Implementation of Signature Pedagogy in Online Music Teacher Courses

 
Implementation of a Signature
Pedagogy in an Online Course
for Music Teachers
 
Svetlana V. Karkina
PhD Student
University of Salamanca, Spain
Elena A. Dyganova
Associate professor
Kazan Federal University, Russia
 
The learning ideas conference
 
Online technologies for remote teaching
International Journal of Music Education
Pamela D.
 
Pike
 Improving music teaching and learning through online service: A
case study of a synchronous online teaching internship
Louisiana State University, USA
 
…empowering
students to find
their own sitting
and hand positions
was critical for
effective practicing
and success
between lessons…
 
Signature pedagogies
Systematic review 
from 2006 till 2020
 
Signature pedagogies
Systematic review 
from 2006 till 2020
 
Art and Humanities. Methods
Art and Humanities. Methods
 
“The complex of components featured the structure of
University professional practice was used to
characterize the signature pedagogy”
 (Woeste, & Barham, 2006)
 
 
 i. Which online tools can replace face-to-face learning in time
of emergency in music teacher professional preparation
?
 ii. Is the SPOC based on signature pedagogy affects future
music teachers` learning outcomes and engagement?
 
1.
Singing, alone and with others, a varied repertoire of music.
2.
Performing on instruments, alone and with others, a varied repertoire of music.
3.
Improvising melodies, variations, and accompaniments.
4.
Composing and arranging music within specified guidelines.
5.
Reading and notating music.
6.
Listening to, analyzing, and describing music.
7.
Evaluating music and music performances.
8.
Understanding relationships between music, the other arts, and disciplines outside the arts.
9.
Understanding music in relation to history and culture.
 
1.
Vocal performance
.
2.
Instrumental performance
.
3.
Perception, and attentive listening.
4.
Identifying, and analyzing the sounds.
5.
Recognition and understanding musical language.
6.
Reading, and writing musical notation.
7.
Improvising movements.
8.
Interpretation and musical assessment.
9.
Expressive practice and creation.
 
1.
Listening to music.
2.
Vocal singing
.
3.
Playing musical instruments
.
4.
Composition.
5.
Music-history activity.
6.
Music-theory activity.
7.
Music-mediated activity
8.
Musical poly
-
artistic activity.
9.
Improvising  and interpretation of music.
 
Signature Pedagogy in Music Teacher
Education by the means of SPOC
Singing solo and in
ensemble
Instrumental
performing
Improvising
melodies
Composing
 music
Reading and
notating music
Listening to, analyzing, and
describing music
Evaluating music
Understanding relationships
between music, the other
arts
Understanding music in
relation to history and
culture
 
Elements of SPOC for implementation of music teacher signature pedagogy
 
Students’ self-perception of professional readiness
 
Analysis of fostering students` musical skills
by the means of signature pedagogy online course
 
Criteria of m
usic teacher` professional activities
 
Instructional tasks
 
XXIst Century Music Development
 
Computer technologies
provides the expression an
idea much 
more quicker
and easier
 
Matthew Hindson,
composer
 
Midi-studio or computer lab
allows to avoid mistakes or
correct them later
 
Frank Xavier,
composer
 
I knew personally great
number of people who had
learnt to play musical
instruments by the Youtube
 
David Price,
music teacher
 
Signature Pedagogy in Music Teacher
Education by the means of SPOC in KFU
 
Signature Pedagogy in Music Teacher
Education by the means of SPOC in KFU
 
20
 
21
 
n
 
19
 
5
 
15
 
6
 
Signature Pedagogy in Music Teacher
Education by the means of SPOC in KFU
 
O
nline tools can replace face-to-face learning in a case of emergency,
like COVID19 pandemic
 
Svetlana V. Karkina
s.karkina@mail.ru
PhD Student
University of Salamanca, Spain
Elena A. Dyganova
Associate professor
Kazan Federal University, Russia
 
The learning ideas conference
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Explores the implementation of a Signature Pedagogy in an online course for music teachers, focusing on remote teaching technologies, improving music education through online services, and the concept of Signature Pedagogies in various fields such as Arts and Humanities. The study emphasizes empowering students to enhance their learning practices and success between lessons.

  • Music Education
  • Signature Pedagogy
  • Online Teaching
  • Remote Learning
  • Arts and Humanities

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  1. The learning ideas conference Implementation of a Signature Pedagogy in an Online Course for Music Teachers Svetlana V. Karkina PhD Student University of Salamanca, Spain Elena A. Dyganova Associate professor Kazan Federal University, Russia

  2. Online technologies for remote teaching MOOC BOOC LOOC DOCC SPOC MOOR

  3. International Journal of Music Education Pamela D. Pike Improving music teaching and learning through online service: A case study of a synchronous online teaching internship Louisiana State University, USA empowering students to find their own sitting and hand positions was critical for effective practicing and success between lessons

  4. Signature pedagogy by Shulman Lee Thinking Performance Acting with integrity

  5. Signature pedagogies Systematic review from 2006 till 2020 Food systems 1 Management 1 Entrepreneurship 1 Science 4 Psychology 5 Arts and Humanities 15 Engineering Education 3 Health and physical education 5 Political Science 2 Psychology education 3 History education 4 Legal education 7 Early Years Education 4 Professional development 2 Management Education 3 Therapy education 3 Communication and disorders 5 Digital pedagogy 7 Design and technology education 3 Social Work Education 15 Higher education 5 School education 9 Leadership 7 Doctoral education 6 0 2 4 6 8 10 12 14 16

  6. Signature pedagogies Systematic review from 2006 till 2020 Art and Humanities. Methods Writing studies (Heinert, 2017) Theatre performing (Kornetsky, 2017) Graphic design (Motley, 2017) Modern choreography (Kearns, 2017) Critique History class (Walker & Carrera, 2017) Orchestral composer workshop (Love & Barrett, 2019) Case study Journalism (Woolley, 2018) Integrated learning

  7. The complex of components featured the structure of University professional practice was used to characterize the signature pedagogy (Woeste, & Barham, 2006)

  8. Research questions i. Which online tools can replace face-to-face learning in time of emergency in music teacher professional preparation? ii. Is the SPOC based on signature pedagogy affects future music teachers` learning outcomes and engagement?

