Insights into Elizabethan Tragedy and Classical Influence in Drama
Explore the world of Elizabethan theatre, the influence of classic Latin drama, and the evolution of tragedy from the 16th century to modern times. Learn about the elements of tragedy, the shift in tragic heroes from kings to middle-class individuals, and key concepts like hamartia, nemesis, and catharsis.
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Presentation Transcript
In the 16th century, upon English drama classical influence, Latin influence in particular is observed. Great playwrights of this period are Christopher Marlowe and William Shakespeare
Tragedy Tragedy is a serious or sorrowful play, involving at least a conflict, with a fatal or disastrous conclusion. Conflict is the basic element of tragedy. The tragic hero is a man neither villainous nor extremely virtuous. He moves from happiness to misery through frailty or some error in judgement.
From the time of Seneca to 18th century , tragedy was about the fall of a famous man. The tragic hero was a king, an aristocrat or other person of high position. In 18th century, the tragic hero belonged to middle class. In modern tragedies, the tragic hero may be from any social class.
Tragedy Hamartia (error) : Tragic flaw is used as the synonym of hamartia. An error of judgement which may arise from ignorance or some moral shortcoming. Hubris (insolence, pride). It isn t seen in English tragedies. Greek Tragic hero is proud of himself so much so that he ignores the warnings of gods and disobeys their laws.
Nemesis means punishment. Peripetia: Sudden change of fortune from prosperity to ruin. Anagnorisis: It is the moment of recognition. The tragic hero understands his faults. Catastrophe: The conclusion of tragedy
