Queer Aesthetics and the Sublime in Art

 
CHAPTER 12:
QUEERING IMAGINATION:
Art, Aesthetics, and Expression
Bruce Henderson, 
Queer Studies: Beyond Binaries
, Harrington Park Press 2019
“Is There a Gay [Queer] Sensibility?”
1984, Symposium at the New Museum of the New School for
Social Research:
Jeff Weinstein, journalist and art critic:  “No, there is no such thing
as a gay sensibility, and, yes, it has an enormous impact on our
culture.”
Bruce Henderson, 
Queer Studies: Beyond Binaries
, Harrington Park Press 2019
The Queer Sublime and the Queer Uncanny
The sublime:
Everyday use: highest praise—the utmost in excellence
In aesthetics:  derived from Longinus, 
On the Sublime
Revived interest:  European Romanticism, 19
th
 century
Bruce Henderson, 
Queer Studies: Beyond Binaries
, Harrington Park Press 2019
The Romantic Sublime
Definition:  Not simply the highest achievement of that which is
“pleasing,” but accompanied by sense of terror and an
acknowledgment of the unspeakable possibility of death and
dissolution in the midst of a universe larger than the individual.
Examples:
Poetry:  Percy Bysshe Shelley, “Mont Blanc”
Painting:  Caspar Friedrich, “Wanderer Above the Sea of Fog”
Fiction:  Mary Wollstonecraft Shelley, 
Frankenstein
Bruce Henderson, 
Queer Studies: Beyond Binaries
, Harrington Park Press 2019
The Queer Sublime
Danielle Lewis:  The Turcot Yards (Montreal)
Space of neglect and decay
Repurposed (without official sanction): queer space for the
homeless and otherwise marginalized
Always “incomplete,” because a completion of the sublime would
be dissolved and disappeared
Always just “this far” away from finality
Bruce Henderson, 
Queer Studies: Beyond Binaries
, Harrington Park Press 2019
Brokeback Mountain
 and the Queer Sublime
Davin Grindstaff, “The Fist and the Corpse: Taming the Queer Sublime
in 
Brokeback Mountain”
For some viewers, 
BBM
 is a tragedy of social homophobia
For others, an individual tragedy of two people unable to make the move into
a queer domestic realm; inability even to imagine such a space (Ennis)
Grindstaff:  “symbolically represents the collective trauma that otherwise
result from directly witnessing homophobic repression and violence; yet
because the film aesthetically induces a feeling of pleasure, audiences
transcend the terror that would ordinarily accompany such encounters”
Bruce Henderson, 
Queer Studies: Beyond Binaries
, Harrington Park Press 2019
The Uncanny:  Freud and Beyond
1919:  Freud, “The Uncanny”—
unheimliche
, ”unhomelike” or
“unfamiliar”
E.T.A. Hoffman, “The Sandman”: dancing automaton, Olympia; also,
an “eye-stealer.”  Both emblems of the “uncanny” for Freud
The “Uncanny Valley,”  Mashahiro Mori:  robots move towards human
appearance; at a certain point, they produce discomfort and
alienation, when distinction between human and thing is blurred
Bruce Henderson, 
Queer Studies: Beyond Binaries
, Harrington Park Press 2019
Paulina Palmer and the “Queer Uncanny”
Non-heteronormative sexuality and non-cisgender identity produce
“uncanny” effects.
In pre-20
th
 century art and literature, LGBT identity usually not
overtly represented; hence, the development of horror fiction,
especially vampires:  monster = queerness
For modern nonqueer people, queerness may be an “uncanny
valley”
Bruce Henderson, 
Queer Studies: Beyond Binaries
, Harrington Park Press 2019
Spotlight on Queer Children’s and Young Adult Fiction: Learning
to Read
Pre-modern examples of potential “queerness”:  Jo in 
Little
Women
, characters in Baum’s Oz books
Oz as mythical space of queer sublime/uncanny:
Geoff Ryman, 
Was
 (blend of fantasy and realism; AIDS subplot)
Gregory Maguire, 
Wicked series
Danielle Paige, 
Dorothy Must Die
 series
Bruce Henderson, 
Queer Studies: Beyond Binaries
, Harrington Park Press 2019
Late 20
th
-Century Examples
Louise Fitzhugh, 
Harriet the Spy
 novels
Fitzhugh, southern lesbian (closeted) writer living in NYC
Harriet and Janie as proto-lesbians:  “baby dykes”
Series challenged traditional gender roles (“Sport” as boy who
likes to cook and keep house) and taboo topics (girls’ bodies and
menstruation)
Bruce Henderson, 
Queer Studies: Beyond Binaries
, Harrington Park Press 2019
Continued
John Donovan, 
I’ll Get There, It Better Be Worth the Trip 
(1969):
Considered first YA novel to mention homosexuality
Donovan, worked in children’s publishing
Plot:  Davy, child of divorced parents, lives with grandmother;
when she dies, he must live with mother again in NYC
Possible queerness of uncle who offers to take Davey
Schoolmate, Altschuler, with whom he develops close friendship
Drunken moment of physical affection
Death of beloved dachshund as “punishment”
Bruce Henderson, 
Queer Studies: Beyond Binaries
, Harrington Park Press 2019
Lesbian Youth in Mid-20
th
-Century Fiction
Rosa Guy, 
Ruby 
(1976):
 
