Shakespeare's Use of Language in Macbeth's Mini Extracts

 
Analysing Macbeth
 
Mini extracts
 
ACT 1
 
 
-  short sentences
- rhythm
- alliteration/fricative of ‘f’
- paradox
 
Act 1 – scene 1
 
FIRST WITCH:    
Where the place?
 
SECOND WITCH:    
Upon the heath.
 
THIRD WITCH:    
There to meet with Macbeth.
 
FIRST WITCH:    
I come, Graymalkin!
 
SECOND WITCH:  
Paddock calls.
 
THIRD WITCH:   
Anon.
 
ALL:          
Fair is foul, and foul is fair
             Hover through the fog and filthy air.
 
 
Key words
Heath = wild, grassy land without many trees
Anon = soon
 
Consider:
Using the extract, how does
Shakespeare use language to
create a sense of unease?
 
-  short sentences
- rhythm
- alliteration/fricative of ‘f’
- paradox
 
Act 1 – scene 1
 
FIRST WITCH:    
Where the place?
 
SECOND WITCH:    
Upon the heath.
 
THIRD WITCH:    
There to meet with Macbeth.
 
FIRST WITCH:    
I come, Graymalkin!
 
SECOND WITCH:  
Paddock calls.
 
THIRD WITCH:   
Anon.
 
ALL:          
Fair is foul, and foul is fair
             Hover through the fog and filthy air.
 
 
Consider:
Using the extract, how does
Shakespeare use language to
create a sense of unease?
 
Shakespeare uses short sentences to create a sense of unease and
chaos about the witches, with all 3 speaking straight after each
other. The final lines contain alliteration and fricatives, used by
Shakespeare to create a flowing almost chant like feeling to what’s
being said. This would create a very unsettling feeling for the
audience, and the paradox contained within the line confuses them
and makes them think things may not be what they seem.
 
- Caesura
- Sound imagery 
(alliteration,
plosives)
- Word choices
- superlatives
 
Captain:  And fortune on his damned quarrel smiling,
                     Showed like a rebel’s whore. But all’s too weak,
                     For brave Macbeth – well he deserves that name -
                     Disdaining Fortune, with his brandished steel
                     Which smoked with bloody execution,
 
 
Key words:
Disdaining = showing contempt = looking down on someone/something as
though it’s not worthy of your attention
Brandished = waving around
 
Consider:
 
Act 1 – Sc 2
Using the extract, how does
Shakespeare use language to
create a sense of excitement?
 
- Caesura
- Sound imagery 
(alliteration,
plosives)
- Word choices
- superlatives
 
Captain:  And fortune on his damned quarrel smiling,
                     Showed like a rebel’s whore. But all’s too weak,
                     For brave Macbeth – well he deserves that name -
                     Disdaining Fortune, with his brandished steel
                     Which smoked with bloody execution,
 
 
Consider:
 
Act 1 – Sc 2
Using the extract, how does
Shakespeare use language to
create a sense of excitement?
 
The Captain presents Macbeth as a very brave warrior. The
extract has a sense of excitement about it with the use of the
words ‘brandished steel’ and ‘bloody execution’. The plosive
and alliterative ‘b’ emphasise the sense of action. The caesura
highlights the bravery of Macbeth because of the shift in tone
and the interruption to describing Macdonald’s tyranny, and
the use of the word ‘all’ suggests Macbeth has no match.
 
- metaphor
- rhythm
 
Consider:
Using the extract, how does
Shakespeare use language to
enhance the theme that
appearances can be deceptive?
 
Macbeth
 
                                           Stars, hide your fires,
Let not light see my black and deep desires
 
Act 1: Sc 4
 
-  imagery of raven
- sound imagery – plosives
- caesura
- specific word choice
 
Act 1 – scene 5
 
LADY MACBETH
                      
The raven himself is hoarse,
That croaks the fatal entrance of Duncan
Under my battlements. Come you spirits
That tend on mortal thoughts, unsex me here
 
Consider:
Using the extract, how does
Shakespeare use language to
create an unsettling mood?
 
- sound imagery – plosives
- specific word choices
 
Act 1 – scene 5
 
LADY MACBETH
 
And fill me from the crown to the toe topfull
Of the direst cruelty; make thick my blood,
Stop up th’access and passage to remorse
That no compunctious visitings of nature
Shake fell my purpose
 
Consider:
Using the extract, how does
Shakespeare use language to
create a MENACING mood?
 
- structural similarity with
witches
- specific word choices
- fricative
 
Act 1 – scene 5
 
Lady Macbeth
 
                      Great Glamis, worthy Cawdor,
Greater than both by the all-hail hereafter,
Thy letters have transported me beyond
This ignorant present, and I feel now
The future in the instant.
 
Consider:
Using the extract, how does
Shakespeare use language to
create a FOREBODING mood?
 
Foreboding = future misfortune/evil
 
- simile
- metaphor
- rule of 3
- assonance
 
Act 1 – scene 5
 
Lady Macbeth
 
                                             To beguile the time,
Look like the time, bear welcome in your eye,
Your hand, your tongue; look like the innocent flower,
But be the serpent under’t.
 
