Comprehensive Guide to Acrylic Painting Tools, Tips, and Techniques

Acrylic
Paint
ing
 
Tools, 
Tips 
and
 
Techniques
 
Acrylic Paint
 
Basics…
 
Developed in 
the 
late 
1940s
.
 
In the 1950's, the 
water-based 
acrylics 
were
developed. 
They became 
popular in 
the
1960's 
when 
pop artists used 
them, such 
as
Andy 
Warhol. Other art 
styles 
that explored
this 
medium 
were 
photorealism 
and 
Op
 
Art
 
Hi
s
t
ory
 
Andy 
Warhol-
 
Portrait
 
Your 
footer
 
here
 
-
 
2
 
Acrylic Paint
 
Basics…
 
Acrylic paints are made from pigment, 
water
and an acrylic 
binder, 
which 
forms 
a 
hard, clear
film as the 
water 
evaporates. It 
is 
this
transparent film, reflecting light from the
 
pigment
inside 
it, that gives acrylic 
color 
its
 
brilliance.
 
Acrylics are water-soluble, 
non-toxic, 
easy to
clean, and dry 
quickly. 
They 
can be used
opaque (no light 
shows 
through) either
 
through
thick 
paint 
application 
or by 
adding 
white.
 
They
can be diluted 
with 
water 
and painted so they
are transparent (light 
shows
 
through).
 
Contents
 
Drawing 
and 
Painting
 
II
 
-
 
3
 
Acrylic Paint
 
Tools…
 
Acrylic 
paintbrushes 
come in
various 
shapes
 & sizes. Never
use one brush size for an
entire painting
 
Brushes
 
Drawing 
and 
Painting
 
I
 
-
 
4
 
A
 
p
a
i
n
t
b
r
u
s
h
 
i
s
 
m
a
d
e
 
u
p
 
o
f
 
t
h
r
e
e
 
p
a
r
t
s
:
 
T
h
e
 
h
a
n
d
l
e
,
the ferrule, and tuft (brush hairs or
 
bristles).
 
Understanding
 
Paintbrush
 
Construction &
 
Use
 
-
 
6
 
Care 
of Acrylic
 
Brushes
 
Always 
clean 
your 
brush
immediately
 
after
 
use.
If color has 
dried 
on the brush, it
 
is
ruined
.
Do 
not stand 
a 
brush on its
 
handle-
will  
cause 
water 
to leak 
down 
into
the  ferrule, loosening the 
glue 
that
holds  the 
bristles
 
together.
Never leave 
brushes standing on
their  
bristles to 
dry- 
they 
will 
dry to
that
 
shape.
 
6
 
Drawing 
and 
Painting
 
II
 
-
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
-
 
under-painting 
in large 
flat 
shapes to 
lay 
out
 
composition.
 
After 
color blocking start painting details 
in 
the
 
background
(like 
the 
sky) 
and then paint the 
next 
ground 
when 
finished
completely- 
work 
from 
the back to the
 
front.
 
Techniqu
e
s
 
13
 
Color
 
Blocking
 
Keep 
it
 
simple…
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
-
 
Techniqu
e
s
 
Transparent
 
(watercolor)
By thinning acrylics 
with 
water 
have
 
similar
effects of transparent
 
watercolor.
 
8
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
-
 
Techniqu
e
s
 
9
 
Wet-on-Wet
mixing 
two wet 
colors/values of paint on 
canvas
 
to
help blend/gradient
 
colors
Acrylics 
dry 
fast- 
to 
help
keep 
paint 
moist, spritz 
with
water to  
slow 
the 
drying
process  
down.
 
Drawing 
and 
Painting
 
II
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
-
 
Techniqu
e
s
 
Impasto
thick 
applied paint- usually done 
with 
a 
pallet
knife
 
10
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
-
 
Techniqu
e
s
 
Hard
 
Edge
Creating a clean, straight edge 
between
objects
(colors/values)
 
11
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
-
 
Techniqu
e
s
 
12
 
Scumbling
The 
application of broken color;
letting the color 
underneath 
to show
through.
using a dry brush to create stippling
or 
texture- 
Dip tips of dry brush in
thin 
layer 
of paint and either pounce
the brush on the 
canvas 
or 
sweep
the brush across the 
canvas 
to
create 
different
 
textures.
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
-
 
Instead 
of using black and 
brown 
out of 
the 
of 
the
 
bottle
you 
should 
mix 
them from 
Primary
 
colors.
 