Pair of sisters in NYC, emigres from West Indies
Title character falls in love with fellow student, Daphne
Ends with Daphne deciding her lesbianism was a phase; Ruby has
been politicized and novel is open-ended about her future
Bruce Henderson, 
Queer Studies: Beyond Binaries
, Harrington Park Press 2019
Continued
Nancy Garden, 
Annie on My Mind 
(1982)
Shows up frequently on “challenged” book lists
Liza and Annie, meet in museum, become lovers
Protective lesbian couple (teachers):  fired
Liza threatened with expulsion, but enlightened board does not
Girls go to different colleges, but reconnected and decide to meet
during Spring Break
Bruce Henderson, 
Queer Studies: Beyond Binaries
, Harrington Park Press 2019
Trans Inclusion in Children’s and YA Literature
Julie Anne Peters, 
Luna 
(2004)
Considered first YA novel to address trans issues
Told from point of view of Regan, 16 year-old sister
Liam, older sibling, begins to transition to Luna
Criticisms:
Told by by-stander, rather than trans person
Focuses on external actions (dressing in “female” clothing)
Nonetheless, a step forward
Bruce Henderson, 
Queer Studies: Beyond Binaries
, Harrington Park Press 2019
Other Developments in Trans Children’s/YA Literature
Kristin Cronn-Mills, 
Beautiful Music for Ugly Children 
(2012)
Gabe, young trans man, develops following as radio DJ
M-E Girard, 
Girl Mans Up 
(2016)
Pen(elope), Portuguese-immigrant family, masculine-identified
I.W. Gregorio, 
None of the Above 
(2015)
Kristin, homecoming queen, learns she is intersex
Bruce Henderson, 
Queer Studies: Beyond Binaries
, Harrington Park Press 2019
Others
Brie Spangler, 
Belle 
(2016)
Retelling of “Beauty and the Beast” with trans boy as “beauty
April Daniels, 
Dreadnought 
(2017)
First of trans superhero series
David Levithan, 
Every Day 
series and 
Two Boys Kissing 
(2013)
Magical realism involving gender fluidity
Bruce Henderson, 
Queer Studies: Beyond Binaries
, Harrington Park Press 2019
Alex Gino and 
George
Written for pre-middle school audience
Author identifies as genderqueer
Fifth-grader, assigned male at birth
Wants to play Charlotte in school production of 
Charlotte’s Web
Scene of “passing” as “Melissa” (chosen name)
Bruce Henderson, 
Queer Studies: Beyond Binaries
, Harrington Park Press 2019
Aesthetics and ”Art for Art’s Sake”
Whitney Davis, 
Queer Beauty
: concepts of the ”beautiful” have often
been connected to same-sex attractiveness (even among
heterosexually-identified artists)
Not necessarily “erotic,” but based on formal pleasures produced on
mind and senses of the viewer (or reader or listener)
David Hume, Enlightenment thinker:  “On the Standard of Taste:
Bruce Henderson, 
Queer Studies: Beyond Binaries
, Harrington Park Press 2019
Victorian Developments
Matthew Arnold: function of art to instill notions of good
and bad
Walter Pater:  desire for that which is beautiful
Oscar Wilde:  “There is no such thing as a moral or immoral
book.  Books are well written, or badly written. That is all.”
Critiques of Art for Art’s Sake
Depoliticizes art
Removes it from social activism and venues
AIDS epidemic:  “Political funerals” brought together
intersection of aesthetics and political activism
Bruce Henderson, 
Queer Studies: Beyond Binaries
, Harrington Park Press 2019
Camp and Irony:
Performing the Disguise, Openly/Disguising the Performance
Camp:  tied to forms of irony
Often viewed as coping strategy for navigating heterocentric
world
A 
habitus
 of “excessiveness”
Susan Sontag, “Notes on Camp” (1964)
Distinguished between naïve and deliberate Camp
Relegated camp to the realm of the apolitical
More recent theorists disagree—point to drag as a form of camp
that can be political in aims and resultd
Bruce Henderson, 
Queer Studies: Beyond Binaries
, Harrington Park Press 2019
Other Recent Examples of Camp in Society
The Sisters of Perpetual Indulgence:
Melissa Wilcox, 
Queer Nuns
: “serious parody”
The films and writings of John Waters:
Grew up in Baltimore
“Tastelessness”:  
The Diane Linkletter Story 
(1970)
Divine as muse; name derived from Genet’s 
Our Lady of
the Flowers
Bruce Henderson, 
Queer Studies: Beyond Binaries
, Harrington Park Press 2019
Feminist Critiques of Camp
Does camp depend too much of misogynistic images of and
attitudes towards women
One response:  the “use” of women in camp is actually an
acknowledgment of the courage and power of strong women
(such as the larger-than-life movie stars alluded to in camp)
Is there such a thing as lesbian camp:  “drag kings”
Hyperfemininity, intersected with cultural insider stereotypes:  Carmen
Tropicano
Bruce Henderson, 
Queer Studies: Beyond Binaries
, Harrington Park Press 2019
The Mickee Faust Club
Located in Tallahasse, FL
Established by Donna Nudd and Terry Galloway, partners;
Nudd, an academic, performer, and director at FSU;
Galloway, a hearing-impaired performance artist and actor
Sketch comedy (and other forms):  queercrip (Sandahl)
Mass media:  
RuPaul’s Drag Race
Bruce Henderson, 
Queer Studies: Beyond Binaries
, Harrington Park Press 2019
The End of Camp?
Does camp only flourish in closeted societies, where