Consider:
Using the extract, how does
Shakespeare use language to
create a mood of deceit?
 
- sibilance
- word choices
- dramatic irony
 
Act 1 – scene 6
 
Duncan
 
This castle has a pleasant seat; the air
Nimbly and sweetly recommends itself
Unto our gentle senses.
 
Consider:
Using the extract, how does
Shakespeare use language to
create an ironic mood?
 
Seat = position, location
Nimbly = quick to understand
 
- word choices
- plosives
- caesura
 
Act 1 – scene 7
 
Macbeth
                                                   But in these cases,
We still have judgement here that we but teach
Bloody instructions, which being taught, return
To plague th’inventor. This even-handed justice
Commends th’ingredience of our poisoned chalice
To our own lips.
 
Consider:
Using the extract, how does
Shakespeare use language to
create a mood of hesitation?
 
- word choices
- simile
- alliteration
contrast
 
Act 1 – scene 7
 
Macbeth
                                                  Besides, this Duncan
Hath borne his faculties so meek, hath been
So clear in his great office, that his virtues
Will plead like like angels, trumpet-tongued against
The deep damnation of his taking-off.
 
Consider:
Using the extract, how does
Shakespeare use language to
enhance Duncan’s qualities?
 
Borne = grown and presented
Faculties = temperament/ personality
Meek = gentle
Virtues = qualities
Plead = appeal with earnest (sincerity)
Damnation = condemn, declaring something to be bad
 
- rhetorical questions
- caesura
- plosives
 
Act 1 – scene 7
 
Lady Macbeth
                                                  Was the hope drunk
Wherin you dressed yourself? Hath it slept since?
And wakes it now to look so green and pale
At what it did so freely? From this time,
Such I account thy love.
 
Consider:
Using the extract, how does
Shakespeare use language to
highlight Lady Macbeth’s
manipulation?
 
- alliteration
 - sibilance
- word choice
 
Act 1 – scene 7
 
Lady Macbeth
                                            When in swinish sleep
Their drenched natures lies as in a death,
What cannot you and I perform upon
Th’unguarded Duncan?
 
Consider:
Using the extract, how does
Shakespeare use language to
highlight Lady Macbeth’s
cunning nature?
 
Swinish – like a pig
Drenched natures – their minds are soaked with alcohol
 
Cunning = planning in a deceitful way
 
ACT 2
 
 
- Metaphor
- Simile
- Word choice
 - Punctuation (dashes)
 
Banquo
 
Hold, take my sword – There’s husbandry in heaven,
There candles are all out. – Take thee that too.
A heavy summons lies like lead upon me,
And yet, I would not sleep
Using the extract, how does
Shakespeare use language to
highlight Banquo’s
apprehension?
 
Act 2 – Sc 1
 
Apprehension = worry
 
Husbandry = thrift, economical, careful abut how much used
Summons = message or call to do something
 
Consider:
 
- Sound imagery
- Alliteration and plosives
-  Caesura
-  Punctuation
 
Macbeth
 
                                                           I see thee still
And on thy blade and dudgeon gouts of blood,
Which was not so before. There’s no such thing:
It is the bloody business which informs
Thus to mine eyes.
 
Using the extract, how does
Shakespeare use language to
highlight Macbeth’s turmoil?
 
Act 2 – Sc 1
 
Dudgeon = handle
Gouts = large drops
 
Consider:
 
Turmoil = confusion
 
- Metaphor
- Caesura
- Short sentence
- Imperative
 
Lady Macbeth
 
 My hands are of your colour, but I shame
To wear a heart so white.
                           
 Knock within
                                               I hear a knocking
At the south entry. Retire we to our chamber;
A little water clears us of this deed.
How easy it is then!
Using the extract, how does
Shakespeare use language to
highlight Lady Macbeth’s
assertive nature?
 
Act 2 – Sc 2
 
Consider:
 
- Word choices
- Metaphors
- Plosives
- Pathetic fallacy
 
Lennox
 
The night has been unruly: where we lay,
Our chimneys were blown down, and as they say,
Lamentings heard i’th’air, strange screams of death
And prophesying with accents terrible
Of dire combustion and confused events,
New hatched to th’woeful time.
Using the extract, how does
Shakespeare use language to
highlight the eerireness of the
night?
 
Act 2 – Sc 3
 
Consider:
 
Unruly = disruptive, lawless
Lamentings = regrets
Dire combustion = terrible fires
 
- Epizeuxis
- Personification
- Metaphor
- Hyperbole
 
Macduff:   
O horror, horror, horror,
                   Tongue nor heart cannot conceive, nor name thee.
Macbeth & Lennox:    
What’s the matter?
Macduff
:   Confusion hath now made his masterpiece:
                    Most sacrilegious murder hath broke ope
                    The Lord’s anointed temple and stole thence
                    The life of the building.
Using the extract, how does
Shakespeare use language to
highlight the panic and disbelief
in Macduff?
 