B
L
A
C
K
:
 
 
Cool
 
Brown:
 
Base 
Blue and little less
 
orange
 
22
 
a
b
o
u
t
 
9
0
%
 
b
a
s
e
 
c
o
l
o
r
 
a
n
d
 
1
0
%
 
c
o
m
p
l
e
m
e
n
t
 
Warm 
black: start 
with 
red 
and add
 
green
Cool 
black: start 
with 
blue 
and add
 
orange
 
B
R
O
W
N
:
 
a
b
o
u
t
 
5
0
%
 
b
a
s
e
 
c
o
l
o
r
 
a
n
d
 
5
0
%
 
c
o
m
p
l
e
m
e
n
t
 
Warm 
Brown: 
base 
is red 
and little 
less
 
green
 
Mixing
 
Neutrals:
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
-
 
:
S
T
A
R
T
 
f
r
o
m
 
t
h
e
 
B
A
C
K
G
R
O
U
N
D
 
a
n
d
 
w
o
r
k
 
y
o
u
r
 
w
a
y
f
o
r
w
a
r
d
.
 
T
h
i
s
 
w
i
l
l
 
k
e
e
p
 
y
o
u
 
f
r
o
m
 
h
a
v
i
n
g
 
t
o
 
p
a
i
n
t
 
i
n
b
e
t
w
e
e
n
 
l
i
t
t
l
e
 
d
e
t
a
i
l
s
-
 
i
t
s
 
f
a
s
t
e
r
 
t
o
 
w
o
r
k
 
t
h
i
s
 
w
a
y
!
!
 
Diffuse edges 
(blend) 
with 
a 
dry brush by dabbing
 
lightly.
 
Acrylics 
become darker 
in 
tone as they 
dry, 
so 
remember
 
to
allow 
for 
this effect 
when 
mixing 
your
 
colors.
 
Acrylics are 
resistant to 
water 
once 
dry, 
which 
means they
can be 
over-painted without
 
disturbing
 
the
 
previous
 
color.
Once 
dry, 
colors cannot be 
dissolved 
with 
a damp
 
brush.
 
21
 
Helpful
 
Hints:
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
-
v
 
:
 
Preliminary
 
Work:
 
 
In your sketchbook 
try  
to 
replicate 
the 
picture 
of 
this pear
 
using
the 
color blocking 
technique.
 
First do a simplified 
color blocked underpainting
 focusing on
value
. Then do a slightly 
transparent
 (thin with water) top layer
to smooth out your transitions.
 
23
 
P
a
i
n
t
i
n
g
 
t
e
c
h
n
i
q
u
e
s
 
t
o
 
c
o
n
s
i
d
e
r
 
Color
 
Blocking
 
Transparent
 
Wet-on-Wet
 
Impasto
 
Scumbling
 
Hard
 
Edge
 
ACRYLIC PAINTING STEPS
 
C
r
e
a
t
e
 
Y
o
u
r
 
P
a
l
e
t
t
e
C
o
l
o
r
 
m
a
t
c
h
 
p
h
o
t
o
 
r
e
f
e
r
e
n
c
e
 
a
n
d
 
m
i
x
 
e
n
o
u
g
h
 
p
a
i
n
t
 
f
o
r
 
e
n
t
i
r
e
 
p
a
i
n
t
i
n
g
 
S
K
E
T
C
H
 
B
A
S
I
C
 
s
h
a
p
e
s
 
o
n
t
o
 
c
a
n
v
a
s
&
 
B
L
O
C
K
 
I
N
 
f
i
r
s
t
 
l
a
y
e
r
(
2
 
 
3
 
c
o
l
o
r
s
)
 
REMEMBER
:
NO DETAILS AT
THIS STAGE!
“WRAP PAINTING”
background colors
should extend onto
all sides of canvas
through entire
process
 
 
A
d
d
 
s
h
a
d
o
w
s
T
H
R
O
U
G
H
O
U
T
 
 
REMEMBER
:
PAY ATTENTION TO
BRUSH STROKES.
Choose correct
techniques:
Should you be
using wet-on-wet
to blend or dry
brush to add
texture? Both?
 
Add highlights, mid-tones throughout
 
 
DIRECTION OF BRUSH STROKES MATTERS!
 
Add more detail….and more detail…and more detail 
 
Consider painting transparently on top layers, allowing under layers
to show through. Also, use different size brushes.
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Explore the history of acrylic paints, the basics of acrylic painting, essential tools like brushes, paintbrush construction and care tips, as well as techniques such as color blocking and creating transparent effects with acrylics. Enhance your acrylic painting skills with this detailed guide.