reference to queer identity and experience must be
indirect or ironically-named?
What would a 21
st
-century camp culture involve?
Bruce Henderson, 
Queer Studies: Beyond Binaries
, Harrington Park Press 2019
Expression as Communion and Community:
Celebrating “Us”
Marches and Parades:
Earliest marches:  the Mattachine Society and Daughters
of Bilitis:  in traditions of serious social protest
Parades:  post-Stonewall celebrations, with both
overtones and undertones of cultural and political pride
Controversies:  representation of “extremes” (drag queens
and leather community)
Appropriation:  presence of straight spectators
Bruce Henderson, 
Queer Studies: Beyond Binaries
, Harrington Park Press 2019
The
 Michigan Womyn’s Music Festival
Womyn”:  term coined to remove “men” from term
Ran from 1976 to 2015
Established by Lisa Vogel, sister, and another friend
Week-long opportunity for all-female space to exist for
communal appreciation of music, art, performance, and
sisterhood
Men only permitted as deliverers and other maintenance
roles (sanitation); boys spent days at a separate campo
Kath Browne:  MWMF as “imperfect lesbian utopia”
Bruce Henderson, 
Queer Studies: Beyond Binaries
, Harrington Park Press 2019
End of the Festival
…and Memorialization
In final years, controversies over presence of trans people:
Concerns over pre-op (bottom surgery) trans women
Fewer concerns over trans men
“Womyn-born Womyn”:  shared experience of girlhood
Some boycotts by artists; similarly, some artists were boycotted in
other venues for supporting the WBW policy
Loraine Edwalds and the Artemis Singers, 
Wanting the Music
Musical-theatre piece, telling the story of the Festival through
scenes involving a set of women over the years of the event
Bruce Henderson, 
Queer Studies: Beyond Binaries
, Harrington Park Press 2019
Spotlight on Art and the AIDS Crisis
Question:  why have some categories of artists had more
representation than others?
Trans people higher rate of infection, but have been
represented less frequently and trans artists only recently
been involved in AIDS representation as artists and
producers.  Series 
Pose
 shows advances
Questions of accuracy:  example of characters in Academy
Award-winning film, 
Dallas Buyers Club 
(2013)
Bruce Henderson, 
Queer Studies: Beyond Binaries
, Harrington Park Press 2019
Literature: AIDS Narratives and Poetry
Initially, primarily gay, white cis-gender writers:
“The Violet Quill”
Paul Monette, memoirist, 
Borrowed Time
Growing presence of lesbian writers:
Sarah Schulman, 
People in Trouble
African American writers:
James Earl Hardy, 
The Day Easy-E Died
Bruce Henderson, 
Queer Studies: Beyond Binaries
, Harrington Park Press 2019
Resurgence of AIDS Novels in Recent Years
Tim Murphy, 
Christodora
 (2016)
John Whittier Treat, 
The Rise and Fall of the Yellow House”
(2015)
Rabih Alameddine, 
Koolaids: The Art of War 
(1998) and 
The
Angel of History 
(2016): Middle Eastern émigré
Rebecca Makkai, 
The Great Believers
 (2018): shifts between
1980s Chicago and 2010s Paris
Bruce Henderson, 
Queer Studies: Beyond Binaries
, Harrington Park Press 2019
Visual Arts
Keith Haring:  graffiti as street art
Aesthetically “pleasing” (radiant baby image)
Social intervention (public spaces)
Hugh Auchincloss Steers: “fine art” traditions
Came from wealthy and prestigious family; attended Yale
Figurative art:  portraits, especially self-portraits
Depicted everyday lives of people with AIDS
Bruce Henderson, 
Queer Studies: Beyond Binaries
, Harrington Park Press 2019
Gran Fury: Installations and Multi-Media Art
Off-shoot of ACT UP, from 1988-1995
Invoked and presented historical genealogies
Use of commodified products (decals, pins, t-shirts):
purpose to diffuse messages as widely as possible
The New York Crimes
 (substituted in coin-operated boxes for
The New York Times)
“Let the Record Show
: the New Museum
Bruce Henderson, 
Queer Studies: Beyond Binaries
, Harrington Park Press 2019
The Names Project:  A Quilt of Commemoration
1985:  Cleve Jones, San Francisco
Invoked feminine traditions of communal art (thus
“queering” gay male participation and alluding to the power
and commitment of women in the AIDS epidemic)
1987:  assembled panels displayed of National Mall in
Washington, D.C.
Bruce Henderson, 
Queer Studies: Beyond Binaries
, Harrington Park Press 2019
Music
Popular music:
Dionne Warwick cover; 1990 benefit concert at Radio City
Music Hall; video; fundraiser and awareness
Bruce Springsteen, “Streets of Philadelphia” (from film
Philadelphia
, received Academy Award for Best Song)
Sylvester and other disco artists
Freddie Mercury, band “Queen”: only came out when
dying.
Bruce Henderson, 
Queer Studies: Beyond Binaries
, Harrington Park Press 2019
Classical Musical Traditions and AIDS
John Corigliano, 
Symphony No. 1, 
“Of Rage and
Remembrance”
Robert Savage, “AIDS Ward Scherzo”
Alexandra Pajek, “Sounds of HIV,” assigned notes to the DNA
sequence associated with the virus
Bruce Henderson, 
Queer Studies: Beyond Binaries
, Harrington Park Press 2019
Film and Television
1985:  
An Early Frost
, early television film about AIDS
  