Act 2 – Sc 3
 
Consider:
 
Sacrilegious = violation of something sacred
Ope = open
Anointed = blessed
 
- Sibilance
- Long sentence
 - Isocolon
- Irony
- Alliteration
 
Lady Macbeth:                                             
What’s the business
                               That such a hideous trumpet calls to parley
                               The sleepers of the house? Speak, speak.
Macduff:              
                                                 O gentle lady,
Tis not for you to hear what I can speak.
                               The repetition in a woman’s ear
                               Would murder as it fell. –
                                                           
  enter Banquo
                                                                                
O Banquo, Banquo
                               Our royal master’s murdered.
Using the extract, how does
Shakespeare use language to
highlight the contrast between
Lady Macbeth and Macduff?
 
Act 2 – Sc 3
 
Consider:
 
Parley = talk with
 
- Poetic voice
- Listing
- Exaggeration
 
Macbeth:    
O, yet I do repent me of my fury
                       That I did kill them.
Macduff:                                         
Wherefore did you so?
Macbeth:
    Who can be wise, amazed, temperate, and furious,
                       Loyal and neutral in a moment? No man.
                       Th’expedition of my violent love
                       Outran the pauser, reason.
Using the extract, how does
Shakespeare use language to
highlight the deceit of Macbeth?
 
Act 2 – Sc 3
 
Consider:
 
Repent =feel sorry for
Wherefore = why
Temperate = calm, sensible
Expedition = haste, quickness
Pauser = the thing that delays
 
- Poetic voice
- Sibilance
- Hyperbole
 
Macbeth:                                                
Here lay Duncan,
                   His silver skin laced with his golden blood
                   And his gashed stabs looked like a breach in nature,
                   For ruin’s wasteful entrance.
Using the extract, how does
Shakespeare use language to
highlight the deceit of Macbeth?
 
Act 2 – Sc 3
 
Consider:
 
Breech in nature = destroyed natural cycle
 
- Metaphor
- Repetition (isocolon)
 
Donaldbain:                 
                                             Where we are,
                       There’s daggers in men’s smiles; the ner’er in blood,
                       The nearer bloody.
Using the extract, how does
Shakespeare use language to
highlight the danger Malcolm
and Donaldbain are in?
 
Act 2 – Sc 3
 
Consider:
 
- Pathetic fallacy
- Metaphors
 
Ross:                                                
By th’clock ‘tis day
                  And yet dark night strangles the travelling lamp.
                  Is’t night’s predominance, or day’s shame,
                  That darkness does the face of the earth entomb
                  When all living light should kiss it?
Using the extract, how does
Shakespeare use language to
highlight the mood in Scotland?
 
Act 2 – Sc 4
 
Consider:
 
Travelling lamp = the sun
The day’s shame = Duncan’s murder
Entomb = place in a tomb (burial chamber)
 
ACT 3
 
 
- Contrast
- Caesura
 
Banquo:                                  
If there come truth from them –
                        As upon thee, Macbeth, their speeches shine –
                        Why by the verities on thee made good,
                        May they not be my oracles as well
                        And set me up in hope? But hush, no more.
Using the extract, how does
Shakespeare use language to
keep Banquo as a moral frame of
reference?
 
Act 3 – Sc 1
 
Consider:
 
Verities = truths
 
- Metaphor
- word choice
 
Macbeth: 
Upon my head they placed a fruitless crown
                    And put a barren sceptre in my gripe,
                    Thence to be wrenched with an unlineal hand,
                    No son of mine succeeding.
Using the extract, how does
Shakespeare use language to
show us Macbeth’s annoyance?
 
Act 3 – Sc 1
 
Consider:
 
Sceptre = royal walking stick
Gripe = grasp
Wrenched = removed forcefully
Unlineal = no future generations
 
- Word choice
- Metaphor
 
Macbeth: 
For Banquo’s issue have I filed my mind:
                   For them, the gracious Duncan have I murdered,
                   Put rancours in the vessel of my peace
Using the extract, how does
Shakespeare use language to
show us Macbeth’s state of mind?
 
Act 3 – Sc 1
 
Consider:
 
Filed = defiled, tainted, destroyed
Rancours = bitterness
Vessel of my peace = the mind
 
-  Caesura
- Personification
-  Word Choice
- Metaphor
 
Macbeth:  
 Be innocent of the knowledge, dearest chuck,
                      Till thou applaud the deed. Come, seeling night,
                      Scarf up the tender eye of pitiful day
                      And with thy bloody and invisible hand
                      Cancel and tear to pieces that great bond
                      Which keeps me pale.
Using the extract, how does
Shakespeare use language to
illustrate Macbeth’s dark
intentions?
 
Act 3 – Sc 2
 
Consider:
 
Seeling = blinding
The bond keeping him pale is that Banquo still lives
 
- Caesura
- Plosive
- Alliteration of w
- Imperative
 
O proper stuff!
This is the very painting of your fear.
This is the air-drawn dagger which you said
Led you to Duncan. Oh, these flaws and starts,
Impostors to true fear, would well become
A woman’s story at a winter’s fire,
Authorized by her grandam. Shame itself!
Why do you make such faces? When all’s done,
You look but on a stool.
 