  9. Standard of Music Education USA 1.Singing, alone and with others, a varied repertoire of music. 2.Performing on instruments, alone and with others, a varied repertoire of music. 3.Improvising melodies, variations, and accompaniments. 4.Composing and arranging music within specified guidelines. 5.Reading and notating music. 6.Listening to, analyzing, and describing music. 7.Evaluating music and music performances. 8.Understanding relationships between music, the other arts, and disciplines outside the arts. 9.Understanding music in relation to history and culture.

  10. Real Decreto 1006/1991, de 14 de Junio, Spain 1.Vocal performance. 2.Instrumental performance. 3.Perception, and attentive listening. 4.Identifying, and analyzing the sounds. 5.Recognition and understanding musical language. 6.Reading, and writing musical notation. 7.Improvising movements. 8.Interpretation and musical assessment. 9.Expressive practice and creation.

  11. Music teacher` professional activities defined by E.Abdullin 1.Listening to music. 2.Vocal singing. 3.Playing musical instruments. 4.Composition. 5.Music-history activity. 6.Music-theory activity. 7.Music-mediated activity 8.Musical poly-artistic activity. 9.Improvising and interpretation of music.

  12. Signature Pedagogy in Music Teacher Education by the means of SPOC Instrumental performing Singing solo and in ensemble Improvising melodies Understanding music in relation to history and culture Composing music Understanding relationships between music, the other arts Reading and notating music Evaluating music Listening to, analyzing, and describing music

  13. Elements of SPOC for implementation of music teacher signature pedagogy Music teacher` professional activities Singing, alone and with others, a varied repertoire of music Performing on instruments, alone and with others, a varied repertoire of music SPOC e-sources 1. 2. Recording Chat with a teacher for feedback Stream Youtube Recording Stream 3. Improvising melodies, variations, and accompaniments 4. Composing and arranging music within specified guidelines Stream Youtube Recording Task Web seminar Youtube Web seminar Forum Task Recording Youtube Chat with a teacher Web seminar 5. Reading and notating music 6. Listening to, analyzing, and describing music 7. Evaluating music and music performances 8. Understanding relationships between music, the other arts, and disciplines outside the arts 9. Understanding music in relation to history and culture

  14. Methodology Participated 56 students, who study music teacher undergraduate program at Kazan Federal University Data were collected from one academic semester during September 1, 2021 to January 31, 2022. Data collection and participants The evaluation was based on the method of questionnaire: Self-perception Musical intelligence and their online activity Measures and methods Cronbach s alpha ( ) The structural equation modeling (SEM) was executed through the software named nyx Statistical analysis

  15. Students self-perception of professional readiness Average result (median) (max 5) Standard deviation Cronbach s alpha ( ) value Trend of professional practice Solo Performance .92 4.7 1.3685 Ensemble Performance .97 4.8 0.9875 Listening and evaluating .99 4.1 1.3256 Artistic creation .97 4.9 0.8984 Reading, analyzing and describing .95 4.9 0.5664 Understanding music in context .97 3.8 1.2983 Overall satisfaction .99 4.8 0.5683 Total result >.90 4.8 1.2983

  16. Analysis of fostering students` musical skills by the means of signature pedagogy online course Criteria of music teacher` professional activities Instructional tasks

  17. Discussion Computer technologies provides the expression an idea much more quicker and easier Matthew Hindson, composer I knew personally great number of people who had learnt to play musical instruments by the Youtube Midi-studio or computer lab allows to avoid mistakes or correct them later David Price, music teacher Frank Xavier, composer XXIst Century Music Development

  18. Signature Pedagogy in Music Teacher Education by the means of SPOC in KFU

  19. Signature Pedagogy in Music Teacher Education by the means of SPOC in KFU n Topics for fora Social status of a music teacher 21 Music Art in the Digital Age 20 The meaning of music for everybody 19 Standards in music education 5 Traditional music instruments VS digital tools 15 Creative activity in the music lesson 6

  20. Signature Pedagogy in Music Teacher Education by the means of SPOC in KFU

  21. Conclusions Online tools can replace face-to-face learning in a case of emergency, like COVID19 pandemic The design of a small private online course (SPOC) based on the signature pedagogy implemented by features of music teacher activity allowed students to improve their professional skills. The process promoted the student-teacher interaction and opportunity to offer for every student task in the field of his/her personal learning environment. The SPOC allows to provide flexible, adaptive and meaningful educational resource to accommodate students learning, work, and life goals. Comfortable way for self-improvement of students` knowledge and art creative skills through the productive training practice.

  22. The learning ideas conference Thank you very much for your attention! Svetlana V. Karkina s.karkina@mail.ru PhD Student University of Salamanca, Spain Elena A. Dyganova Associate professor Kazan Federal University, Russia

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