Theatrical films:
1985, Arthur Bressan, Jr., 
Buddies
1986:  Bill Sherwood, 
Parting Glances
1991, Marlon Riggs, 
Tongues Untied
 (queer African-American men
with HIV/AIDS)
1993: Jonathan Demme, 
Philadelphia 
(first major Hollywood film)
Bruce Henderson, 
Queer Studies: Beyond Binaries
, Harrington Park Press 2019
Theatre: Staging HIV/AIDS
1985:  Larry Kramer, 
The Normal Heart
, off-Broadway (revived on
Broadway and filmed for HBO)
1990, William Finn, 
Falsettoland, 
off-Broadway one-act (combined
with 
March of the Falsettos
 as 
Falsettos 
on Broadway, revived and
then telecast on PBS)
1991:  Tony Kushner, 
Angels in America, 
regional and eventually
Broadway (filmed for HBO, and revived on- and off-Broadway)
1996:  Jonathan Larson, 
Rent
 (off-Broadway, Broadway, film, live
television)
Bruce Henderson, 
Queer Studies: Beyond Binaries
, Harrington Park Press 2019
Dance and Performance Art
Dance:
Death of ballet star Rudolf Nureyev, from AIDS
Neil Greenberg, “Not-About-AIDS-Dance”
Bill T. Jones, 
Still/Here
: people living with chronic/terminal illness
(including HIV/AIDS, as was Jones)
Controversy: Arlene Croce, dance critic for 
The New Yorker
, refused to
attend, saying its use of such dancers and subject matter made it stand
outside of art (“Discussing the Undiscussable”)
Bruce Henderson, 
Queer Studies: Beyond Binaries
, Harrington Park Press 2019
Performance Art
Ron Athey, 
Four Scenes in a Harsh Life
, Walker Art Center
(Minneapolis, MN)
Tim Miller, body, story, and language to speak of bodies with
HIV/AIDS
Scott Dillard, “Breathing Darrell”:  “a useful queer
mythology”
Bruce Henderson, 
Queer Studies: Beyond Binaries
, Harrington Park Press 2019
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Delve into the realm of queer imagination and aesthetics as discussed in Bruce Henderson's book "Queer Studies: Beyond Binaries." The concept of a gay sensibility, the queer sublime, and the romantic sublime are explored, along with analyses of artworks such as "Brokeback Mountain" that challenge conventional narratives. Discover how art transcends boundaries and societal norms to create spaces for marginalized voices.