LADY MACBETH
 
Consider:
Using the extract, how does
Shakespeare use language to
enhance the humiliation of
Macbeth ?
 
Act 3: Sc 4
 
- 
Caesura
- Superlatives
- Imagery
- Punctuation
 
                                         I will tomorrow—
And betimes I will—to the weird sisters.
More shall they speak, for now I am bent to know,
By the worst means, the worst. For mine own good,
All causes shall give way. I am in blood
Stepped in so far that, should I wade no more,
Returning were as tedious as go o'er.
 
MACBETH
 
Consider:
Using the extract, how does
Shakespeare use language to
create a mood of intensity?
 
Act 3: Sc 4
 
- Word choice
- Repetition
- Sarcasm
 - Alliteration
- Caesura
 
Lennox
                                                    The gracious Duncan
            Was pitied of Macbeth; marry, he was dead.
            And the right-valiant Banquo walked too late,
            Whom you may say, if’t please you, Flenace killed,
            For Fleance fled. Men must not walk too late.
            Who cannot want the thought how monstrous
            It was for Malcolm and for Donaldbain
            To kill their gracious father.
 
Consider:
 
Act 3: Sc 6
Using the extract, how does
Shakespeare use language to
emphasise that appearances can
be deceptive?
 
ACT 4
 
 
 - anaphora
- word choice
 
MACBETH
 
I conjure you by that which you profess,
Howe'er you come to know it, answer me.
Though you untie the winds and let them fight
Against the churches, though the yeasty waves
Confound and swallow navigation up,
Though bladed corn be lodged and trees blown down,
Though castles topple on their warders' heads,
Though palaces and pyramids do slope
Their heads to their foundations, though the treasure
Of nature’s germens tumble all together,
Even till destruction sicken, answer me
To what I ask you.
 
Consider:
Using the extract, how does
Shakespeare use language to
emphasise the extent of the
witches nastiness?
 
Act 4: Sc 1
 
 - caesura
- allusion
- word choice
- personification
 
MACBETH
 
Then live, Macduff. What need I fear of thee?
But yet I’ll make assurance double sure,
And take a bond of fate. Thou shalt not live,
That I may tell pale-hearted fear it lies,
And sleep in spite of thunder.
 
Consider:
Using the extract, how does
Shakespeare use language to
emphasise the distorted nature
of Macbeth’s ambition?
 
Act 4: Sc 1
 
 - caesura
- isocolon
 - listing
 - short sentence
- rhyming couplet
 
MACBETH
 
From this moment
The very firstlings of my heart shall be
The firstlings of my hand. And even now,
To crown my thoughts with acts, be it thought and done:
The castle of Macduff I will surprise,
Seize upon Fife, give to th' edge o' th' sword
His wife, his babes, and all unfortunate souls
That trace him in his line. No boasting like a fool.
This deed I’ll do before this purpose cool.
 
Consider:
Using the extract, how does
Shakespeare use language to
emphasise the distorted nature
of Macbeth’s ambition?
 
Act 4: Sc 1
 
 - imperative
- isocolon
- metaphor
 - contrast
 - tricolon
 
LADY MACDUFF
Wisdom! To leave his wife, to leave his babes,
His mansion and his titles in a place
From whence himself does fly? He loves us not;
He wants the natural touch. For the poor wren,
The most diminutive of birds, will fight,
Her young ones in her nest, against the owl.
All is the fear and nothing is the love,
As little is the wisdom, where the flight
So runs against all reason.
 
Consider:
Using the extract, how does
Shakespeare use language to
emphasise the frustration of Lady
Macduff?
 
Act 4: Sc 2
 
He wants the natural touch = lacks feeling for his family
Diminutive = small and gentle
 
 - imperative
- dialogue
 - stage directions
 - word choice
 - structure – plot design
 
FIRST MURDERER: 
Where is your husband?
LADY MACDUFF:   
I hope, in no place so unsanctified
                                     Where such as thou mayst find him.
FIRST MURDERER:
                        He’s a traitor.
SON:                           
Thou liest, thou shag-haired villain!
FIRST MURDERER:
     
(Stabbing him)  
What, you egg!
                                     Young fry of treachery    
(almost kills him)
SON :                           
He has killed me, mother.
                                     Run away, I pray you!
 
Consider:
Using the extract, how does
Shakespeare use language to
emphasise the violence of the
scene?
 
Act 4: Sc 2
 
Unsanctified – unholy
Treachery = perfidy
 
 - metaphor
 - personificaiton
 
MALCOLM
 
I speak not as in absolute fear of you.
I think our country sinks beneath the yoke.
It weeps, it bleeds, and each new day a gash
Is added to her wounds.
 
Consider:
Using the extract, how does
Shakespeare use language to
emphasise Malcolm’s sadness at
the state of the Scotland?
 
