Nietzsche on Oedipus: Insights from The Birth of Tragedy
Nietzsche on Oedipus
From
The Birth of Tragedy
:
“Sophocles conceived doomed
Oedipus
the
greatest sufferer of the Greek stage, as a
pattern of nobility, destined to error and
misery despite his wisdom, yet exercising a
beneficent influence upon his environment in
virtue of his boundless grief
.”
Nietzsche:
The Birth of
Tragedy
"An old legend has it that King Midas hunted a
long time in the woods for the wise Silenus,
companion of Dionysos, without being able to
catch him. When he finally had caught him the
king asked him what he considered man's
greatest good.
The daemon remained sullen and
uncommunicative until finally, forced by the king,
he broke into a shrill laugh and spoke
:
Nietzsche:
The Birth of
Tragedy
'Ephemeral wretch, begotten by accident
and toil, why do you force me to tell you
what it would be your greatest boon not to
hear? What would be best for you is quite
beyond your reach:
not to have been born,
not to be, to be nothing. But the second
best is to die soon.’”
Nietzsche on Oedipus
“Oedipus, his father's murderer, his
mother's lover, solver of the Sphinx's
riddle! What is the meaning of this triple
fate?”
Nietzsche on Oedipus
“This is the recognition I find expressed
in the terrible triad of Oedipean fates: the
same man who solved the riddle of nature
(the ambiguous Sphinx) must also, as
murderer of his father and husband of his
mother, break the consecrated tables of
the natural order.”
Nietzsche on Oedipus
“It is as though the myth whispered to us
that wisdom, and especially Dionysian
wisdom, is an unnatural crime, and that
whoever, in pride of knowledge, hurls
nature into the abyss of destruction, must
himself experience nature's disintegration.
“
Nietzsche on Oedipus
“’The edge of wisdom is turned against
the wise man; wisdom is a crime
committed on nature’: such are the terrible
words addressed to us by myth.”
Nietzsche delves into the tragic story of Oedipus, highlighting his doomed fate, nobility intertwined with error and misery, and the profound influence of his boundless grief. Through Oedipus, Nietzsche reflects on the themes of wisdom, natural order, and the consequences of challenging nature's laws.
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Presentation Transcript
Nietzsche on Oedipus From The Birth of Tragedy: Sophocles conceived doomed Oedipus the greatest sufferer of the Greek stage, as a pattern of nobility, destined to error and misery despite his wisdom, yet exercising a beneficent influence upon his environment in virtue of his boundless grief.
Nietzsche: The Birth of Tragedy "An old legend has it that King Midas hunted a long time in the woods for the wise Silenus, companion of Dionysos, without being able to catch him. When he finally had caught him the king asked him what he considered man's greatest good. The daemon remained sullen and uncommunicative until finally, forced by the king, he broke into a shrill laugh and spoke:
Nietzsche: The Birth of Tragedy 'Ephemeral wretch, begotten by accident and toil, why do you force me to tell you what it would be your greatest boon not to hear? What would be best for you is quite beyond your reach: not to have been born, not to be, to be nothing. But the second best is to die soon.
Nietzsche on Oedipus Oedipus, his father's murderer, his mother's lover, solver of the Sphinx's riddle! What is the meaning of this triple fate?
Nietzsche on Oedipus This is the recognition I find expressed in the terrible triad of Oedipean fates: the same man who solved the riddle of nature (the ambiguous Sphinx) must also, as murderer of his father and husband of his mother, break the consecrated tables of the natural order.
Nietzsche on Oedipus It is as though the myth whispered to us that wisdom, and especially Dionysian wisdom, is an unnatural crime, and that whoever, in pride of knowledge, hurls nature into the abyss of destruction, must himself experience nature's disintegration.
Nietzsche on Oedipus The edge of wisdom is turned against the wise man; wisdom is a crime committed on nature : such are the terrible words addressed to us by myth.