  • Queer aesthetics
  • Art
  • Sublime
  • LGBTQ+
  • Exploration

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  1. CHAPTER 12: QUEERING IMAGINATION: Art, Aesthetics, and Expression Bruce Henderson, Queer Studies: Beyond Binaries, Harrington Park Press 2019

  2. Is There a Gay [Queer] Sensibility? 1984, Symposium at the New Museum of the New School for Social Research: Jeff Weinstein, journalist and art critic: No, there is no such thing as a gay sensibility, and, yes, it has an enormous impact on our culture. Bruce Henderson, Queer Studies: Beyond Binaries, Harrington Park Press 2019

  3. The Queer Sublime and the Queer Uncanny The sublime: Everyday use: highest praise the utmost in excellence In aesthetics: derived from Longinus, On the Sublime Revived interest: European Romanticism, 19th century Bruce Henderson, Queer Studies: Beyond Binaries, Harrington Park Press 2019

  4. The Romantic Sublime Definition: Not simply the highest achievement of that which is pleasing, but accompanied by sense of terror and an acknowledgment of the unspeakable possibility of death and dissolution in the midst of a universe larger than the individual. Examples: Poetry: Percy Bysshe Shelley, Mont Blanc Painting: Caspar Friedrich, Wanderer Above the Sea of Fog Fiction: Mary Wollstonecraft Shelley, Frankenstein Bruce Henderson, Queer Studies: Beyond Binaries, Harrington Park Press 2019

  5. The Queer Sublime Danielle Lewis: The Turcot Yards (Montreal) Space of neglect and decay Repurposed (without official sanction): queer space for the homeless and otherwise marginalized Always incomplete, because a completion of the sublime would be dissolved and disappeared Always just this far away from finality Bruce Henderson, Queer Studies: Beyond Binaries, Harrington Park Press 2019

  6. Brokeback Mountain and the Queer Sublime Davin Grindstaff, The Fist and the Corpse: Taming the Queer Sublime in Brokeback Mountain For some viewers, BBM is a tragedy of social homophobia For others, an individual tragedy of two people unable to make the move into a queer domestic realm; inability even to imagine such a space (Ennis) Grindstaff: symbolically represents the collective trauma that otherwise result from directly witnessing homophobic repression and violence; yet because the film aesthetically induces a feeling of pleasure, audiences transcend the terror that would ordinarily accompany such encounters Bruce Henderson, Queer Studies: Beyond Binaries, Harrington Park Press 2019

  7. The Uncanny: Freud and Beyond 1919: Freud, The Uncanny unheimliche, unhomelike or unfamiliar E.T.A. Hoffman, The Sandman : dancing automaton, Olympia; also, an eye-stealer. Both emblems of the uncanny for Freud The Uncanny Valley, Mashahiro Mori: robots move towards human appearance; at a certain point, they produce discomfort and alienation, when distinction between human and thing is blurred Bruce Henderson, Queer Studies: Beyond Binaries, Harrington Park Press 2019

  8. Paulina Palmer and the Queer Uncanny Non-heteronormative sexuality and non-cisgender identity produce uncanny effects. In pre-20th century art and literature, LGBT identity usually not overtly represented; hence, the development of horror fiction, especially vampires: monster = queerness For modern nonqueer people, queerness may be an uncanny valley Bruce Henderson, Queer Studies: Beyond Binaries, Harrington Park Press 2019