Act 4: Sc 3
 
yoke = slavery
 
ACT 5
 
 
 - USE OF PROSE
- diacope
 - sentence structure
 - punctuation
 
LADY MACBETH
Out, damned spot! Out, I say!—One, two. Why, then, ’tis
time to do ’t. Hell is murky!—Fie, my lord, fie! A soldier,
and afeard? What need we fear who knows it, when none
can call our power to account?—Yet who would have
thought the old man to have had so much blood in him.
 
Consider:
Using the extract, how does
Shakespeare use language to
emphasise Lady Macbeth’s state
of mind?
 
Act 5: Sc 1
 
 - sound imagery
- personification
-  alliteration
 
MACBETH
 
Hang out our banners on the outward walls.
The cry is still “They come!” Our castle’s strength
Will laugh a siege to scorn. Here let them lie
Till famine and the ague eat them up.
 
Consider:
Using the extract, how does
Shakespeare use language to
emphasise Macbeth’s false sense
of security?
 
Act 5: Sc 5
 
 - caesura
 - metaphor
- alliteration
 - partial onomatopoeia
(struts)
 
Macbeth
 
And all our yesterdays have lighted fools
The way to dusty death. Out, out, brief candle!
Life’s but a walking shadow, a poor player
That struts and frets his hour upon the stage
And then is heard no more. It is a tale
Told by an idiot, full of sound and fury,
Signifying nothing.
 
Consider:
Using the extract, how does
Shakespeare use language to
emphasise Macbeth’s false sense
of security?
 
Act 5: Sc 5
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Delve into Shakespeare's masterful use of language in mini extracts from Macbeth's Act 1 scenes, analyzing how he creates a sense of unease, excitement, and deceptive appearances through techniques like short sentences, rhythm, alliteration, and metaphors. Dive into the world of Macbeth and uncover the subtle nuances of language intertwined with themes of chaos, bravery, and deception.

  • Shakespeare
  • Macbeth
  • Language Analysis
  • Act 1
  • Literary Techniques

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  1. Analysing Macbeth Mini extracts

  2. ACT 1

  3. Act 1 scene 1 FIRST WITCH: Where the place? Using the extract, how does Shakespeare use language to create a sense of unease? SECOND WITCH: Upon the heath. THIRD WITCH: There to meet with Macbeth. Consider: - short sentences -rhythm -alliteration/fricative of f -paradox FIRST WITCH: I come, Graymalkin! SECOND WITCH: Paddock calls. THIRD WITCH: Anon. ALL: Fair is foul, and foul is fair Hover through the fog and filthy air. Key words Heath = wild, grassy land without many trees Anon = soon

  4. Act 1 scene 1 FIRST WITCH: Where the place? Using the extract, how does Shakespeare use language to create a sense of unease? SECOND WITCH: Upon the heath. THIRD WITCH: There to meet with Macbeth. FIRST WITCH: I come, Graymalkin! Consider: SECOND WITCH: Paddock calls. - short sentences - rhythm - alliteration/fricative of f - paradox THIRD WITCH: Anon. ALL: Fair is foul, and foul is fair Hover through the fog and filthy air. Shakespeare uses short sentences to create a sense of unease and chaos about the witches, with all 3 speaking straight after each other. The final lines contain alliteration and fricatives, used by Shakespeare to create a flowing almost chant like feeling to what s being said. This would create a very unsettling feeling for the audience, and the paradox contained within the line confuses them and makes them think things may not be what they seem.

  5. Act 1 Sc 2 Captain: And fortune on his damned quarrel smiling, Using the extract, how does Shakespeare use language to create a sense of excitement? Showed like a rebel s whore. But all s too weak, For brave Macbeth well he deserves that name - Consider: Disdaining Fortune, with his brandished steel - Caesura Which smoked with bloody execution, - Sound imagery (alliteration, plosives) - Word choices - superlatives Key words: Disdaining = showing contempt = looking down on someone/something as though it s not worthy of your attention Brandished = waving around

  6. Act 1 Sc 2 Captain: And fortune on his damned quarrel smiling, Using the extract, how does Shakespeare use language to create a sense of excitement? Showed like a rebel s whore. But all s too weak, For brave Macbeth well he deserves that name - Disdaining Fortune, with his brandished steel Consider: Which smoked with bloody execution, - Caesura - Sound imagery (alliteration, plosives) - Word choices - superlatives The Captain presents Macbeth as a very brave warrior. The extract has a sense of excitement about it with the use of the words brandished steel and bloody execution . The plosive and alliterative b emphasise the sense of action. The caesura highlights the bravery of Macbeth because of the shift in tone and the interruption to describing Macdonald s tyranny, and the use of the word all suggests Macbeth has no match.