  • Acrylic painting
  • Techniques
  • Tools
  • Tips
  • Art

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  1. Acrylic Painting Tools, Tips and Techniques

  2. Acrylic PaintBasics History Developed in the late 1940s. In the 1950's, the water-based acrylics were developed. They became popular in the 1960's when pop artists used them, such as Andy Warhol. Other art styles that explored this medium were photorealism and OpArt Andy Warhol- Portrait Your footer here - 2

  3. Acrylic PaintBasics Contents Acrylic paints are made from pigment, water and an acrylic binder, which forms a hard, clear film as the water evaporates. It is this transparent film, reflecting light from thepigment inside it, that gives acrylic color itsbrilliance. Acrylics are water-soluble, non-toxic, easy to clean, and dry quickly. They can be used opaque (no light shows through) either through thick paint application or by adding white.They can be diluted with water and painted so they are transparent (light shows through). Drawing and PaintingII - 3

  4. Acrylic PaintTools Brushes Acrylic paintbrushes come in various shapes & sizes. Never use one brush size for an entire painting Drawing and PaintingI - 4

  5. Understanding Paintbrush Construction &Use A paintbrush is made up of three parts: Thehandle, the ferrule, and tuft (brush hairs or bristles). - 6

  6. Care of AcrylicBrushes Always clean your brush immediately after use. If color has dried on the brush, it is ruined. Do not stand a brush on its handle- will cause water to leak down into the ferrule, loosening the glue that holds the bristles together. Never leave brushes standing on their bristles to dry- they will dry to that shape. 6 Drawing and PaintingII -

  7. Techniques ColorBlocking under-painting in large flat shapes to lay out composition. After color blocking start painting details in the background (like the sky) and then paint the next ground when finished completely- work from the back to the front. Keep it simple 13 -

  8. Techniques Transparent(watercolor) By thinning acrylics with water have similar effects of transparent watercolor. 8 -

  9. Techniques Wet-on-Wet mixing two wet colors/values of paint on canvas to help blend/gradient colors Acrylics dry fast- to help keep paint moist, spritz with water to slow the drying process down. 9 Drawing and PaintingII -

  10. Techniques Impasto thick applied paint- usually done with a pallet knife 10 -

  11. Techniques HardEdge Creating a clean, straight edge between objects (colors/values) 11 -

  12. Techniques Scumbling The application of broken color; letting the color underneath to show through. using a dry brush to create stippling or texture- Dip tips of dry brush in thin layer of paint and either pounce the brush on the canvas or sweep the brush across the canvas to create different textures. 12 -

  13. Mixing Neutrals: Instead of using black and brown out of the of the bottle you should mix them from Primary colors. BLACK: Warm black: start with red and add green Cool black: start with blue and add orange about 90% base color and 10% complement BROWN: about 50% base color and 50% complement Warm Brown: base is red and little less green Cool Brown: Base Blue and little less orange 22 -

  14. Helpful Hints: : START from the BACKGROUND and work your way forward. This will keep you from having to paint in between little details- its faster to work thisway!! Diffuse edges (blend) with a dry brush by dabbing lightly. Acrylics become darker in tone as they dry, so remember to allow for this effect when mixing your colors. Acrylics are resistant to water once dry, which means they can be over-painted without disturbing the previous color. Once dry, colors cannot be dissolved with a damp brush. 21 -

  15. PreliminaryWork: v In your sketchbook try to replicate the picture of this pear using the color blocking technique. First do a simplified color blocked underpainting focusing on value. Then do a slightly transparent (thin with water) top layer to smooth out your transitions. : 23 -

  16. Painting techniqu Painting technique es to consider s to consider Impasto ColorBlocking Wet-on-Wet Scumbling Hard Edge Transparent

  17. ACRYLIC PAINTING STEPS

  18. Create Your Palette Create Your Palette Color match photo reference and mix enough paint for entire painting

  19. REMEMBER: NO DETAILS AT THIS STAGE! WRAP PAINTING background colors should extend onto all sides of canvas through entire process SKETCH BASIC shapes onto canvas SKETCH BASIC shapes onto canvas & BLOCK IN first layer & BLOCK IN first layer (2 (2 3 colors) 3 colors)

  20. REMEMBER: PAY ATTENTION TO BRUSH STROKES. Choose correct techniques: Should you be using wet-on-wet to blend or dry brush to add texture? Both? Add shadows Add shadows THROUGHOUT THROUGHOUT

  21. Add highlights, mid-tones throughout DIRECTION OF BRUSH STROKES MATTERS!

  22. Add more detail.and more detailand more detail Consider painting transparently on top layers, allowing under layers to show through. Also, use different size brushes.

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