  9. Spotlight on Queer Childrens and Young Adult Fiction: Learning to Read Pre-modern examples of potential queerness : Jo in Little Women, characters in Baum s Oz books Oz as mythical space of queer sublime/uncanny: Geoff Ryman, Was (blend of fantasy and realism; AIDS subplot) Gregory Maguire, Wicked series Danielle Paige, Dorothy Must Die series Bruce Henderson, Queer Studies: Beyond Binaries, Harrington Park Press 2019

  10. Late 20th-Century Examples Louise Fitzhugh, Harriet the Spy novels Fitzhugh, southern lesbian (closeted) writer living in NYC Harriet and Janie as proto-lesbians: baby dykes Series challenged traditional gender roles ( Sport as boy who likes to cook and keep house) and taboo topics (girls bodies and menstruation) Bruce Henderson, Queer Studies: Beyond Binaries, Harrington Park Press 2019

  11. Continued John Donovan, I ll Get There, It Better Be Worth the Trip (1969): Considered first YA novel to mention homosexuality Donovan, worked in children s publishing Plot: Davy, child of divorced parents, lives with grandmother; when she dies, he must live with mother again in NYC Possible queerness of uncle who offers to take Davey Schoolmate, Altschuler, with whom he develops close friendship Drunken moment of physical affection Death of beloved dachshund as punishment Bruce Henderson, Queer Studies: Beyond Binaries, Harrington Park Press 2019

  12. Lesbian Youth in Mid-20th-Century Fiction Rosa Guy, Ruby (1976): Pair of sisters in NYC, emigres from West Indies Title character falls in love with fellow student, Daphne Ends with Daphne deciding her lesbianism was a phase; Ruby has been politicized and novel is open-ended about her future Bruce Henderson, Queer Studies: Beyond Binaries, Harrington Park Press 2019

  13. Continued Nancy Garden, Annie on My Mind (1982) Shows up frequently on challenged book lists Liza and Annie, meet in museum, become lovers Protective lesbian couple (teachers): fired Liza threatened with expulsion, but enlightened board does not Girls go to different colleges, but reconnected and decide to meet during Spring Break Bruce Henderson, Queer Studies: Beyond Binaries, Harrington Park Press 2019

  14. Trans Inclusion in Childrens and YA Literature Julie Anne Peters, Luna (2004) Considered first YA novel to address trans issues Told from point of view of Regan, 16 year-old sister Liam, older sibling, begins to transition to Luna Criticisms: Told by by-stander, rather than trans person Focuses on external actions (dressing in female clothing) Nonetheless, a step forward Bruce Henderson, Queer Studies: Beyond Binaries, Harrington Park Press 2019

  15. Other Developments in Trans Childrens/YA Literature Kristin Cronn-Mills, Beautiful Music for Ugly Children (2012) Gabe, young trans man, develops following as radio DJ M-E Girard, Girl Mans Up (2016) Pen(elope), Portuguese-immigrant family, masculine-identified I.W. Gregorio, None of the Above (2015) Kristin, homecoming queen, learns she is intersex Bruce Henderson, Queer Studies: Beyond Binaries, Harrington Park Press 2019

  16. Others Brie Spangler, Belle (2016) Retelling of Beauty and the Beast with trans boy as beauty April Daniels, Dreadnought (2017) First of trans superhero series David Levithan, Every Day series and Two Boys Kissing (2013) Magical realism involving gender fluidity Bruce Henderson, Queer Studies: Beyond Binaries, Harrington Park Press 2019

  17. Alex Gino and George Written for pre-middle school audience Author identifies as genderqueer Fifth-grader, assigned male at birth Wants to play Charlotte in school production of Charlotte s Web Scene of passing as Melissa (chosen name) Bruce Henderson, Queer Studies: Beyond Binaries, Harrington Park Press 2019

  18. Aesthetics and Art for Arts Sake Whitney Davis, Queer Beauty: concepts of the beautiful have often been connected to same-sex attractiveness (even among heterosexually-identified artists) Not necessarily erotic, but based on formal pleasures produced on mind and senses of the viewer (or reader or listener) David Hume, Enlightenment thinker: On the Standard of Taste: Bruce Henderson, Queer Studies: Beyond Binaries, Harrington Park Press 2019

  19. Victorian Developments Matthew Arnold: function of art to instill notions of good and bad Walter Pater: desire for that which is beautiful Oscar Wilde: There is no such thing as a moral or immoral book. Books are well written, or badly written. That is all.