  7. Act 1: Sc 4 Using the extract, how does Shakespeare use language to enhance the theme that appearances can be deceptive? Consider: Macbeth Stars, hide your fires, Let not light see my black and deep desires - metaphor - rhythm

  8. Act 1 scene 5 LADY MACBETH The raven himself is hoarse, That croaks the fatal entrance of Duncan Under my battlements. Come you spirits That tend on mortal thoughts, unsex me here Using the extract, how does Shakespeare use language to create an unsettling mood? Consider: - imagery of raven - sound imagery plosives - caesura - specific word choice

  9. Act 1 scene 5 LADY MACBETH Using the extract, how does Shakespeare use language to create a MENACING mood? And fill me from the crown to the toe topfull Of the direst cruelty; make thick my blood, Stop up th access and passage to remorse That no compunctious visitings of nature Shake fell my purpose Consider: - sound imagery plosives - specific word choices

  10. Act 1 scene 5 Lady Macbeth Using the extract, how does Shakespeare use language to create a FOREBODING mood? Great Glamis, worthy Cawdor, Greater than both by the all-hail hereafter, Thy letters have transported me beyond This ignorant present, and I feel now The future in the instant. Consider: - structural similarity with witches - specific word choices - fricative Foreboding = future misfortune/evil

  11. Act 1 scene 5 Lady Macbeth Using the extract, how does Shakespeare use language to create a mood of deceit? To beguile the time, Look like the time, bear welcome in your eye, Your hand, your tongue; look like the innocent flower, But be the serpent under t. Consider: - simile - metaphor - rule of 3 - assonance

  12. Act 1 scene 6 Duncan Using the extract, how does Shakespeare use language to create an ironic mood? This castle has a pleasant seat; the air Nimbly and sweetly recommends itself Unto our gentle senses. Consider: - sibilance - word choices - dramatic irony Seat = position, location Nimbly = quick to understand

  13. Act 1 scene 7 Macbeth But in these cases, We still have judgement here that we but teach Bloody instructions, which being taught, return To plague th inventor. This even-handed justice Commends th ingredience of our poisoned chalice To our own lips. Using the extract, how does Shakespeare use language to create a mood of hesitation? Consider: - word choices - plosives - caesura

  14. Act 1 scene 7 Macbeth Besides, this Duncan Hath borne his faculties so meek, hath been So clear in his great office, that his virtues Will plead like like angels, trumpet-tongued against The deep damnation of his taking-off. Using the extract, how does Shakespeare use language to enhance Duncan s qualities? Consider: - word choices - simile - alliteration contrast Borne = grown and presented Faculties = temperament/ personality Meek = gentle Virtues = qualities Plead = appeal with earnest (sincerity) Damnation = condemn, declaring something to be bad

  15. Act 1 scene 7 Using the extract, how does Shakespeare use language to highlight Lady Macbeth s manipulation? Lady Macbeth Was the hope drunk Wherin you dressed yourself? Hath it slept since? And wakes it now to look so green and pale At what it did so freely? From this time, Such I account thy love. Consider: - rhetorical questions - caesura - plosives

  16. Act 1 scene 7 Using the extract, how does Shakespeare use language to highlight Lady Macbeth s cunning nature? Lady Macbeth When in swinish sleep Their drenched natures lies as in a death, What cannot you and I perform upon Th unguarded Duncan? Consider: - alliteration - sibilance - word choice Swinish like a pig Drenched natures their minds are soaked with alcohol Cunning = planning in a deceitful way

  17. ACT 2

  18. Act 2 Sc 1 Using the extract, how does Shakespeare use language to highlight Banquo s apprehension? Banquo Hold, take my sword There s husbandry in heaven, Consider: There candles are all out. Take thee that too. - Metaphor - Simile - Word choice - Punctuation (dashes) A heavy summons lies like lead upon me, And yet, I would not sleep Husbandry = thrift, economical, careful abut how much used Summons = message or call to do something Apprehension = worry

  19. Act 2 Sc 1 Using the extract, how does Shakespeare use language to highlight Macbeth s turmoil? Macbeth I see thee still And on thy blade and dudgeon gouts of blood, Consider: Which was not so before. There s no such thing: - Sound imagery - Alliteration and plosives - Caesura - Punctuation It is the bloody business which informs Thus to mine eyes. Dudgeon = handle Gouts = large drops Turmoil = confusion

  20. Act 2 Sc 2 Using the extract, how does Shakespeare use language to highlight Lady Macbeth s assertive nature? Lady Macbeth My hands are of your colour, but I shame To wear a heart so white. Consider: Knock within - Metaphor - Caesura - Short sentence - Imperative I hear a knocking At the south entry. Retire we to our chamber; A little water clears us of this deed. How easy it is then!

