She Stoops to Conquer: A Comedy of Manners Analysis
She Stoops to Conquer: Characters
She stoops to Conquer as a Comedy of Manners
The genre called comedy of manners is meant to
satirize the customs and behavior of a certain social
group of people, usually of the upper-class.
She stoops to Conquer as a Comedy of Manners
Though it is only explicitly referred to in the
prologue, an understanding of Goldsmith's play in
context shows his desire to reintroduce his
audience to the “laughing comedy” that derived
from a long history of comedy that mocks human
vice. This type of comedy stands in contrast to the
then-popular “sentimental comedy” that praised
virtues and reinforced bourgeois mentality.
She stoops to Conquer as a Comedy of Manners
Understanding Goldsmith's love of the former helps
to clarify several elements of the play: the low
scene in the Three Pigeons; the mockery of
baseness in even the most high-bred characters;
and the celebration of absurdity as a fact of human
life.
THE END
SEE YOU NEXT TIME!
She Stoops to Conquer is examined as a Comedy of Manners, satirizing upper-class customs with a focus on human vices and absurdity. Goldsmith's love for this genre is evident in the play's elements, such as the Three Pigeons scene and mockery even in high-bred characters.
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Presentation Transcript
She stoops to Conquer as a Comedy of Manners The genre called comedy of manners is meant to satirize the customs and behavior of a certain social group of people, usually of the upper-class.
She stoops to Conquer as a Comedy of Manners Though it is only explicitly referred to in the prologue, an understanding of Goldsmith's play in context shows his desire to reintroduce his audience to the laughing comedy that derived from a long history of comedy that mocks human vice. This type of comedy stands in contrast to the then-popular sentimental comedy that praised virtues and reinforced bourgeois mentality.
She stoops to Conquer as a Comedy of Manners Understanding Goldsmith's love of the former helps to clarify several elements of the play: the low scene in the Three Pigeons; the mockery of baseness in even the most high-bred characters; and the celebration of absurdity as a fact of human life.
THE END SEE YOU NEXT TIME!