  20. Critiques of Art for Arts Sake Depoliticizes art Removes it from social activism and venues AIDS epidemic: Political funerals brought together intersection of aesthetics and political activism Bruce Henderson, Queer Studies: Beyond Binaries, Harrington Park Press 2019

  21. Camp and Irony: Performing the Disguise, Openly/Disguising the Performance Camp: tied to forms of irony Often viewed as coping strategy for navigating heterocentric world A habitusof excessiveness Susan Sontag, Notes on Camp (1964) Distinguished between na ve and deliberate Camp Relegated camp to the realm of the apolitical More recent theorists disagree point to drag as a form of camp that can be political in aims and resultd Bruce Henderson, Queer Studies: Beyond Binaries, Harrington Park Press 2019

  22. Other Recent Examples of Camp in Society The Sisters of Perpetual Indulgence: Melissa Wilcox, Queer Nuns: serious parody The films and writings of John Waters: Grew up in Baltimore Tastelessness : The Diane Linkletter Story (1970) Divine as muse; name derived from Genet s Our Lady of the Flowers Bruce Henderson, Queer Studies: Beyond Binaries, Harrington Park Press 2019

  23. Feminist Critiques of Camp Does camp depend too much of misogynistic images of and attitudes towards women One response: the use of women in camp is actually an acknowledgment of the courage and power of strong women (such as the larger-than-life movie stars alluded to in camp) Is there such a thing as lesbian camp: drag kings Hyperfemininity, intersected with cultural insider stereotypes: Carmen Tropicano Bruce Henderson, Queer Studies: Beyond Binaries, Harrington Park Press 2019

  24. The Mickee Faust Club Located in Tallahasse, FL Established by Donna Nudd and Terry Galloway, partners; Nudd, an academic, performer, and director at FSU; Galloway, a hearing-impaired performance artist and actor Sketch comedy (and other forms): queercrip (Sandahl) Mass media: RuPaul s Drag Race Bruce Henderson, Queer Studies: Beyond Binaries, Harrington Park Press 2019

  25. The End of Camp? Does camp only flourish in closeted societies, where reference to queer identity and experience must be indirect or ironically-named? What would a 21st-century camp culture involve? Bruce Henderson, Queer Studies: Beyond Binaries, Harrington Park Press 2019

  26. Expression as Communion and Community: Celebrating Us Marches and Parades: Earliest marches: the Mattachine Society and Daughters of Bilitis: in traditions of serious social protest Parades: post-Stonewall celebrations, with both overtones and undertones of cultural and political pride Controversies: representation of extremes (drag queens and leather community) Appropriation: presence of straight spectators Bruce Henderson, Queer Studies: Beyond Binaries, Harrington Park Press 2019

  27. The Michigan Womyns Music Festival Womyn : term coined to remove men from term Ran from 1976 to 2015 Established by Lisa Vogel, sister, and another friend Week-long opportunity for all-female space to exist for communal appreciation of music, art, performance, and sisterhood Men only permitted as deliverers and other maintenance roles (sanitation); boys spent days at a separate campo Kath Browne: MWMF as imperfect lesbian utopia Bruce Henderson, Queer Studies: Beyond Binaries, Harrington Park Press 2019

  28. End of the Festivaland Memorialization In final years, controversies over presence of trans people: Concerns over pre-op (bottom surgery) trans women Fewer concerns over trans men Womyn-born Womyn : shared experience of girlhood Some boycotts by artists; similarly, some artists were boycotted in other venues for supporting the WBW policy Loraine Edwalds and the Artemis Singers, Wanting the Music Musical-theatre piece, telling the story of the Festival through scenes involving a set of women over the years of the event Bruce Henderson, Queer Studies: Beyond Binaries, Harrington Park Press 2019

  29. Spotlight on Art and the AIDS Crisis Question: why have some categories of artists had more representation than others? Trans people higher rate of infection, but have been represented less frequently and trans artists only recently been involved in AIDS representation as artists and producers. Series Pose shows advances Questions of accuracy: example of characters in Academy Award-winning film, Dallas Buyers Club (2013) Bruce Henderson, Queer Studies: Beyond Binaries, Harrington Park Press 2019

  30. Literature: AIDS Narratives and Poetry Initially, primarily gay, white cis-gender writers: The Violet Quill Paul Monette, memoirist, Borrowed Time Growing presence of lesbian writers: Sarah Schulman, People in Trouble African American writers: James Earl Hardy, The Day Easy-E Died Bruce Henderson, Queer Studies: Beyond Binaries, Harrington Park Press 2019