  21. Act 2 Sc 3 Using the extract, how does Shakespeare use language to highlight the eerireness of the night? Lennox The night has been unruly: where we lay, Consider: Our chimneys were blown down, and as they say, - Word choices - Metaphors - Plosives - Pathetic fallacy Lamentings heard i th air, strange screams of death And prophesying with accents terrible Of dire combustion and confused events, New hatched to th woeful time. Unruly = disruptive, lawless Lamentings = regrets Dire combustion = terrible fires

  22. Act 2 Sc 3 Using the extract, how does Shakespeare use language to highlight the panic and disbelief in Macduff? Macduff: O horror, horror, horror, Tongue nor heart cannot conceive, nor name thee. Consider: Macbeth & Lennox: What s the matter? - Epizeuxis - Personification - Metaphor - Hyperbole Macduff: Confusion hath now made his masterpiece: Most sacrilegious murder hath broke ope The Lord s anointed temple and stole thence The life of the building. Sacrilegious = violation of something sacred Ope = open Anointed = blessed

  23. Act 2 Sc 3 Using the extract, how does Shakespeare use language to highlight the contrast between Lady Macbeth and Macduff? Lady Macbeth: What s the business That such a hideous trumpet calls to parley The sleepers of the house? Speak, speak. Consider: Macduff: O gentle lady, Tis not for you to hear what I can speak. - Sibilance - Long sentence - Isocolon - Irony - Alliteration The repetition in a woman s ear Would murder as it fell. enter Banquo O Banquo, Banquo Our royal master s murdered. Parley = talk with

  24. Act 2 Sc 3 Using the extract, how does Shakespeare use language to highlight the deceit of Macbeth? Macbeth: O, yet I do repent me of my fury That I did kill them. Consider: Macduff: Wherefore did you so? Macbeth: Who can be wise, amazed, temperate, and furious, - Poetic voice - Listing - Exaggeration Loyal and neutral in a moment? No man. Th expedition of my violent love Outran the pauser, reason. Repent =feel sorry for Wherefore = why Temperate = calm, sensible Expedition = haste, quickness Pauser = the thing that delays

  25. Act 2 Sc 3 Using the extract, how does Shakespeare use language to highlight the deceit of Macbeth? Macbeth: Here lay Duncan, Consider: His silver skin laced with his golden blood - Poetic voice - Sibilance - Hyperbole And his gashed stabs looked like a breach in nature, For ruin s wasteful entrance. Breech in nature = destroyed natural cycle

  26. Act 2 Sc 3 Using the extract, how does Shakespeare use language to highlight the danger Malcolm and Donaldbain are in? Consider: Donaldbain: Where we are, There s daggers in men s smiles; the ner er in blood, - Metaphor - Repetition (isocolon) The nearer bloody.

  27. Act 2 Sc 4 Using the extract, how does Shakespeare use language to highlight the mood in Scotland? Ross: By th clock tis day Consider: And yet dark night strangles the travelling lamp. Is tnight s predominance, or day s shame, - Pathetic fallacy - Metaphors That darkness does the face of the earth entomb When all living light should kiss it? Travelling lamp = the sun The day s shame = Duncan s murder Entomb = place in a tomb (burial chamber)

  28. ACT 3

  29. Act 3 Sc 1 Using the extract, how does Shakespeare use language to keep Banquo as a moral frame of reference? Banquo: If there come truth from them Consider: As upon thee, Macbeth, their speeches shine Why by the verities on thee made good, - Contrast - Caesura May they not be my oracles as well And set me up in hope? But hush, no more. Verities = truths

  30. Act 3 Sc 1 Using the extract, how does Shakespeare use language to show us Macbeth s annoyance? Macbeth: Upon my head they placed a fruitless crown Consider: And put a barren sceptre in my gripe, Thence to be wrenched with an unlineal hand, - Metaphor - word choice No son of mine succeeding. Sceptre = royal walking stick Gripe = grasp Wrenched = removed forcefully Unlineal = no future generations

  31. Act 3 Sc 1 Using the extract, how does Shakespeare use language to show us Macbeth s state of mind? Macbeth: For Banquo s issue have I filed my mind: Consider: For them, the gracious Duncan have I murdered, - Word choice - Metaphor Put rancours in the vessel of my peace Filed = defiled, tainted, destroyed Rancours = bitterness Vessel of my peace = the mind

  32. Act 3 Sc 2 Using the extract, how does Shakespeare use language to illustrate Macbeth s dark intentions? Macbeth: Be innocent of the knowledge, dearest chuck, Till thou applaud the deed. Come, seeling night, Consider: Scarf up the tender eye of pitiful day - Caesura - Personification - Word Choice - Metaphor And with thy bloody and invisible hand Cancel and tear to pieces that great bond Which keeps me pale. Seeling = blinding The bond keeping him pale is that Banquo still lives

  33. Act 3: Sc 4 LADY MACBETH Using the extract, how does Shakespeare use language to enhance the humiliation of Macbeth ? O proper stuff! This is the very painting of your fear. This is the air-drawn dagger which you said Led you to Duncan. Oh, these flaws and starts, Consider: Impostors to true fear, would well become - Caesura - Plosive - Alliteration of w - Imperative A woman s story at a winter s fire, Authorized by her grandam. Shame itself! Why do you make such faces? When all s done, You look but on a stool.

  34. Act 3: Sc 4 Using the extract, how does Shakespeare use language to create a mood of intensity? MACBETH I will tomorrow And betimes I will to the weird sisters. Consider: More shall they speak, for now I am bent to know, - Caesura - Superlatives - Imagery - Punctuation By the worst means, the worst. For mine own good, All causes shall give way. I am in blood Stepped in so far that, should I wade no more, Returning were as tedious as go o'er.

