music. The symposium highlighted the benefits of playing music alone, emphasizing the emotional journey, technical challenges, and the sense of accomplishment that comes with mastering pieces.

  • Music
  • Wellbeing
  • Positive Psychology
  • Symposium
  • Emotional Expression

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  1. 5th Annual Applied Positive Psychology Symposium WITHOUT MUSIC LIFE WOULD BE A MISTAKE* - THE INFLUENCE OF MUSIC PLAYING AND LISTENING ON HEDONIC AND EUDAIMONIC WELLBEING (*Friedrich Nietzsche, 1844-1900) Karan Douglas MAPP, Bucks New University (alumnus) 1stJune, 2019

  2. 5th Annual Applied Positive Psychology Symposium Research studies The Impact of playing a musical instrument on well-being 2016, Unpublished thesis, MSc Applied Positive Psychology, Bucks New University The sound of music - the effect on wellbeing and perceived workplace performance of listening to personally selected music during the working day 2019, Unpublished thesis, MSc Business & Organisation Psychology, University of Liverpool 2

  3. 5th Annual Applied Positive Psychology Symposium Review of literature Music and wellbeing has not been researched in Positive Psychology Majority of research is in the fields of Music Therapy and Music Psychology Congruence of theories relating to hedonic wellbeing Diversity of theories relating to eudaimonic wellbeing 3

  4. 5th Annual Applied Positive Psychology Symposium Playing alone vs playing with others 4

  5. 5th Annual Applied Positive Psychology Symposium Playing alone The 2nd Mozart clarinet concerto it s really beautiful, it makes me feel really happy Engaged in the music, feel happy, feel excited, charged Can be so exciting, can blow your head off, feel absolutely brilliant; overwhelming happiness If I m feeling sad, I play some sad stuff, gradually get happier, it cheers me up; its my go-to place if I m upset Start playing, sort of wave, like deep love, strong emotion, can make me cry It s a way of being aware of how I m feeling, a way of getting out what s in your head, feels good to give a voice to it Playing on my own, quite a private experience, like keeping a diary Set myself more challenging pieces technically, pushing myself; you have to focus and your fingers might hurt but you power through An adventure, find that piece of music, work out how to do it, how that little riff goes Practise & practise and what I want doesn t come, I can be really determined, it takes a lot of work, it will be right When you get it right, it s so thrilling, yeah that s the sound I wanted Get it right, like climbing Everest, an elation, huge grin; you feel absolutely brilliant 5

  6. 5th Annual Applied Positive Psychology Symposium Playing with others A joint experience that you all enjoy; incredible rush; on a real high if it does well; I let myself free a lot live; with other people there is a buzz If everyone connects, you feel that electricity running through the whole group, it supercharges you, like if electricity were an emotion I remember feeling really nervous in my legs, not like a bad thing, an incredible sort of rush Feeding off the audience and other band members; the crowd really responded, just having the best time When you ve got an audience you go up a gear, an overall upping of game The colour is when you re playing with different people, those colours are bounced back and forwards between you When I m playing with others, particularly performing, makes you really focus, has that added level Playing with your friends, really enjoying it, they re getting lost, you re getting lost, has the ability to take over you What we share in that time together, its quite precious, it s to do with bonding with people 6

  7. 5th Annual Applied Positive Psychology Symposium Musical playing and Eudaimonia Start to feel the music in the same way, the dynamics; people you are really used to playing with you really do start to become as one Lose track of time, you re playing and suddenly 2 hours gone, not a conscious thing, kind of lose yourself Flow Special and emotional, the album dad made when we were little kids, and then we played it as a family 25 years later, totally emotional moment Peak Being asked to play in the orchestra, be treated as a professional soloist, recognition at last experiences Improvising is very in the moment, with some people there is a connection, it feels really right; you have to trust the person you re writing with The memories and feelings at the time are ingrained into the song, it s like if you were cooking, the binding ingredient is the feel and the emotion Creativity If I couldn t play music, I don t know that I d know how to express myself; I feel empty if I don t play; like the death of a parent Daimon I felt I hadn t been me for a very long time, playing music was part of being me again 7

  8. 5th Annual Applied Positive Psychology Symposium Listening to self selected music at work impact on wellbeing and workplace performance 8

  9. 5th Annual Applied Positive Psychology Symposium Listening to self selected music at work impact on wellbeing and workplace performance 9

  10. 5th Annual Applied Positive Psychology Symposium Hedonic and eudaimonic outcomes of music listening & playing 10

  11. 5th Annual Applied Positive Psychology Symposium Hedonic and eudaimonic outcomes of music listening & playing 11

  12. 5th Annual Applied Positive Psychology Symposium Future research More research on the integration of hedonic and eudaimonic well-being rather than as separate constructs Is hedonia a pre-requisite to eudaimonia? How important is hedonic reward to pursuit of eudaimonic activities? Are hedonic and eudaimonic activities inputs to subjective well-being rather than outputs? Daimon, growth, development of ones potential, life purpose, meaning what is the developmental aspect of well-being? How do hedonia and eudaimonia change with age? What are the dark sides of hedonic and eudaimonic well-being? 12

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