  31. Resurgence of AIDS Novels in Recent Years Tim Murphy, Christodora (2016) John Whittier Treat, The Rise and Fall of the Yellow House (2015) Rabih Alameddine, Koolaids: The Art of War (1998) and The Angel of History (2016): Middle Eastern migr Rebecca Makkai, The Great Believers (2018): shifts between 1980s Chicago and 2010s Paris Bruce Henderson, Queer Studies: Beyond Binaries, Harrington Park Press 2019

  32. Visual Arts Keith Haring: graffiti as street art Aesthetically pleasing (radiant baby image) Social intervention (public spaces) Hugh Auchincloss Steers: fine art traditions Came from wealthy and prestigious family; attended Yale Figurative art: portraits, especially self-portraits Depicted everyday lives of people with AIDS Bruce Henderson, Queer Studies: Beyond Binaries, Harrington Park Press 2019

  33. Gran Fury: Installations and Multi-Media Art Off-shoot of ACT UP, from 1988-1995 Invoked and presented historical genealogies Use of commodified products (decals, pins, t-shirts): purpose to diffuse messages as widely as possible The New York Crimes (substituted in coin-operated boxes for The New York Times) Let the Record Show: the New Museum Bruce Henderson, Queer Studies: Beyond Binaries, Harrington Park Press 2019

  34. The Names Project: A Quilt of Commemoration 1985: Cleve Jones, San Francisco Invoked feminine traditions of communal art (thus queering gay male participation and alluding to the power and commitment of women in the AIDS epidemic) 1987: assembled panels displayed of National Mall in Washington, D.C. Bruce Henderson, Queer Studies: Beyond Binaries, Harrington Park Press 2019

  35. Music Popular music: Dionne Warwick cover; 1990 benefit concert at Radio City Music Hall; video; fundraiser and awareness Bruce Springsteen, Streets of Philadelphia (from film Philadelphia, received Academy Award for Best Song) Sylvester and other disco artists Freddie Mercury, band Queen : only came out when dying. Bruce Henderson, Queer Studies: Beyond Binaries, Harrington Park Press 2019

  36. Classical Musical Traditions and AIDS John Corigliano, Symphony No. 1, Of Rage and Remembrance Robert Savage, AIDS Ward Scherzo Alexandra Pajek, Sounds of HIV, assigned notes to the DNA sequence associated with the virus Bruce Henderson, Queer Studies: Beyond Binaries, Harrington Park Press 2019

  37. Film and Television 1985: An Early Frost, early television film about AIDS Theatrical films: 1985, Arthur Bressan, Jr., Buddies 1986: Bill Sherwood, Parting Glances 1991, Marlon Riggs, Tongues Untied (queer African-American men with HIV/AIDS) 1993: Jonathan Demme, Philadelphia (first major Hollywood film) Bruce Henderson, Queer Studies: Beyond Binaries, Harrington Park Press 2019

  38. Theatre: Staging HIV/AIDS 1985: Larry Kramer, The Normal Heart, off-Broadway (revived on Broadway and filmed for HBO) 1990, William Finn, Falsettoland, off-Broadway one-act (combined with March of the Falsettos as Falsettos on Broadway, revived and then telecast on PBS) 1991: Tony Kushner, Angels in America, regional and eventually Broadway (filmed for HBO, and revived on- and off-Broadway) 1996: Jonathan Larson, Rent (off-Broadway, Broadway, film, live television) Bruce Henderson, Queer Studies: Beyond Binaries, Harrington Park Press 2019

  39. Dance and Performance Art Dance: Death of ballet star Rudolf Nureyev, from AIDS Neil Greenberg, Not-About-AIDS-Dance Bill T. Jones, Still/Here: people living with chronic/terminal illness (including HIV/AIDS, as was Jones) Controversy: Arlene Croce, dance critic for The New Yorker, refused to attend, saying its use of such dancers and subject matter made it stand outside of art ( Discussing the Undiscussable ) Bruce Henderson, Queer Studies: Beyond Binaries, Harrington Park Press 2019

  40. Performance Art Ron Athey, Four Scenes in a Harsh Life, Walker Art Center (Minneapolis, MN) Tim Miller, body, story, and language to speak of bodies with HIV/AIDS Scott Dillard, Breathing Darrell : a useful queer mythology Bruce Henderson, Queer Studies: Beyond Binaries, Harrington Park Press 2019

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