  35. Act 3: Sc 6 Using the extract, how does Shakespeare use language to emphasise that appearances can be deceptive? Lennox The gracious Duncan Was pitied of Macbeth; marry, he was dead. Consider: - Word choice - Repetition - Sarcasm - Alliteration - Caesura And the right-valiant Banquo walked too late, Whom you may say, if t please you, Flenace killed, For Fleance fled. Men must not walk too late. Who cannot want the thought how monstrous It was for Malcolm and for Donaldbain To kill their gracious father.

  36. ACT 4

  37. Act 4: Sc 1 MACBETH Using the extract, how does Shakespeare use language to emphasise the extent of the witches nastiness? I conjure you by that which you profess, Howe'er you come to know it, answer me. Though you untie the winds and let them fight Consider: Against the churches, though the yeasty waves - anaphora - word choice Confound and swallow navigation up, Though bladed corn be lodged and trees blown down, Though castles topple on their warders' heads, Though palaces and pyramids do slope Their heads to their foundations, though the treasure Of nature s germens tumble all together, Even till destruction sicken, answer me To what I ask you.

  38. Act 4: Sc 1 Using the extract, how does Shakespeare use language to emphasise the distorted nature of Macbeth s ambition? MACBETH Consider: Then live, Macduff. What need I fear of thee? - caesura - allusion - word choice - personification But yet I ll make assurance double sure, And take a bond of fate. Thou shalt not live, That I may tell pale-hearted fear it lies, And sleep in spite of thunder.

  39. Act 4: Sc 1 MACBETH Using the extract, how does Shakespeare use language to emphasise the distorted nature of Macbeth s ambition? From this moment The very firstlings of my heart shall be Consider: The firstlings of my hand. And even now, - caesura - isocolon - listing - short sentence - rhyming couplet To crown my thoughts with acts, be it thought and done: The castle of Macduff I will surprise, Seize upon Fife, give to th' edge o' th' sword His wife, his babes, and all unfortunate souls That trace him in his line. No boasting like a fool. This deed I ll do before this purpose cool.

  40. Act 4: Sc 2 LADY MACDUFF Using the extract, how does Shakespeare use language to emphasise the frustration of Lady Macduff? Wisdom! To leave his wife, to leave his babes, His mansion and his titles in a place From whence himself does fly? He loves us not; Consider: He wants the natural touch. For the poor wren, - imperative - isocolon - metaphor - contrast - tricolon The most diminutive of birds, will fight, Her young ones in her nest, against the owl. All is the fear and nothing is the love, As little is the wisdom, where the flight So runs against all reason. He wants the natural touch = lacks feeling for his family Diminutive = small and gentle

  41. Act 4: Sc 2 Using the extract, how does Shakespeare use language to emphasise the violence of the scene? FIRST MURDERER: Where is your husband? LADY MACDUFF: I hope, in no place so unsanctified Where such as thou mayst find him. Consider: FIRST MURDERER: He s a traitor. SON: Thou liest, thou shag-haired villain! - imperative - dialogue - stage directions - word choice - structure plot design FIRST MURDERER: (Stabbing him) What, you egg! Young fry of treachery (almost kills him) SON : He has killed me, mother. Run away, I pray you! Unsanctified unholy Treachery = perfidy

  42. Act 4: Sc 3 Using the extract, how does Shakespeare use language to emphasise Malcolm s sadness at the state of the Scotland? MALCOLM Consider: I speak not as in absolute fear of you. I think our country sinks beneath the yoke. - metaphor - personificaiton It weeps, it bleeds, and each new day a gash Is added to her wounds. yoke = slavery

  43. ACT 5

  44. Act 5: Sc 1 Using the extract, how does Shakespeare use language to emphasise Lady Macbeth s state of mind? LADY MACBETH Consider: Out, damned spot! Out, I say! One, two. Why, then, tis time to do t. Hell is murky! Fie, my lord, fie! A soldier, and afeard? What need we fear who knows it, when none can call our power to account? Yet who would have thought the old man to have had so much blood in him. - USE OF PROSE - diacope - sentence structure - punctuation

  45. Act 5: Sc 5 Using the extract, how does Shakespeare use language to emphasise Macbeth s false sense of security? MACBETH Consider: Hang out our banners on the outward walls. The cry is still They come! Our castle s strength - sound imagery - personification - alliteration Will laugh a siege to scorn. Here let them lie Till famine and the ague eat them up.

  46. Act 5: Sc 5 Using the extract, how does Shakespeare use language to emphasise Macbeth s false sense of security? Macbeth And all our yesterdays have lighted fools Consider: The way to dusty death. Out, out, brief candle! Life s but a walking shadow, a poor player - caesura - metaphor - alliteration - partial onomatopoeia (struts) That struts and frets his hour upon the stage And then is heard no more. It is a tale Told by an idiot, full of sound and fury, Signifying nothing.

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